Tipologija javne figuralne skulpture u Kraljevini Srbiji (1882-1914)
Typology of public figural sculpture in the Kingdom of Serbia (1882–1914)
Abstract
Javna figuralna skulptura u Kraljevini Srbiji svrstava se u nekoliko tipova čiji se sadržaj razlikuje tematski i idejno. Podela obuhvata monarhistički, građanski i nacionalni tip, koji mogu međusobno da se prožimaju. Rađanje javne figuralne skulpture sadejstvovalo je s formiranjem srpske kraljevine, što je ukazalo i na emancipatorski karakter njene kulture. Povoljan politički okvir je omogućio pogodno tlo za smeštanje figuralne skulpture u javne prostore. Figuralno predstavljeni istorijski likovi, alegorijske personifikacije i simboličke figure ukazivali su na šire idejne, kulturne i društvene okvire vremena u sistemu komunikacije srpske javnosti. Komemorativna funkcija figuralne skulpture postavljena je u aktivan dijalog s aktuelnim društvenim strategijama i reprezentativnom kulturom tokom poslednjih decenija 19. i početkom 20. veka.
Based on its thematic and conceptual content, public figurative sculpture in the Kingdom of Serbia falls into several mutually intertwining categories: monarchical, civic and nationalistic. The birth of the public figurative sculpture coincided with the establishment of the Serbian kingdom, which is the reason behind its emancipatory character. A favourable political setting provided a fruitful ground for placing figurative sculptures in public spaces. Figurative historical characters, allegorical personifications and symbolic figures suggested wider conceptual, cultural and social frameworks of the time in the communication system of the Serbian public. Commemorative function of the figurative sculpture is placed in an active dialogue with the latest social strategies and the representative culture during the last decades of the 19th and the beginning of the 20th century.
Keywords:
tipologija skulpture / Petar Ubavkić / Kraljevina Srbija / javni prostor / figuralna skulptura / Đorđe Jovanović / sculpture typology / public space / Petar Ubavkić / Kingdom of Serbia / figurative sculpture / Đorđe JovanovićSource:
Nasleđe, 2019, 20, 41-54Publisher:
- Zavod za zaštitu spomenika kulture grada Beograda, Beograd
Funding / projects:
Institution/Community
Istorija umetnosti / History of ArtTY - JOUR AU - Borozan, Igor PY - 2019 UR - http://reff.f.bg.ac.rs/handle/123456789/2800 AB - Javna figuralna skulptura u Kraljevini Srbiji svrstava se u nekoliko tipova čiji se sadržaj razlikuje tematski i idejno. Podela obuhvata monarhistički, građanski i nacionalni tip, koji mogu međusobno da se prožimaju. Rađanje javne figuralne skulpture sadejstvovalo je s formiranjem srpske kraljevine, što je ukazalo i na emancipatorski karakter njene kulture. Povoljan politički okvir je omogućio pogodno tlo za smeštanje figuralne skulpture u javne prostore. Figuralno predstavljeni istorijski likovi, alegorijske personifikacije i simboličke figure ukazivali su na šire idejne, kulturne i društvene okvire vremena u sistemu komunikacije srpske javnosti. Komemorativna funkcija figuralne skulpture postavljena je u aktivan dijalog s aktuelnim društvenim strategijama i reprezentativnom kulturom tokom poslednjih decenija 19. i početkom 20. veka. AB - Based on its thematic and conceptual content, public figurative sculpture in the Kingdom of Serbia falls into several mutually intertwining categories: monarchical, civic and nationalistic. The birth of the public figurative sculpture coincided with the establishment of the Serbian kingdom, which is the reason behind its emancipatory character. A favourable political setting provided a fruitful ground for placing figurative sculptures in public spaces. Figurative historical characters, allegorical personifications and symbolic figures suggested wider conceptual, cultural and social frameworks of the time in the communication system of the Serbian public. Commemorative function of the figurative sculpture is placed in an active dialogue with the latest social strategies and the representative culture during the last decades of the 19th and the beginning of the 20th century. PB - Zavod za zaštitu spomenika kulture grada Beograda, Beograd T2 - Nasleđe T1 - Tipologija javne figuralne skulpture u Kraljevini Srbiji (1882-1914) T1 - Typology of public figural sculpture in the Kingdom of Serbia (1882–1914) EP - 54 IS - 20 SP - 41 DO - 10.5937/nasledje1920041B ER -
@article{ author = "Borozan, Igor", year = "2019", abstract = "Javna figuralna skulptura u Kraljevini Srbiji svrstava se u nekoliko tipova čiji se sadržaj razlikuje tematski i idejno. Podela obuhvata monarhistički, građanski i nacionalni tip, koji mogu međusobno da se prožimaju. Rađanje javne figuralne skulpture sadejstvovalo je s formiranjem srpske kraljevine, što je ukazalo i na emancipatorski karakter njene kulture. Povoljan politički okvir je omogućio pogodno tlo za smeštanje figuralne skulpture u javne prostore. Figuralno predstavljeni istorijski likovi, alegorijske personifikacije i simboličke figure ukazivali su na šire idejne, kulturne i društvene okvire vremena u sistemu komunikacije srpske javnosti. Komemorativna funkcija figuralne skulpture postavljena je u aktivan dijalog s aktuelnim društvenim strategijama i reprezentativnom kulturom tokom poslednjih decenija 19. i početkom 20. veka., Based on its thematic and conceptual content, public figurative sculpture in the Kingdom of Serbia falls into several mutually intertwining categories: monarchical, civic and nationalistic. The birth of the public figurative sculpture coincided with the establishment of the Serbian kingdom, which is the reason behind its emancipatory character. A favourable political setting provided a fruitful ground for placing figurative sculptures in public spaces. Figurative historical characters, allegorical personifications and symbolic figures suggested wider conceptual, cultural and social frameworks of the time in the communication system of the Serbian public. Commemorative function of the figurative sculpture is placed in an active dialogue with the latest social strategies and the representative culture during the last decades of the 19th and the beginning of the 20th century.", publisher = "Zavod za zaštitu spomenika kulture grada Beograda, Beograd", journal = "Nasleđe", title = "Tipologija javne figuralne skulpture u Kraljevini Srbiji (1882-1914), Typology of public figural sculpture in the Kingdom of Serbia (1882–1914)", pages = "54-41", number = "20", doi = "10.5937/nasledje1920041B" }
Borozan, I.. (2019). Tipologija javne figuralne skulpture u Kraljevini Srbiji (1882-1914). in Nasleđe Zavod za zaštitu spomenika kulture grada Beograda, Beograd.(20), 41-54. https://doi.org/10.5937/nasledje1920041B
Borozan I. Tipologija javne figuralne skulpture u Kraljevini Srbiji (1882-1914). in Nasleđe. 2019;(20):41-54. doi:10.5937/nasledje1920041B .
Borozan, Igor, "Tipologija javne figuralne skulpture u Kraljevini Srbiji (1882-1914)" in Nasleđe, no. 20 (2019):41-54, https://doi.org/10.5937/nasledje1920041B . .