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International Representaion of Yugoslav Art: The Kingdom of Yugoslavia and the Venice Biennale

dc.contributorJenko, Marko (ed.)
dc.contributorŽerovc, Beti (ed.)
dc.creatorBogdanović, Ana
dc.date.accessioned2022-12-24T20:23:41Z
dc.date.available2022-12-24T20:23:41Z
dc.date.issued2019
dc.identifier.isbn978-961-206-139-5
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/4096
dc.description.abstractThe article analyses the international representation of Yugoslav modern art through exhibitions during the 1930s with the particular focus on the Yugoslav participation at the Venice Biennale.sr
dc.language.isoensr
dc.language.isoothersr
dc.publisherModerna galerija, Ljubljanasr
dc.rightsclosedAccesssr
dc.sourceNa robu: vizualna umetnost v Kraljevini Jugoslaviji 1929-1941 / On the Brink: the Visual Arts in the Kingdom of Yugoslavia 1929-1941sr
dc.subjectYugoslaviasr
dc.subjectVenice Biennalesr
dc.subjectexhibition historysr
dc.subjectmodern artsr
dc.titlePredstavljanje jugoslovanske umetnosti v tujini: Kraljevina Jugoslavija in Beneški bienalesr
dc.titleInternational Representaion of Yugoslav Art: The Kingdom of Yugoslavia and the Venice Biennalesr
dc.typebookPartsr
dc.rights.licenseARRsr
dc.citation.epage91
dc.citation.spage71
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_reff_4096
dc.type.versionpublishedVersionsr
dc.identifier.cobiss299324928


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