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Turbotronik - On the Border between the Local Music Scene and a Genre in the Making

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2019
2911.pdf (252.3Kb)
Authors
Banić Grubišić, Ana
Kulenović, Nina
Article (Published version)
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Abstract
This paper shows preliminary results from an ethnographic study of the modern musical phenomena that gathers "authors from the Serbian scene", who's creations are based on the mixture of the newly composed folk music and turbo-folk, along with various alternative music genres and styles. The research is conducted through the technique of semi-structured interviews with the artists and event organizers, as well as attending different events (concerts, compilation promotion, festivals Zasram and FESRAM), and using written and audiovisual materials that are accessible on the Internet. One of the main aims of this study is to designate the form of "turbotronik" phenomena in the context of music genre and scene, as well as recognizing its local characteristics. Through the analysis of different processes that influence the formatting of a specific music genre (name of the genre, the narrative on genre origin, visual identity, specific sound, the thematic of the songs and characteristics of ...the genre's public) "turbotronik" is being observed as sort of a "genre in the making".

Keywords:
turbotronik / turbo-folk / music scene / music genre
Source:
Etnoantropološki problemi, 2019, 14, 1, 23-46
Publisher:
  • Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
Funding / projects:
  • From Cultural Heritage to Modern Society - an anthropological study of Serbia (RS-177035)

DOI: 10.21301/eap.v14i1.1

ISSN: 0353-1589

WoS: 000462525200002

[ Google Scholar ]
1
URI
http://reff.f.bg.ac.rs/handle/123456789/2914
Collections
  • Radovi istraživača / Researcher's publications - Odeljenje za etnologiju i antropologiju
Institution/Community
Etnologija i antropologija / Ethnology and Anthropology
TY  - JOUR
AU  - Banić Grubišić, Ana
AU  - Kulenović, Nina
PY  - 2019
UR  - http://reff.f.bg.ac.rs/handle/123456789/2914
AB  - This paper shows preliminary results from an ethnographic study of the modern musical phenomena that gathers "authors from the Serbian scene", who's creations are based on the mixture of the newly composed folk music and turbo-folk, along with various alternative music genres and styles. The research is conducted through the technique of semi-structured interviews with the artists and event organizers, as well as attending different events (concerts, compilation promotion, festivals Zasram and FESRAM), and using written and audiovisual materials that are accessible on the Internet. One of the main aims of this study is to designate the form of "turbotronik" phenomena in the context of music genre and scene, as well as recognizing its local characteristics. Through the analysis of different processes that influence the formatting of a specific music genre (name of the genre, the narrative on genre origin, visual identity, specific sound, the thematic of the songs and characteristics of the genre's public) "turbotronik" is being observed as sort of a "genre in the making".
PB  - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd
T2  - Etnoantropološki problemi
T1  - Turbotronik - On the Border between the Local Music Scene and a Genre in the Making
EP  - 46
IS  - 1
SP  - 23
VL  - 14
DO  - 10.21301/eap.v14i1.1
ER  - 
@article{
author = "Banić Grubišić, Ana and Kulenović, Nina",
year = "2019",
abstract = "This paper shows preliminary results from an ethnographic study of the modern musical phenomena that gathers "authors from the Serbian scene", who's creations are based on the mixture of the newly composed folk music and turbo-folk, along with various alternative music genres and styles. The research is conducted through the technique of semi-structured interviews with the artists and event organizers, as well as attending different events (concerts, compilation promotion, festivals Zasram and FESRAM), and using written and audiovisual materials that are accessible on the Internet. One of the main aims of this study is to designate the form of "turbotronik" phenomena in the context of music genre and scene, as well as recognizing its local characteristics. Through the analysis of different processes that influence the formatting of a specific music genre (name of the genre, the narrative on genre origin, visual identity, specific sound, the thematic of the songs and characteristics of the genre's public) "turbotronik" is being observed as sort of a "genre in the making".",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd",
journal = "Etnoantropološki problemi",
title = "Turbotronik - On the Border between the Local Music Scene and a Genre in the Making",
pages = "46-23",
number = "1",
volume = "14",
doi = "10.21301/eap.v14i1.1"
}
Banić Grubišić, A.,& Kulenović, N.. (2019). Turbotronik - On the Border between the Local Music Scene and a Genre in the Making. in Etnoantropološki problemi
Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd., 14(1), 23-46.
https://doi.org/10.21301/eap.v14i1.1
Banić Grubišić A, Kulenović N. Turbotronik - On the Border between the Local Music Scene and a Genre in the Making. in Etnoantropološki problemi. 2019;14(1):23-46.
doi:10.21301/eap.v14i1.1 .
Banić Grubišić, Ana, Kulenović, Nina, "Turbotronik - On the Border between the Local Music Scene and a Genre in the Making" in Etnoantropološki problemi, 14, no. 1 (2019):23-46,
https://doi.org/10.21301/eap.v14i1.1 . .

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