The Ancient Sources of Njegoš’s Poetics
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Petar II Petrović Njegoš was a poet, ruler, and bishop of Montenegro in the first half of the nineteenth century. During his reign, Montenegro was a small theocratic principality, involved in constant struggle with the neighboring Ottoman Empire. Raised in the libertarian spirit of Serbian folk song, Njegoš at the same time showed a lifelong interest in classical antiquity. Most of his poetic work contains diverse elements of classical heritage, both in terms of ideas and motif patterns, as well as poetic images, literary topoi, metaphors, and symbols largely related to the tradition of Neoplatonic philosophy in its Christian guise. However, the highlight of Njegoš's creativity is marked by the more predominant influence of classical tragedy, shaped into a kind of an overall “Aeschylean” view of the world order.
Ključne reči:
classics / folk epic / Hellenism / Kosovo myth / Njegoš / tragedization of epicIzvor:
A Handbook to Classical Reception in Eastern and Central Europe, 2017, 373-386Izdavač:
- Malden (MA) ; Oxford ; Chichester : Wiley Blackwell
DOI: 10.1002/9781118832813.ch31
Cobiss ID: 292637952
ISBN: 9781118832714; 9781118832684 (eBook); 9781118832721 (pdf)
[ Google Scholar ]Institucija/grupa
Klasične nauke / Classical StudiesTY - CHAP AU - Todorović, Darko PY - 2017 UR - http://reff.f.bg.ac.rs/handle/123456789/5886 AB - Petar II Petrović Njegoš was a poet, ruler, and bishop of Montenegro in the first half of the nineteenth century. During his reign, Montenegro was a small theocratic principality, involved in constant struggle with the neighboring Ottoman Empire. Raised in the libertarian spirit of Serbian folk song, Njegoš at the same time showed a lifelong interest in classical antiquity. Most of his poetic work contains diverse elements of classical heritage, both in terms of ideas and motif patterns, as well as poetic images, literary topoi, metaphors, and symbols largely related to the tradition of Neoplatonic philosophy in its Christian guise. However, the highlight of Njegoš's creativity is marked by the more predominant influence of classical tragedy, shaped into a kind of an overall “Aeschylean” view of the world order. PB - Malden (MA) ; Oxford ; Chichester : Wiley Blackwell T2 - A Handbook to Classical Reception in Eastern and Central Europe T1 - The Ancient Sources of Njegoš’s Poetics EP - 386 SP - 373 DO - 10.1002/9781118832813.ch31 ER -
@inbook{ author = "Todorović, Darko", year = "2017", abstract = "Petar II Petrović Njegoš was a poet, ruler, and bishop of Montenegro in the first half of the nineteenth century. During his reign, Montenegro was a small theocratic principality, involved in constant struggle with the neighboring Ottoman Empire. Raised in the libertarian spirit of Serbian folk song, Njegoš at the same time showed a lifelong interest in classical antiquity. Most of his poetic work contains diverse elements of classical heritage, both in terms of ideas and motif patterns, as well as poetic images, literary topoi, metaphors, and symbols largely related to the tradition of Neoplatonic philosophy in its Christian guise. However, the highlight of Njegoš's creativity is marked by the more predominant influence of classical tragedy, shaped into a kind of an overall “Aeschylean” view of the world order.", publisher = "Malden (MA) ; Oxford ; Chichester : Wiley Blackwell", journal = "A Handbook to Classical Reception in Eastern and Central Europe", booktitle = "The Ancient Sources of Njegoš’s Poetics", pages = "386-373", doi = "10.1002/9781118832813.ch31" }
Todorović, D.. (2017). The Ancient Sources of Njegoš’s Poetics. in A Handbook to Classical Reception in Eastern and Central Europe Malden (MA) ; Oxford ; Chichester : Wiley Blackwell., 373-386. https://doi.org/10.1002/9781118832813.ch31
Todorović D. The Ancient Sources of Njegoš’s Poetics. in A Handbook to Classical Reception in Eastern and Central Europe. 2017;:373-386. doi:10.1002/9781118832813.ch31 .
Todorović, Darko, "The Ancient Sources of Njegoš’s Poetics" in A Handbook to Classical Reception in Eastern and Central Europe (2017):373-386, https://doi.org/10.1002/9781118832813.ch31 . .