Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early 1870s. Their merging with the layers of the national schools of medieval masonry, adapted to the use of modern materials and methods of composition, stemmed from the uncritical identification of these two historical traditions, a view that was also present in scholarship for far too long. Regardless of its theoretical underdevelopment, the emulation of Byzantine monuments became the dominant trend in monumental architecture, with the cult of Hagia Sophia in Constantinople culminating after World War I, a period when large-scale structures were designed.
TY - JOUR
AU - Kadijević, Aleksandar
PY - 2019
UR - http://reff.f.bg.ac.rs/handle/123456789/2932
AB - Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early 1870s. Their merging with the layers of the national schools of medieval masonry, adapted to the use of modern materials and methods of composition, stemmed from the uncritical identification of these two historical traditions, a view that was also present in scholarship for far too long. Regardless of its theoretical underdevelopment, the emulation of Byzantine monuments became the dominant trend in monumental architecture, with the cult of Hagia Sophia in Constantinople culminating after World War I, a period when large-scale structures were designed.
PB - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
T2 - Zograf
T1 - The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times
EP - 230
SP - 215
VL - 43
DO - 10.2298/ZOG1943215K
ER -
@article{
author = "Kadijević, Aleksandar",
year = "2019",
abstract = "Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early 1870s. Their merging with the layers of the national schools of medieval masonry, adapted to the use of modern materials and methods of composition, stemmed from the uncritical identification of these two historical traditions, a view that was also present in scholarship for far too long. Regardless of its theoretical underdevelopment, the emulation of Byzantine monuments became the dominant trend in monumental architecture, with the cult of Hagia Sophia in Constantinople culminating after World War I, a period when large-scale structures were designed.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd",
journal = "Zograf",
title = "The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times",
pages = "230-215",
volume = "43",
doi = "10.2298/ZOG1943215K"
}
Kadijević, A.. (2019). The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times. in Zograf
Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 43, 215-230.
https://doi.org/10.2298/ZOG1943215K
Kadijević A. The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times. in Zograf. 2019;43:215-230.
doi:10.2298/ZOG1943215K .
Kadijević, Aleksandar, "The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times" in Zograf, 43 (2019):215-230,
https://doi.org/10.2298/ZOG1943215K . .
