Његош у времену техничких достигнућа и Велике светске изложбе
Njegoš in the epoch of technical achievements and the Great World Ex
2014
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Цетиње : Историско друштво НРЦГ
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This text presents observations on Njegoš‘s interest in
science and technical achievements within the context of his epoch. His was
an age of „Romantic science“ which transformed the rationalism of Enlightenment of the previous century with visionary passion, as it also did the reception of science in the public eye.Njegoš‘s dedication to science and technical achievements which relied on science was an expression of the liveliness of his spirit, intellectual views and constant striving to modernise his
country.Njegoš introduces new technical achievements into major state projet which he initiates, into visual representation of his country, effemeral
events, by which he expresses an awareness of Montenegro as an entity and
of himself as its ideator and ruler.Particular attention is given to Njegoš‘s
encounters with contemporary wonders of science and technical achievement during his travels.Special significance is assigned to Njegoš‘s note on
the Crystal Palace, raised for the G...reat Exhibition in London in 1851, which
offers a sublimation of the new, modern age.
The incentive for this observation of Njegoš’s interest in science, technical
achievements based on science, and their employ in Montenegro lies in one of the
entries in his Notebook in which he writes of the Crystal Palace, raised in London to
house the first Great Exhibition of 1851. The event was the sublimate sum of merits
of „Romanticism science“ which through the passion of her actors transformed the
rationalism of the previous Age of Enlightenment and the reception of science in
public opinion. As an intellectual, a poet, a ruler and a great traveller, Njegoš was a
participant in this process. His interest in the Great Exhibition which took place in the
year of Njegoš’s grave illness and death, is the final manifestation of his long standing
dedication to this field of knowledge and activity. Such an inclination stems from
his vivacity of spirit, creative passion, intellectual habitus and constant striving to
modernize his country. Grounded on technical achievements, ...Njegoš initiates, or has
a desire to initiate, capital state projects (construction of roads, factories, mines, wells,
ships...), creates a strategy of visual representation of his country (commissions a
map, acquires apparatuses for the production of medals and photographs...), enhances
ephemeral spectacles and the culture of everyday living. In so doing, he expresses an
awareness of Montenegro as an entity and of himself as its ideator and ruler. Njegoš
had especially intense encounters with the modern age, that is with the technical
wonders of the day – steamships and trains, in the course of his travels. His poetry,
letters and notes testify of this. Many of Njegoš’s strivings came to fruition at the
time Montenegro became an independent state, and a sort of fulfilment of his note
on the Crystal Palace, which reflected the light of the new, modern era, came through
the visits Prince Nikola made to the Great Exhibitions in Paris and Vienna and the
participation of the Principate of Montenegro at the Great Exhibition of Liege in 1905.
Кључне речи:
the first Great Exhibition in London 1851 / Crystal Palace / travelling by steamships and trains / visual representation of Montenegro / technical achievements / science / NjegošИзвор:
Историски записи : орган Историског друштва Народне Републике Црне Горе, 2014, 87, 3-4, 141-160Издавач:
- Цетиње : Историско друштво НРЦГ
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Брајовић, Саша PY - 2014 UR - http://reff.f.bg.ac.rs/handle/123456789/4433 AB - This text presents observations on Njegoš‘s interest in science and technical achievements within the context of his epoch. His was an age of „Romantic science“ which transformed the rationalism of Enlightenment of the previous century with visionary passion, as it also did the reception of science in the public eye.Njegoš‘s dedication to science and technical achievements which relied on science was an expression of the liveliness of his spirit, intellectual views and constant striving to modernise his country.Njegoš introduces new technical achievements into major state projet which he initiates, into visual representation of his country, effemeral events, by which he expresses an awareness of Montenegro as an entity and of himself as its ideator and ruler.Particular attention is given to Njegoš‘s encounters with contemporary wonders of science and technical achievement during his travels.Special significance is assigned to Njegoš‘s note on the Crystal Palace, raised for the Great Exhibition in London in 1851, which offers a sublimation of the new, modern age. AB - The incentive for this observation of Njegoš’s interest in science, technical achievements based on science, and their employ in Montenegro lies in one of the entries in his Notebook in which he writes of the Crystal Palace, raised in London to house the first Great Exhibition of 1851. The event was the sublimate sum of merits of „Romanticism science“ which through the passion of her actors transformed the rationalism of the previous Age of Enlightenment and the reception of science in public opinion. As an intellectual, a poet, a ruler and a great traveller, Njegoš was a participant in this process. His interest in the Great Exhibition which took place in the year of Njegoš’s grave illness and death, is the final manifestation of his long standing dedication to this field of knowledge and activity. Such an inclination stems from his vivacity of