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dc.contributor.editorVella, Raphael
dc.contributor.editorSaldanha, Ângela
dc.contributor.editorMaksimovic, Maja
dc.contributor.editorJohnston, John
dc.date.accessioned2023-12-13T12:50:49Z
dc.date.available2023-12-13T12:50:49Z
dc.date.issued2020
dc.identifier.isbn978-989-54683-8-6
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/5661
dc.description.abstractIn more recent years, many artists have embraced the role of the socially engaged practitioner. While the connection between art and the social is laced with challenging issues such as authorship, morality and ethics – when it comes to making social practice in divided and contested societies these issues are significantly magnified. Many of these points were addressed in the Malta seminar and tensions emerged between what some see as the exploitation of art to be ‘used’ as a tool for social change, thereby touching on the instrumentalization agenda while others questioned the relevance of art education if it is not addressing the urgencies of our time.sr
dc.language.isoensr
dc.publisherInSEA publicationssr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectart educationsr
dc.subjectconflictssr
dc.subjectengaged art educationsr
dc.titleAdult Education: Conflicts and Connectionssr
dc.typebooksr
dc.rights.licenseBYsr
dc.identifier.doi10.24981/2020-4
dc.identifier.fulltexthttp://reff.f.bg.ac.rs/bitstream/id/14338/Art-Education-Conflicts-and-Connections.pdf
dc.type.versionpublishedVersionsr


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