U njenim godinama: Antropološka analiza konstrukta starostiu televizijskoj seriji Kaljave gume
At Her Age: An Anthropological Analysis of the Construct of Age in the TV Series Muddy Tires
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Метаподаци
Приказ свих података о документуАпстракт
Televizijska serija Kaljave gume biće analizirana u ključu koji
podrazumeva izvođenje zaključaka o značenju na osnovu najvažnijih informacija o
produkciji, sadržaju i recepciji, s tim da će naglasak, nužno, biti na prva dva elementa.
Sledstveno, biće moguće sagledati načine na koje savremeno srpsko društvo portretiše
staru ženu, pretočenu u lik Vesne koja, nakon što ostane udovica započinje vezu sa
starijim Amerikancem koga je upoznala na sajtu za upoznavanje starijih, dok joj
istovremeno nalaže i zabranjuje ne samo delovanja, nego i izražavanje i dubinu
pojedinih emocija. Na ovaj način, biće moguće podrobnije uputiti u nekoliko značajnih
problema među kojima je najdominantniji (dobronamerni) ejdžizam u odnosu na koji
starije osobe razvijaju određene strategije delovanja; od povlačenja u tajnu sferu do
pokušaja da ranije formalno stečena prava, koja se, odnose na određene stilove života,
različite forme partnerstva i samostalno donošenje odluka, prevedu i u tzv. treće doba,
...
kada im ta prava u manjoj ili većoj meri suspenduju i članovi porodice i šire okruženje,
ali, neretko, i oni sami. Na ovaj način, kontruisan je specifični Drugi – onaj koji ćemo
tek biti – a da se pri tome ne menja ni jedno drugo svojstvo izuzev dobnog.
This anthropological analysis of the Serbian TV series Muddy Tires (Kaljave
Gume), which aired in the spring of 2021 on the Radio Television of Serbia,
aims to point out the principal meanings which can be subsumed under the three
dominant problems faced by the protagonist Vesna when she finds herself in
situations that demand a reexamination of previously accepted norms regarding older members of contemporary Serbian society. The analytical procedure,
also applied to film, involved the construction and study of an ethnography
which consists of production, content and reception, with primary emphasis on
the first two elements. In this way, it was possible to distinguish several of the
more important themes that underpin the basic plot structure, which, very briefly, follows the everyday life of a sixty-year-old former pianist who, following
the death of her husband with whom she had an unhappy marriage, leaves for
California to visit her son, daughter-in-law and grandchildren.... Her relocation
from the environment in which she has spent her entire life has thus created the
conditions for her to embark on a new relationship with an elderly American
whom she met online, but also for the process of conflict with and resistance
to norms which have typically dictated to her, as a widow, certain emotions,
and actions in accordance with them, while challenging others. This process in
which her age is foregrounded in contrast to actions which are labelled “out of
time” and therefore inappropriate, even unacceptable for those closest to her,
also involves actions by opponents dressed up in the specific form of ageism
such as the so-called well-meaning ageism, when an older person is forced to
accept unwanted expressions of “concern” and “assistance”. Finally, a subsidiary but haunting motif is the motif of suicide of older members of society (in
the series committed by Vesna’s brother-in-law Jovan), which functions as a
reflection of easier acceptance and understanding by one’s community, unlike
the decision to continue life in a new, late-life relationship following the death
of a spouse. Finally, it should be observed that the attitudes, actions and censure
of the adult members of one’s family are dominant.
