Приказ основних података о документу
Jeremija Stanojević: istoričar i kolekcionar fotografija (starog) Beograda
dc.creator | Ereš, Ana | |
dc.creator | Banković, Angelina | |
dc.date.accessioned | 2022-12-15T13:48:36Z | |
dc.date.available | 2022-12-15T13:48:36Z | |
dc.date.issued | 2022 | |
dc.identifier.issn | 2217-3951 | |
dc.identifier.uri | http://reff.f.bg.ac.rs/handle/123456789/4016 | |
dc.description.abstract | U fokusu ovog rada je fond pukovnika Jeremije Stanojevića koji se čuva u sklopu Zbirke za arhitekturu i urbanizam Muzeja grada Beograda. Fond se dominantno sastoji iz fotografija beogradskih ulica koje je početkom 1930-ih godina snimio Stanojević, ali i iz većeg broja fotografija i razglednica Beograda drugih autora koje su nastale od sredine XIX veka do sredine 1930-ih godina. Kroz analizu kompletnog fonda, sa posebnim akcentom na fotografije koje je načinio Stanojević, ovaj rad iz perspektive vizuelne kulture i studija sakupljanja razmatra njegovu delatnost kao izraz dva impulsa – istoriografskog i kolekcionarskog – sa ciljem da predloži odgovore na pitanja o Stanojevićevim motivima za kompleksni poduhvat koji je preduzeo, kao i da preciznije pozicionira njegovu aktivnost u kontekstu istorije fotografije i vizuelne kulture međuratnog perioda. | sr |
dc.description.abstract | The focus of this article is on the memorial fund of the Colonel Jeremija Stanojević, which is a part of the Architecture and Urban Planning Collection in the Belgrade City Museum. This memorial fund includes photographs of Belgrade city streets made by Jeremija Stanojević during the 1930s, as well as many photographs and postcards of Belgrade by other authors dating from mid-19th century until mid-1930s. The paper analyses the complete fund from the perspective of visual culture and collection studies with a particular emphasis on Stanojević’s photographs, and offeres a consideration of his practice as cultural manifestation of the historiographic and collecting impulses. The aim of the article is to propose new insights into Stanojević’s motivation for such a complex photographic and collecting undertaking, as well as to methodically position his practice within the context of history of phogoraphy and visual culture of the interwar period. | sr |
dc.language.iso | sr | sr |
dc.publisher | Filozofski fakultet, Univerzitet u Beogradu | sr |
dc.relation | info:eu-repo/grantAgreement/MESTD/inst-2020/200163/RS// | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.subject | Jeremija Stanojević | sr |
dc.subject | fotografija | sr |
dc.subject | kolekcionarstvo | sr |
dc.subject | sakupljanje | sr |
dc.subject | vizuelna istoriografija | sr |
dc.subject | Beograd | sr |
dc.subject | photography | sr |
dc.subject | collecting | sr |
dc.subject | visual historiography | sr |
dc.subject | Belgrade | sr |
dc.title | Jeremija Stanojević: istoričar i kolekcionar fotografija (starog) Beograda | sr |
dc.type | article | sr |
dc.rights.license | BY | sr |
dc.citation.epage | 183 | |
dc.citation.issue | 18 | |
dc.citation.rank | M24 | |
dc.citation.spage | 167 | |
dc.identifier.fulltext | http://reff.f.bg.ac.rs/bitstream/id/9463/bitstream_9463.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_reff_4016 | |
dc.type.version | publishedVersion | sr |
dc.identifier.cobiss | 54470665 |