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The house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgrade

dc.creatorKadijević, Aleksandar
dc.date.accessioned2021-10-12T13:12:56Z
dc.date.available2021-10-12T13:12:56Z
dc.date.issued2020
dc.identifier.issn1450-605X
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/3021
dc.description.abstractPrvo samostalno ostvarenje bečkog arhitekte Konstantina A. Jovanovića (1849-1923) u Beogradu, Kuća advokata Marka Stojanovića u Knez Mihailovoj ulici 53-55 iz 1885. godine, simbolizuje evropeizacijski uzlet profanog neimarstva u Kraljevini Srbiji, kojim je definitivno potisnuta orijentalna graditeljska praksa. Pošto je preko oca Anastasa, uz poslovni, razvio i prijateljski odnos s njenim naručiocem, Jovanović je u glavnoj gradskoj ulici sagradio reprezentativno privatno zdanje, čime se preporučio imućnim investitorima. U istoriografiji često dovođena u vezu s Jovanovićevim kultom italijanske renesanse, Stojanovićeva kuća sadrži i elemente manirizma i baroka, harmonično uklopljene u eklektičku celinu. Prilagođena beogradskoj sredini jednospratnim konstruktivnim sklopom na vrhu Savske padine, predstavlja direktnu interpolaciju bečkih eklektičkih iskustava.sr
dc.description.abstractThe first independent work of the Viennese architect Konstantin A. Jovanović (1849-1923) in Belgrade, the house of solicitor Marko Stojanović at 53-55 Knez Mihailova Street, built in 1885, signifies the Europeanising surge of the secular architecture in the Kingdom of Serbia, which conclusively suppressed the Oriental architectural practices. Jovanović's father Anastas helped him develop friendship alongside the business relationship with the patron of the house. This allowed Jovanović to construct a notable privately-owned building in the city thoroughfare, thus recommending himself to the favour of wealthy investors. Often linked in historiography to Jovanović's cult of the Italian Renaissance, Stojanović's house also contains elements of Mannerism and Baroque, harmoniously combined into an eclectic whole. Adapted to the Belgrade setting as a two-storey structure built at the top of the Sava River Slope, the house is a direct interpolation of the Viennese eclectic experiences.en
dc.publisherZavod za zaštitu spomenika kulture grada Beograda, Beograd
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.sourceNasleđe
dc.subjectMarko Stojanovićsr
dc.subjectKonstantin A. Jovanovićsr
dc.subjectevropeizacijasr
dc.subjectbečki eklekticizamsr
dc.subjectarhitekturasr
dc.subjectViennese Eclecticismen
dc.subjectMarko Stojanovićen
dc.subjectKonstantin A. Jovanovićen
dc.subjectEuropeanisationen
dc.subjectarchitectureen
dc.titleKuća Marka Stojanovića (1885) - prvo samostalno ostvarenje arhitekte Konstantina Jovanovića u Beogradusr
dc.titleThe house of Marko Stojanović (1885): The first independent work of architect Konstantin Jovanović in Belgradeen
dc.typearticle
dc.rights.licenseBY
dc.citation.epage38
dc.citation.issue21
dc.citation.other(21): 9-38
dc.citation.rankM52~
dc.citation.spage9
dc.identifier.doi10.5937/nasledje2021009K
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1650/3018.pdf
dc.type.versionpublishedVersion


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