de cet Autre ne change à part l’âge. La série télévisée Pneus crottés sera
analysée de manière à ce que les conclusions sur sa signification soient déduites
avec un appui sur les informations les plus importantes concernant sa production, son contenu et sa réception avec cependant l’accent nécessairement mis
sur les deux premiers éléments. Par conséquent, il sera possible d’analyser les
manières dont la société serbe contemporaine peint une vieille femme, incarnée
par le personnage de Vesna (qui, après être restée veuve, commence une relation
avec un Américain plus âgé, qu’elle a rencontré sur un site de rencontre pour
les personnes âgées), alors que cette société non seulement lui impose et interdit en même temps d’agir, mais également d’exprimer et de ressentir certaines
émotions profondes. De cette manière, il sera possible de se rendre compte plus
en détail de quelques problèmes importants parmi lesquels le problème dominant est celui de l’âgisme (bienveillant) par rapport... auquel les personnes âgées
développent certaines stratégies d’action; depuis le retrait dans la sphère secrète
jusqu’à la tentative de continuer à bénéficier des droits formellement acquis plus
tot concernant entre autre certains styles de vie, différentes formes d’union et de
prise de décision autonome dans ce que l’on appelle le troisième âge au moment
où ces droits sont plus ou moins suspendus aussi bien par les membres de leur
famille et leur environnement en général mais dont ils se privent eux-mêmes
assez souvent. De cette manière a été construit un Autre particulier – celui que
nous serons un jour – alors qu’aucune caractéristique
Кључне речи:
televizijska serija / starost / (dobronamerni) ejdžizam / upoznavanje na internetu / udovištvo / TV series / age / (well-meaning) ageism / meeting people online / widowhood / série télévisée / vieillesse / âgisme (bienveillant) / rencontre sur internet / veuvageИзвор:
Etnoantropološki problemi, 2022, 17, 2, 523-559Издавач:
- Filozofski fakultet Univerziteta u Beogradu – Odeljenje za etnologiju i antropologiju
Финансирање / пројекти:
- Министарство науке, технолошког развоја и иновација Републике Србије, институционално финансирање - 200163 (Универзитет у Београду, Филозофски факултет) (RS-MESTD-inst-2020-200163)
Институција/група
Etnologija i antropologija / Ethnology and AnthropologyTY - JOUR AU - Milosavljević, Ljubica PY - 2022 UR - http://reff.f.bg.ac.rs/handle/123456789/5836 AB - Televizijska serija Kaljave gume biće analizirana u ključu koji podrazumeva izvođenje zaključaka o značenju na osnovu najvažnijih informacija o produkciji, sadržaju i recepciji, s tim da će naglasak, nužno, biti na prva dva elementa. Sledstveno, biće moguće sagledati načine na koje savremeno srpsko društvo portretiše staru ženu, pretočenu u lik Vesne koja, nakon što ostane udovica započinje vezu sa starijim Amerikancem koga je upoznala na sajtu za upoznavanje starijih, dok joj istovremeno nalaže i zabranjuje ne samo delovanja, nego i izražavanje i dubinu pojedinih emocija. Na ovaj način, biće moguće podrobnije uputiti u nekoliko značajnih problema među kojima je najdominantniji (dobronamerni) ejdžizam u odnosu na koji starije osobe razvijaju određene strategije delovanja; od povlačenja u tajnu sferu do pokušaja da ranije formalno stečena prava, koja se, odnose na određene stilove života, različite forme partnerstva i samostalno donošenje odluka, prevedu i u tzv. treće doba, kada im ta prava u manjoj ili većoj meri suspenduju i članovi porodice i šire okruženje, ali, neretko, i oni sami. Na ovaj način, kontruisan je specifični Drugi – onaj koji ćemo tek biti – a da se pri tome ne menja ni jedno drugo svojstvo izuzev dobnog. AB - This anthropological analysis of the Serbian TV series Muddy Tires (Kaljave Gume), which aired in the spring of 2021 on the Radio Television of Serbia, aims to point out the principal meanings which can be subsumed under the three dominant problems faced by the protagonist Vesna when she finds herself in situations that demand a reexamination of previously accepted norms regarding older members of contemporary Serbian society. The analytical procedure, also applied to film, involved the construction and study of an ethnography which consists of production, content and reception, with primary emphasis on the first two elements. In this way, it was possible to distinguish several of the more important themes that underpin the basic plot structure, which, very briefly, follows the everyday life of a sixty-year-old former pianist who, following the death of her husband with whom she had an unhappy marriage, leaves for California to visit her son, daughter-in-law and grandchildren. Her relocation from the environment in which she has spent her entire life has thus created the conditions for her to embark on a new