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dc.creatorSimić, Vladimir
dc.date.accessioned2021-10-12T13:16:46Z
dc.date.available2021-10-12T13:16:46Z
dc.date.issued2020
dc.identifier.issn0350-7653
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/3082
dc.description.abstractThe paper deals with the phenomenon of popular piety in the eighteenth century and its reflections in art media through several prints made by the Serbian engraver Zaharija Orfelin. Paper icons, the cheapest means of meeting the spiritual needs of Orthodox Serbs in Hungary in the eighteenth century, were mass produced and easy to transport to remotest places. As they were the main channels of expressing piety, it is not unexpected that some artists-entrepreneurs such as Orfelin started such a lucrative production. Orfelin shaped the iconography of those images, combining the traditional Orthodox heritage and contemporary Baroque models that had migrated from Central European religious art. His imagery included particular national saints and their patriotic cults, dogmatic and doctrinal views of the church, as well as images of the Mother of God.en
dc.publisherSrpska akademija nauka i umetnosti SANU - Balkanološki institut, Beograd
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceBalcanica
dc.subjectZaharija Orfelin (1726-1785)en
dc.subjectthe Metropolitanate of Karlovci (Karlowitz)en
dc.subjectpopular pietyen
dc.subjectpaper iconsen
dc.subjectengravingsen
dc.subjecteighteenth centuryen
dc.titlePopular Piety and the Paper Icons of Zaharija Orfelinen
dc.typearticle
dc.rights.licenseBY-NC-ND
dc.citation.epage64
dc.citation.issue51
dc.citation.other(51): 45-64
dc.citation.rankM24~
dc.citation.spage45
dc.identifier.doi10.2298/BALC2051045S
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1710/3079.pdf
dc.identifier.wos000627346100003
dc.type.versionpublishedVersion


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