Dugi život kralja Osvalda Velimira Lukića - antika, savremenost, politika
Velimir Lukić's Dugi život kralja Osvalda: Antiquity, contemporary times and politics
Апстракт
U ovom radu nastojimo da ukažemo na pretencioznost tvrdnji o antičkim motivima kao temeljnim karakteristikama tragikomične farse u tri čina Dugi život kralja Oslvalda Velimira Lukića. Naša pažnja biće usmerena na pretpostavljene veze između njegovog dela i antičke tragedije, tačnije, sa Eshilovim Agamemnonom. Takođe, potrudićemo se da prikažemo kako je šezdesetih godina prošlog veka izgledalo političko pozorište, i kako je pesnik, i docnije upravnik, uspeo da "proturi" takvu dramu na repertoar Narodnog pozorišta u Beogradu.
The attempt to assess once again Velimir Lukić's Dugi život kralja Osvalda (The Long Life of King Oswald) has given us a truly new insight into the play. For various "yes", "no" and "perhaps" the authors have convinced themselves that this farce would be actual everywhere and at all times. Naturally, with the imaginative elements of directing, and the highly innovative technologies. Of course, the word "actual"should not be used too often so as not to become a worn-out term. Every play of a good quality is actual and it seems that Dugi život kralja Osvalda belongs to those Lukic's plays that withstanded the test of time. The same as it resisted against oppressive totalitarian regimes. By means of this the play is getting close to the ancient tragedies and it establishes a connection that was tried by other "external means". Still a true confirmation - if we have praised the play as lesedrama - Dugi život kralja Osvalda is waiting on the stage. And whether some of the next generations w...ill see the play - we do not now. Those who are unconscious and deceived will always predominate. Which does not mean that the sheeps required no shepherds. This time, a special and oustanding artists.
Кључне речи:
Velimir Lukić (1936-1997) / tragikomična farsa / politički teatar / ezopovski jezik / Eshil (524-456. g. pre n. e.) / dugi život kralja Osvalda / antička tragedija / Agamemnon / Velimir Lukić (1936-1997) / tragicomic farse / political theatre / long life of king Oswald / ancient tragedy / Agamemnon / Aesopic language / Aeschylus (524-456 BC)Извор:
Lucida intervalla - prilozi odeljenja za klasične nauke, 2019, 48, 175-184Издавач:
- Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd
Институција/група
Klasične nauke / Classical StudiesTY - JOUR AU - Maričić, Gordan AU - Šajin, Željka PY - 2019 UR - http://reff.f.bg.ac.rs/handle/123456789/2695 AB - U ovom radu nastojimo da ukažemo na pretencioznost tvrdnji o antičkim motivima kao temeljnim karakteristikama tragikomične farse u tri čina Dugi život kralja Oslvalda Velimira Lukića. Naša pažnja biće usmerena na pretpostavljene veze između njegovog dela i antičke tragedije, tačnije, sa Eshilovim Agamemnonom. Takođe, potrudićemo se da prikažemo kako je šezdesetih godina prošlog veka izgledalo političko pozorište, i kako je pesnik, i docnije upravnik, uspeo da "proturi" takvu dramu na repertoar Narodnog pozorišta u Beogradu. AB - The attempt to assess once again Velimir Lukić's Dugi život kralja Osvalda (The Long Life of King Oswald) has given us a truly new insight into the play. For various "yes", "no" and "perhaps" the authors have convinced themselves that this farce would be actual everywhere and at all times. Naturally, with the imaginative elements of directing, and the highly innovative technologies. Of course, the word "actual"should not be used too often so as not to become a worn-out term. Every play of a good quality is actual and it seems that Dugi život kralja Osvalda belongs to those Lukic's plays that withstanded the test of time. The same as it resisted against oppressive totalitarian regimes. By means of this the play is getting close to the ancient tragedies and it establishes a connection that was tried by other "external means". Still a true confirmation - if we have praised the play as lesedrama - Dugi život kralja Osvalda is waiting on the stage. And whether some of the next generations will see the play - we do not now. Those who are unconscious and deceived will always predominate. Which does not mean that the sheeps required no shepherds. This time, a special and oustanding artists. PB - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd T2 - Lucida intervalla - prilozi odeljenja za klasične nauke T1 - Dugi život kralja Osvalda Velimira Lukića - antika, savremenost, politika T1 - Velimir Lukić's Dugi život kralja Osvalda: Antiquity, contemporary times and politics EP - 184 IS - 48 SP - 175 UR - https://hdl.handle.net/21.15107/rcub_reff_2695 ER -
@article{ author = "Maričić, Gordan and Šajin, Željka", year = "2019", abstract = "U ovom radu nastojimo da ukažemo na pretencioznost tvrdnji o antičkim motivima kao temeljnim karakteristikama tragikomične farse u tri čina Dugi život kralja Oslvalda Velimira Lukića. Naša pažnja biće usmerena na pretpostavljene veze između njegovog dela i antičke tragedije, tačnije, sa Eshilovim Agamemnonom. Takođe, potrudićemo se da prikažemo kako je šezdesetih godina prošlog veka izgledalo političko pozorište, i kako je pesnik, i docnije upravnik, uspeo da "proturi" takvu dramu na repertoar Narodnog pozorišta u Beogradu., The attempt to assess once again Velimir Lukić's Dugi život kralja Osvalda (The Long Life of King Oswald) has given us a truly new insight into the play. For various "yes", "no" and "perhaps" the authors have convinced themselves that this farce would be actual everywhere and at all times. Naturally, with the imaginative elements of directing, and the highly innovative technologies. Of course, the word "actual"should not be used too often so as not to become a worn-out term. Every play of a good quality is actual and it seems that Dugi život kralja Osvalda belongs to those Lukic's plays that withstanded the test of time. The same as it resisted against oppressive totalitarian regimes. By means of this the play is getting close to the ancient tragedies and it establishes a connection that was tried by other "external means". Still a true confirmation - if we have praised the play as lesedrama - Dugi život kralja Osvalda is waiting on the stage. And whether some of the next generations will see the play - we do not now. Those who are unconscious and deceived will always predominate. Which does not mean that the sheeps required no shepherds. This time, a special and oustanding artists.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd", journal = "Lucida intervalla - prilozi odeljenja za klasične nauke", title = "Dugi život kralja Osvalda Velimira Lukića - antika, savremenost, politika, Velimir Lukić's Dugi život kralja Osvalda: Antiquity, contemporary times and politics", pages = "184-175", number = "48", url = "https://hdl.handle.net/21.15107/rcub_reff_2695" }
Maričić, G.,& Šajin, Ž.. (2019). Dugi život kralja Osvalda Velimira Lukića - antika, savremenost, politika. in Lucida intervalla - prilozi odeljenja za klasične nauke Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd.(48), 175-184. https://hdl.handle.net/21.15107/rcub_reff_2695
Maričić G, Šajin Ž. Dugi život kralja Osvalda Velimira Lukića - antika, savremenost, politika. in Lucida intervalla - prilozi odeljenja za klasične nauke. 2019;(48):175-184. https://hdl.handle.net/21.15107/rcub_reff_2695 .
Maričić, Gordan, Šajin, Željka, "Dugi život kralja Osvalda Velimira Lukića - antika, savremenost, politika" in Lucida intervalla - prilozi odeljenja za klasične nauke, no. 48 (2019):175-184, https://hdl.handle.net/21.15107/rcub_reff_2695 .