From the Apse of the Hosios David to the Icon from Poganovo. The Migration of the Idea of Salvation
Аутори
Vinulović, LjubicaОстала ауторства
Erdeljan, JelenaGerm, Martin
Prijatelj Pavičić, Ivana
Vicelja Matijašić, Marina
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The main preoccupation of this paper will be iconographical analysis of depictions
of the Miracle of Latomos, and the way in which this scene migrated from Greece
to Bulgaria and Serbia. Firstly, we will discuss the historical background of the
Miracle of Latomos and its composition, which is very specific in Byzantine art.
Given the fact that it is depicted only three times in Byzantine art, in the mosaic
in the apse of the church of Hosios David in Thessaloniki, in the mural painting in
the ossuary in Bachkovo monastery in Bulgaria and in the double-sided icon from
Poganovo, it has aroused great interest among art historians. The mosaic from Hosios
David was discovered in 1927, and since then to (up until) the cleaning of the
Icon from Poganovo in 1959, the composition of the Miracle of Latomos has had
various, interpretations. We will try to explain how this composition has changed
its iconography over the centuries and also discuss the question of patronage of the
Icon ...from Poganovo. We will use the iconographic method and try to prove that
this composition in all three cases has eschatological character.
Кључне речи:
Miracle of Latomos / Theodora / Thessaloniki / Hosios David / Ossuary in Bachkovo monastery / Icon from Poganovo / Virgin Kataphyge / John the Theologian / Helena MrnjavčevićИзвор:
Migrations in Visual Art, 2018, 175-186Издавач:
- University of Belgrade – Faculty of Philosophy
DOI: 10.4312/9789610601166
ISBN: 978-86-6427-102-8 (pdf, Faculty of Philosophy, University of Belgrade)
[ Google Scholar ]Институција/група
Istorija umetnosti / History of ArtTY - CHAP AU - Vinulović, Ljubica PY - 2018 UR - http://reff.f.bg.ac.rs/handle/123456789/6077 AB - The main preoccupation of this paper will be iconographical analysis of depictions of the Miracle of Latomos, and the way in which this scene migrated from Greece to Bulgaria and Serbia. Firstly, we will discuss the historical background of the Miracle of Latomos and its composition, which is very specific in Byzantine art. Given the fact that it is depicted only three times in Byzantine art, in the mosaic in the apse of the church of Hosios David in Thessaloniki, in the mural painting in the ossuary in Bachkovo monastery in Bulgaria and in the double-sided icon from Poganovo, it has aroused great interest among art historians. The mosaic from Hosios David was discovered in 1927, and since then to (up until) the cleaning of the Icon from Poganovo in 1959, the composition of the Miracle of Latomos has had various, interpretations. We will try to explain how this composition has changed its iconography over the centuries and also discuss the question of patronage of the Icon from Poganovo. We will use the iconographic method and try to prove that this composition in all three cases has eschatological character. PB - University of Belgrade – Faculty of Philosophy T2 - Migrations in Visual Art T1 - From the Apse of the Hosios David to the Icon from Poganovo. The Migration of the Idea of Salvation EP - 186 SP - 175 DO - 10.4312/9789610601166 ER -
@inbook{ author = "Vinulović, Ljubica", year = "2018", abstract = "The main preoccupation of this paper will be iconographical analysis of depictions of the Miracle of Latomos, and the way in which this scene migrated from Greece to Bulgaria and Serbia. Firstly, we will discuss the historical background of the Miracle of Latomos and its composition, which is very specific in Byzantine art. Given the fact that it is depicted only three times in Byzantine art, in the mosaic in the apse of the church of Hosios David in Thessaloniki, in the mural painting in the ossuary in Bachkovo monastery in Bulgaria and in the double-sided icon from Poganovo, it has aroused great interest among art historians. The mosaic from Hosios David was discovered in 1927, and since then to (up until) the cleaning of the Icon from Poganovo in 1959, the composition of the Miracle of Latomos has had various, interpretations. We will try to explain how this composition has changed its iconography over the centuries and also discuss the question of patronage of the Icon from Poganovo. We will use the iconographic method and try to prove that this composition in all three cases has eschatological character.", publisher = "University of Belgrade – Faculty of Philosophy", journal = "Migrations in Visual Art", booktitle = "From the Apse of the Hosios David to the Icon from Poganovo. The Migration of the Idea of Salvation", pages = "186-175", doi = "10.4312/9789610601166" }
Vinulović, L.. (2018). From the Apse of the Hosios David to the Icon from Poganovo. The Migration of the Idea of Salvation. in Migrations in Visual Art University of Belgrade – Faculty of Philosophy., 175-186. https://doi.org/10.4312/9789610601166
Vinulović L. From the Apse of the Hosios David to the Icon from Poganovo. The Migration of the Idea of Salvation. in Migrations in Visual Art. 2018;:175-186. doi:10.4312/9789610601166 .
Vinulović, Ljubica, "From the Apse of the Hosios David to the Icon from Poganovo. The Migration of the Idea of Salvation" in Migrations in Visual Art (2018):175-186, https://doi.org/10.4312/9789610601166 . .