relationship with an elderly American whom she met online, but also for the process of conflict with and resistance to norms which have typically dictated to her, as a widow, certain emotions, and actions in accordance with them, while challenging others. This process in which her age is foregrounded in contrast to actions which are labelled “out of time” and therefore inappropriate, even unacceptable for those closest to her, also involves actions by opponents dressed up in the specific form of ageism such as the so-called well-meaning ageism, when an older person is forced to accept unwanted expressions of “concern” and “assistance”. Finally, a subsidiary but haunting motif is the motif of suicide of older members of society (in the series committed by Vesna’s brother-in-law Jovan), which functions as a reflection of easier acceptance and understanding by one’s community, unlike the decision to continue life in a new, late-life relationship following the death of a spouse. Finally, it should be observed that the attitudes, actions and censure of the adult members of one’s family are dominant. AB - de cet Autre ne change à part l’âge. La série télévisée Pneus crottés sera analysée de manière à ce que les conclusions sur sa signification soient déduites avec un appui sur les informations les plus importantes concernant sa production, son contenu et sa réception avec cependant l’accent nécessairement mis sur les deux premiers éléments. Par conséquent, il sera possible d’analyser les manières dont la société serbe contemporaine peint une vieille femme, incarnée par le personnage de Vesna (qui, après être restée veuve, commence une relation avec un Américain plus âgé, qu’elle a rencontré sur un site de rencontre pour les personnes âgées), alors que cette société non seulement lui impose et interdit en même temps d’agir, mais également d’exprimer et de ressentir certaines émotions profondes. De cette manière, il sera possible de se rendre compte plus en détail de quelques problèmes importants parmi lesquels le problème dominant est celui de l’âgisme (bienveillant) par rapport auquel les personnes âgées développent certaines stratégies d’action; depuis le retrait dans la sphère secrète jusqu’à la tentative de continuer à bénéficier des droits formellement acquis plus tot concernant entre autre certains styles de vie, différentes formes d’union et de prise de décision autonome dans ce que l’on appelle le troisième âge au moment où ces droits sont plus ou moins suspendus aussi bien par les membres de leur famille et leur environnement en général mais dont ils se privent eux-mêmes assez souvent. De cette manière a été construit un Autre particulier – celui que nous serons un jour – alors qu’aucune caractéristique PB - Filozofski fakultet Univerziteta u Beogradu – Odeljenje za etnologiju i antropologiju T2 - Etnoantropološki problemi T1 - U njenim godinama: Antropološka analiza konstrukta starostiu televizijskoj seriji Kaljave gume T1 - At Her Age: An Anthropological Analysis of the Construct of Age in the TV Series Muddy Tires T1 - À son âge: L’analyse anthropologique du concept de la vieillesse dans la série télévisée Pneus crottés EP - 559 IS - 2 SP - 523 VL - 17 DO - 10.21301/eap.v17i2.4 ER -
@article{ author = "Milosavljević, Ljubica", year = "2022", abstract = "Televizijska serija Kaljave gume biće analizirana u ključu koji podrazumeva izvođenje zaključaka o značenju na osnovu najvažnijih informacija o produkciji, sadržaju i recepciji, s tim da će naglasak, nužno, biti na prva dva elementa. Sledstveno, biće moguće sagledati načine na koje savremeno srpsko društvo portretiše staru ženu, pretočenu u lik Vesne koja, nakon što ostane udovica započinje vezu sa starijim Amerikancem koga je upoznala na sajtu za upoznavanje starijih, dok joj istovremeno nalaže i zabranjuje ne samo delovanja, nego i izražavanje i dubinu pojedinih emocija. Na ovaj način, biće moguće podrobnije uputiti u nekoliko značajnih problema među kojima je najdominantniji (dobronamerni) ejdžizam u odnosu na koji starije osobe razvijaju određene strategije delovanja; od povlačenja u tajnu sferu do pokušaja da ranije formalno stečena prava, koja se, odnose na određene stilove života, različite forme partnerstva i samostalno donošenje odluka, prevedu i u tzv. treće doba, kada im ta prava u manjoj ili većoj meri suspenduju i članovi porodice i šire okruženje, ali, neretko, i oni sami. Na ovaj način, kontruisan je specifični Drugi – onaj koji ćemo tek biti – a da se pri tome ne menja ni jedno drugo svojstvo izuzev dobnog., This anthropological analysis of the Serbian TV series Muddy Tires (Kaljave Gume), which aired in the spring of 2021 on the Radio Television of Serbia, aims to point out the principal meanings which can be subsumed under the three dominant problems faced by the protagonist