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Social antiutopias in the anglosaxon film production since the mid 20th century

dc.contributor.advisorAntonijević, Dragana
dc.contributor.otherKovačević, Ivan
dc.contributor.otherŽikić, Bojan
dc.contributor.otherGavrilović, Ljiljana
dc.contributor.otherRadović, Srđan
dc.creatorBanić Grubišić, Ana
dc.date.accessioned2021-10-12T09:59:42Z
dc.date.available2021-10-12T09:59:42Z
dc.date.issued2014
dc.identifier.urihttp://eteze.bg.ac.rs/application/showtheses?thesesId=2626
dc.identifier.urihttp://nardus.mpn.gov.rs/handle/123456789/4961
dc.identifier.urihttp://vbs.rs/scripts/cobiss?command=DISPLAY&base=70036&RID=524979095
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/45
dc.description.abstractPredmet istraživanja ove disertacije predstavljaju imaginarne distopije budućnosti koje su prikazane u filmovima na temu postapokalipse. Osnovno obeležje ovih filmova naučne fantastike jeste da se u njima prikazuje mogući svet posle kraja sveta do koga je došlo usled neke katastrofe globalnih razmera. Radnja postapokaliptičnog filma odvija se u bližoj ili daljoj budućnosti i prati život onih koji su preživeli katastrofu. U postkataklizmičnoj budućnosti dolazi do radikalne transformacije postojećih političkih, društvenih i kulturnih struktura. Fiktivni postapokaliptični svet u velikom broju filmova ovog (pod)žanra naseljavaju relativno mala, zatvorena „društva“ koja se prikazuju kao izolovane zajednice koje po svojoj strukturi nalikuju na društva koja su kulturni antropolozi u prošlosti istraživali, odnosno koja su nekada važilla za „tipičan“ predmet analize u antropologiji. Analiza se sastoji od šest studija slučaja – u radu se razmatraju značenja kulturnih predstava o (is)hrani, materijalnom nasleđu, urbanom okruženju, kao i o tome na koji način su zamišljeni socijalni odnosi u postkataklizmičnim društvima prikazanim u ovim filmovima. U skladu sa antropološkim pristupom istraživanju dugometražnih igranih filmova, filmovi na temu postapokalipse posmatraju se kao savremeni mitovi u kojima se izražavaju i istražuju ključne kulturne kontradikcije, odnosno u kojima nam se nude imaginarne rezolucije preovlađujućih sociokulturnih tenzija od Drugog svetskog rata do danas. Cilj ovog rada jeste da pokaže šta nam antropološka analiza filmskih narativa postapokalipse može reći o društvu/kulturi koja ih je proizvela, o imaginaciji epohe i sociokulturnim i ideološkim promenama koje su se dešavale tokom druge polovine XX veka.sr
dc.description.abstractThe research subject of this dissertation is comprised of imaginary dystopias of the future presented in movies about the post-apocalypse. The basic trait of these science fiction films is that they display a possible world after a doomsday which occurred due to a global catastrophe. The action takes place in the nearer or farther future and follows the lives of those who survived the end of the world. In the post-cataclysmic future extant political, social and cultural structures are radically transformed. In most films of the (sub)genre the fictional post-apocalyptic world is peopled by relatively small, closed “societies” which are shown as isolated communities which are structurally similar to societies explored by cultural anthropologists in the past, and which were once typical fare for anthropological study. The analysis consists of six case studies – the dissertation considers the meanings of cultural ideas about food, material heritage, urban environments, as well as how social relations in these post-apocalyptic societies are imagined within these films. In accordance with the anthropological approach to studying feature live-action films, movies about the postapocalypse are viewed as contemporary myths which express and explore key cultural contradictions and offer imaginary resolutions to cultural tensions from the Second World War onward. The aim of this dissertation is to show what the anthropological analysis of film narratives on the post-apocalypse can tell us about the society/culture which produced them, about the imagination of the era and about the sociocultural and ideological changes which occurred during the second half of the XX century.en
dc.languagesr
dc.publisherUniverzitet u Beogradu, Filozofski fakultet
dc.relationinfo:eu-repo/grantAgreement/MESTD/Basic Research (BR or ON)/177035/RS//
dc.rightsopenAccess
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.subjectfilmovi na temu postapokalipsesr
dc.subjectdistopijasr
dc.subjectbudućnostsr
dc.subjectantropologija popularne kulturesr
dc.subjectmovies about the post-apocalypseen
dc.subjectfutureen
dc.subjectdystopiaen
dc.subjectanthropology of popular cultureen
dc.titleSocijalne antiutopije u anglosaksonskoj filmskoj produkciji od sredine XX vekasr
dc.titleSocial antiutopias in the anglosaxon film production since the mid 20th centuryen
dc.typedoctoralThesis
dc.rights.licenseBY-NC-ND
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/1989/42.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_nardus_4961
dc.type.versionpublishedVersion


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