Приказ основних података о документу

dc.creatorŽikić, Bojan
dc.creatorMilenković, Miloš
dc.date.accessioned2021-10-12T12:50:52Z
dc.date.available2021-10-12T12:50:52Z
dc.date.issued2018
dc.identifier.issn0353-1589
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/2668
dc.description.abstractThe notion of "music" should be viewed as a svnesthetic concept: impressions about it arc not transmitted exclusively through the sense of hearing, but also to the visual perception. The effect of music can be seen as intellectual and emotional, as a relation towards the played or pronounced at the lyrics, but also towards the very appearance or performance of the musicians, to the musical piece performing and so on. In other words, we do not only communicate by playing and listening to music, but also understanding it in terms of cultural and social phenomenon. Those who use the concept of music understood in such away even do not have to be musicians, because socially and culturally understandable and relevant messages can be transmitted through the simple broadcasting of a certain music audio or video recordings, or by taking a stand towards some musical piece. Music represents a medium to expression of a sociocultural otherness in Western civilization, at least from the Middle Agcs, but also represents a way of producing that otherness. By producing of otherness, we mean discovered, namely, conscious and intended individual acts to the use of music as a synesthetic concept for the purpose of transmitting a cultural message about a certain kind of otherness in a given sociocultural context, and which, for immediate reference, takes the sender of such a message. Our aim is to present a mechanism of that producing of otherness in such a way, by considering examples to different types of musical pieces (Rock and Roll, film music, classical music, etc.), different types of otherness (ontological, political, ethnical, etc.) and different sociocultural contexts from closer and further past, as well as from the present.en
dc.publisherUniverzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177017/RS//
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177018/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceEtnoantropološki problemi
dc.subjectWestern civilizationen
dc.subjectothernessen
dc.subjectmusicen
dc.subjectcultural communication.en
dc.subjectanthropologyen
dc.titleMusic as an instrument of making a sociocultural othernessen
dc.typearticle
dc.rights.licenseBY
dc.citation.epage325
dc.citation.issue2
dc.citation.other13(2): 295-325
dc.citation.rankM24
dc.citation.spage295
dc.citation.volume13
dc.identifier.doi10.21301/eap.v13i2.1
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1354/2665.pdf
dc.identifier.wos000440525900002
dc.type.versionpublishedVersion


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Приказ основних података о документу