Multidisciplinarnost u istraživanju slike i zvuka u sakralnom prostoru

Abstract

Multidisciplinarnost u istraživanju studija vizuelne kulture u poslednje dve decenije imala je ključnu ulogu. Kombinovanje metoda različitih naučnih oblasti poput istorije umetnosti, etnologije, istorije liturgike,muzikologije, digitalnih tehnologija i inženjerstva, posebno inženjera akustike doprinelo je potpunijem razumevanju odnosa koji su zvuk i slika imali u oblikovanju sakralnog prostora srednjovekovne crkve. Knjiga Bisere Penčeve Icons of Sound: Voice, Architecture, and Imagination in Medieval Art, pruža podatke o višegodišnjim istraživanjima odnosa slike i zvuka i njihovoj ulozi u rekreaciji autentičnog srednjovekovnog akustičnog ambijenta.

The multidisciplinary approach to the research in the field of study of visual culture has been prevalent over the last two decades. A combination of methods of various fields of research such as art history, ethnology, liturgical history, musicology, digital technologies and engineering, and in particular electrical and acoustical engineering, has contributed to a more encompassing understanding of the relation between image and sound in the shaping of the sacral space of medieval churches. The volume Icons of Sound Voice, Architecture and Imagination in Medieval Art edited by Bissera Pentcheva offers insight into years of research in the field of correlation between image and sound and their role in the process of recreating authentic medieval acoustical (aural) ambiences and bringing the past back to the present.