spirit, creative passion, intellectual habitus and constant striving to modernize his country. Grounded on technical achievements, Njegoš initiates, or has a desire to initiate, capital state projects (construction of roads, factories, mines, wells, ships...), creates a strategy of visual representation of his country (commissions a map, acquires apparatuses for the production of medals and photographs...), enhances ephemeral spectacles and the culture of everyday living. In so doing, he expresses an awareness of Montenegro as an entity and of himself as its ideator and ruler. Njegoš had especially intense encounters with the modern age, that is with the technical wonders of the day – steamships and trains, in the course of his travels. His poetry, letters and notes testify of this. Many of Njegoš’s strivings came to fruition at the time Montenegro became an independent state, and a sort of fulfilment of his note on the Crystal Palace, which reflected the light of the new, modern era, came through the visits Prince Nikola made to the Great Exhibitions in Paris and Vienna and the participation of the Principate of Montenegro at the Great Exhibition of Liege in 1905. PB - Цетиње : Историско друштво НРЦГ T2 - Историски записи : орган Историског друштва Народне Републике Црне Горе T1 - Његош у времену техничких достигнућа и Велике светске изложбе T1 - Njegoš in the epoch of technical achievements and the Great World Ex EP - 160 IS - 3-4 SP - 141 VL - 87 UR - https://hdl.handle.net/21.15107/rcub_reff_4433 ER -
@article{ author = "Брајовић, Саша", year = "2014", abstract = "This text presents observations on Njegoš‘s interest in science and technical achievements within the context of his epoch. His was an age of „Romantic science“ which transformed the rationalism of Enlightenment of the previous century with visionary passion, as it also did the reception of science in the public eye.Njegoš‘s dedication to science and technical achievements which relied on science was an expression of the liveliness of his spirit, intellectual views and constant striving to modernise his country.Njegoš introduces new technical achievements into major state projet which he initiates, into visual representation of his country, effemeral events, by which he expresses an awareness of Montenegro as an entity and of himself as its ideator and ruler.Particular attention is given to Njegoš‘s encounters with contemporary wonders of science and technical achievement during his travels.Special significance is assigned to Njegoš‘s note on the Crystal Palace, raised for the Great Exhibition in London in 1851, which offers a sublimation of the new, modern age., The incentive for this observation of Njegoš’s interest in science, technical achievements based on science, and their employ in Montenegro lies in one of the entries in his Notebook in which he writes of the Crystal Palace, raised in London to house the first Great Exhibition of 1851. The event was the sublimate sum of merits of „Romanticism science“ which through the passion of her actors transformed the rationalism of the previous Age of Enlightenment and the reception of science in public opinion. As an intellectual, a poet, a ruler and a great traveller, Njegoš was a participant in this process. His interest in the Great Exhibition which took place in the year of Njegoš’s grave illness and death, is the final manifestation of his long standing dedication to this field of knowledge and activity. Such an inclination stems from his vivacity of spirit, creative passion, intellectual habitus and constant striving to modernize his country. Grounded on technical achievements, Njegoš initiates, or has a desire to initiate, capital state projects (construction of roads, factories, mines, wells, ships...), creates a strategy of visual representation of his country (commissions a map, acquires apparatuses for the production of medals and photographs...), enhances ephemeral spectacles and the culture of everyday living. In so doing, he expresses an awareness of Montenegro as an entity and of himself as its ideator and ruler. Njegoš had especially intense encounters with the modern age, that is with the technical wonders of the day – steamships and trains, in the course of his travels. His poetry, letters and notes testify of this. Many of Njegoš’s strivings came to fruition at the time Montenegro became an independent state, and a sort of fulfilment of his note on the Crystal Palace, which reflected the light of the new, modern era, came through the visits Prince Nikola made to the Great Exhibitions in Paris and Vienna and the participation of the Principate of Montenegro at the Great Exhibition of Liege in 1905.", publisher = "Цетиње : Историско друштво НРЦГ", journal = "Историски записи : орган Историског друштва Народне Републике Црне Горе", title = "Његош у времену техничких достигнућа и Велике светске изложбе, Njegoš in the epoch of technical achievements and the Great World Ex", pages = "160-141", number = "3-4", volume = "87", url = "https://hdl.handle.net/21.15107/rcub_reff_4433" }
Брајовић, С.. (2014). Његош у времену техничких достигнућа и Велике светске изложбе. in Историски записи : орган Историског друштва Народне Републике Црне Горе Цетиње : Историско друштво НРЦГ., 87(3-4), 141-160. https://hdl.handle.net/21.15107/rcub_reff_4433
Брајовић С. Његош у времену техничких достигнућа и Велике светске изложбе. in Историски записи : орган Историског друштва Народне Републике Црне Горе. 2014;87(3-4):141-160. https://hdl.handle.net/21.15107/rcub_reff_4433 .
Брајовић, Саша, "Његош у времену техничких достигнућа и Велике светске изложбе" in Историски записи : орган Историског друштва Народне Републике Црне Горе, 87, no. 3-4 (2014):141-160, https://hdl.handle.net/21.15107/rcub_reff_4433 .