Liturgical vessels from XIX century Serbian Orthodox churches: Pictorial symbolic decoration of Eucharistic chalices
Литургијски сасуди у српским црквама XIX века: пикторална симболичка декорација евхаристијских путира
Апстракт
Within the corpus comprising the visual culture of Serbian churches in
the XIX century, an important and rarely studied place belongs to liturgical objects. Their
visual and symbolic decoration corresponds to their special liturgical purpose. When observed as objects of communication, liturgical vessels are semantically complex, since they
mediate between the sacred and the believer; they contain and convey the truths of the
church in service of its holiest mystery – the Eucharist. The most distinguished place among
these objects belongs to the chalice, whose plain surface demands pictorial decoration that
is almost catechetical in character. Such images are in direct communication with both the
clergy and the congregation, who together receive the holy mystery of the Eucharist from
it. In this sense the iconographic repertoire used in the pictorial decoration of this most
important liturgical vessel of the Orthodox Church was gradually conceptualized, formed,
and ultimately ...fixed in the XIX century.
Кључне речи:
Serbian Orthodox Church / liturgy / liturgical vessel / chalice / symbolic decoration / visual culture / 19. centuryИзвор:
Зборник Матице српске за ликовне уметности = Recherches sur l'art, 2014, 42, 171-186Издавач:
- Нови Сад : Матица српска, Одељење за ликовне уметности
Финансирање / пројекти:
- Представе идентитета у уметности и вербално-визуелној култури новог доба (RS-MESTD-Basic Research (BR or ON)-177001)
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Dautović, Vuk PY - 2014 UR - http://reff.f.bg.ac.rs/handle/123456789/6125 AB - Within the corpus comprising the visual culture of Serbian churches in the XIX century, an important and rarely studied place belongs to liturgical objects. Their visual and symbolic decoration corresponds to their special liturgical purpose. When observed as objects of communication, liturgical vessels are semantically complex, since they mediate between the sacred and the believer; they contain and convey the truths of the church in service of its holiest mystery – the Eucharist. The most distinguished place among these objects belongs to the chalice, whose plain surface demands pictorial decoration that is almost catechetical in character. Such images are in direct communication with both the clergy and the congregation, who together receive the holy mystery of the Eucharist from it. In this sense the iconographic repertoire used in the pictorial decoration of this most important liturgical vessel of the Orthodox Church was gradually conceptualized, formed, and ultimately fixed in the XIX century. PB - Нови Сад : Матица српска, Одељење за ликовне уметности T2 - Зборник Матице српске за ликовне уметности = Recherches sur l'art T1 - Liturgical vessels from XIX century Serbian Orthodox churches: Pictorial symbolic decoration of Eucharistic chalices T1 - Литургијски сасуди у српским црквама XIX века: пикторална симболичка декорација евхаристијских путира EP - 186 SP - 171 VL - 42 UR - https://hdl.handle.net/21.15107/rcub_reff_6125 ER -
@article{ author = "Dautović, Vuk", year = "2014", abstract = "Within the corpus comprising the visual culture of Serbian churches in the XIX century, an important and rarely studied place belongs to liturgical objects. Their visual and symbolic decoration corresponds to their special liturgical purpose. When observed as objects of communication, liturgical vessels are semantically complex, since they mediate between the sacred and the believer; they contain and convey the truths of the church in service of its holiest mystery – the Eucharist. The most distinguished place among these objects belongs to the chalice, whose plain surface demands pictorial decoration that is almost catechetical in character. Such images are in direct communication with both the clergy and the congregation, who together receive the holy mystery of the Eucharist from it. In this sense the iconographic repertoire used in the pictorial decoration of this most important liturgical vessel of the Orthodox Church was gradually conceptualized, formed, and ultimately fixed in the XIX century.", publisher = "Нови Сад : Матица српска, Одељење за ликовне уметности", journal = "Зборник Матице српске за ликовне уметности = Recherches sur l'art", title = "Liturgical vessels from XIX century Serbian Orthodox churches: Pictorial symbolic decoration of Eucharistic chalices, Литургијски сасуди у српским црквама XIX века: пикторална симболичка декорација евхаристијских путира", pages = "186-171", volume = "42", url = "https://hdl.handle.net/21.15107/rcub_reff_6125" }
Dautović, V.. (2014). Liturgical vessels from XIX century Serbian Orthodox churches: Pictorial symbolic decoration of Eucharistic chalices. in Зборник Матице српске за ликовне уметности = Recherches sur l'art Нови Сад : Матица српска, Одељење за ликовне уметности., 42, 171-186. https://hdl.handle.net/21.15107/rcub_reff_6125
Dautović V. Liturgical vessels from XIX century Serbian Orthodox churches: Pictorial symbolic decoration of Eucharistic chalices. in Зборник Матице српске за ликовне уметности = Recherches sur l'art. 2014;42:171-186. https://hdl.handle.net/21.15107/rcub_reff_6125 .
Dautović, Vuk, "Liturgical vessels from XIX century Serbian Orthodox churches: Pictorial symbolic decoration of Eucharistic chalices" in Зборник Матице српске за ликовне уметности = Recherches sur l'art, 42 (2014):171-186, https://hdl.handle.net/21.15107/rcub_reff_6125 .