Vesna when she finds herself in situations that demand a reexamination of previously accepted norms regarding older members of contemporary Serbian society. The analytical procedure, also applied to film, involved the construction and study of an ethnography which consists of production, content and reception, with primary emphasis on the first two elements. In this way, it was possible to distinguish several of the more important themes that underpin the basic plot structure, which, very briefly, follows the everyday life of a sixty-year-old former pianist who, following the death of her husband with whom she had an unhappy marriage, leaves for California to visit her son, daughter-in-law and grandchildren. Her relocation from the environment in which she has spent her entire life has thus created the conditions for her to embark on a new relationship with an elderly American whom she met online, but also for the process of conflict with and resistance to norms which have typically dictated to her, as a widow, certain emotions, and actions in accordance with them, while challenging others. This process in which her age is foregrounded in contrast to actions which are labelled “out of time” and therefore inappropriate, even unacceptable for those closest to her, also involves actions by opponents dressed up in the specific form of ageism such as the so-called well-meaning ageism, when an older person is forced to accept unwanted expressions of “concern” and “assistance”. Finally, a subsidiary but haunting motif is the motif of suicide of older members of society (in the series committed by Vesna’s brother-in-law Jovan), which functions as a reflection of easier acceptance and understanding by one’s community, unlike the decision to continue life in a new, late-life relationship following the death of a spouse. Finally, it should be observed that the attitudes, actions and censure of the adult members of one’s family are dominant., de cet Autre ne change à part l’âge. La série télévisée Pneus crottés sera analysée de manière à ce que les conclusions sur sa signification soient déduites avec un appui sur les informations les plus importantes concernant sa production, son contenu et sa réception avec cependant l’accent nécessairement mis sur les deux premiers éléments. Par conséquent, il sera possible d’analyser les manières dont la société serbe contemporaine peint une vieille femme, incarnée par le personnage de Vesna (qui, après être restée veuve, commence une relation avec un Américain plus âgé, qu’elle a rencontré sur un site de rencontre pour les personnes âgées), alors que cette société non seulement lui impose et interdit en même temps d’agir, mais également d’exprimer et de ressentir certaines émotions profondes. De cette manière, il sera possible de se rendre compte plus en détail de quelques problèmes importants parmi lesquels le problème dominant est celui de l’âgisme (bienveillant) par rapport auquel les personnes âgées développent certaines stratégies d’action; depuis le retrait dans la sphère secrète jusqu’à la tentative de continuer à bénéficier des droits formellement acquis plus tot concernant entre autre certains styles de vie, différentes formes d’union et de prise de décision autonome dans ce que l’on appelle le troisième âge au moment où ces droits sont plus ou moins suspendus aussi bien par les membres de leur famille et leur environnement en général mais dont ils se privent eux-mêmes assez souvent. De cette manière a été construit un Autre particulier – celui que nous serons un jour – alors qu’aucune caractéristique", publisher = "Filozofski fakultet Univerziteta u Beogradu – Odeljenje za etnologiju i antropologiju", journal = "Etnoantropološki problemi", title = "U njenim godinama: Antropološka analiza konstrukta starostiu televizijskoj seriji Kaljave gume, At Her Age: An Anthropological Analysis of the Construct of Age in the TV Series Muddy Tires, À son âge: L’analyse anthropologique du concept de la vieillesse dans la série télévisée Pneus crottés", pages = "559-523", number = "2", volume = "17", doi = "10.21301/eap.v17i2.4" }
Milosavljević, L.. (2022). U njenim godinama: Antropološka analiza konstrukta starostiu televizijskoj seriji Kaljave gume. in Etnoantropološki problemi Filozofski fakultet Univerziteta u Beogradu – Odeljenje za etnologiju i antropologiju., 17(2), 523-559. https://doi.org/10.21301/eap.v17i2.4
Milosavljević L. U njenim godinama: Antropološka analiza konstrukta starostiu televizijskoj seriji Kaljave gume. in Etnoantropološki problemi. 2022;17(2):523-559. doi:10.21301/eap.v17i2.4 .
Milosavljević, Ljubica, "U njenim godinama: Antropološka analiza konstrukta starostiu televizijskoj seriji Kaljave gume" in Etnoantropološki problemi, 17, no. 2 (2022):523-559, https://doi.org/10.21301/eap.v17i2.4 . .