dc.creator | Dautović, Vuk | |
dc.date.accessioned | 2024-01-26T13:57:20Z | |
dc.date.available | 2024-01-26T13:57:20Z | |
dc.date.issued | 2013 | |
dc.identifier.issn | 1408-0419 | |
dc.identifier.uri | http://reff.f.bg.ac.rs/handle/123456789/6128 | |
dc.description.abstract | A decade ater the end of the First World War a
memorial to Jewish soldiers who took part in the
Balkan Wars, as well as in World War I, was built at the
Sephardic cemetery in Belgrade. his memorial was
designed by the architect Samuel Sumbul and created
in Belgrade. he complex monumental and sepulchral
entity in question played an important role in creating a
lasting memory, among both the Serbian and the Jewishpublic, and of permanently marking out the role and
participation of Jews, as subjects of the Kingdom of
Serbia, in the process of liberating the original state and
creating the subsequent one. his memorial to Jewish
soldiers relects the ideological and political complexity
of relations between the Jewish community and the
Serbian state, as well as those between the Jewish
community and the subsequently formed Kingdom of
SCS (Serbs, Croats and Slovenians), which developed
to a point whereby Jews were called Serbs of Moses’
Faith, under the Karađorđević dynasty. he building
of the monument had the goal of highlighting the role
of Jews as patriots who participated in the creation of
a nationally heterogeneous state (the one in which the
monument was built) and also as loyal subjects of the
dynasty under which they fought in this war. his sort
of monumental memory legitimized the belonging
of the Jewish people to the broader state community
through the principle of spilt blood and military merits,
taking into consideration, in particular, the centuries
old Jewish experience of resisting assimilation and
safeguarding personal religious and national identity.
Observed from this vantage point, the monument
relects the complex discourses within the framework
of which these parallel identities and narratives are
visually constituted and expressed. | sr |
dc.language.iso | en | sr |
dc.publisher | Ljubljana (Gosposka 13) : Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti, Umetnostnozgodovinski inštitut Franceta Steleta | sr |
dc.rights | openAccess | sr |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.source | Acta historiae artis Slovenica | sr |
dc.subject | Memory | sr |
dc.subject | Identity | sr |
dc.subject | World War I | sr |
dc.subject | War memorial | sr |
dc.subject | Balkan Wars | sr |
dc.subject | The Kingdom of Serbs, Croats and Slovenians | sr |
dc.subject | Belgrade | sr |
dc.subject | Jewish art | sr |
dc.subject | Jews | sr |
dc.subject | Samuel Sumbul | sr |
dc.title | A monument to fallen Jewish soldeiers in the wars fought between 1912 and 1919 at the Sephardic cemetery in Belgrade | sr |
dc.type | article | sr |
dc.rights.license | BY | sr |
dc.rights.holder | Ljubljana (Gosposka 13) : Znanstvenoraziskovalni center Slovenske akademije znanosti in umetnosti, Umetnostnozgodovinski inštitut Franceta Steleta | sr |
dc.citation.epage | 58 | |
dc.citation.issue | 2 | |
dc.citation.spage | 43 | |
dc.citation.volume | 18 | |
dc.identifier.fulltext | http://reff.f.bg.ac.rs/bitstream/id/14641/A_Monument_to_Fallen_Jewish_Soldiers_in-1.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_reff_6128 | |
dc.type.version | publishedVersion | sr |
dc.identifier.cobiss | 523792279 | |