Представа Сабор арханђела у цркви Светог Ђорђа у Ајдановцу
Representation of The assembly of the Archangels in the church of St. George in Ajdanovac
Аутори
Marković, Marijana Lj.Остала ауторства
Rakocija, MišaMaksimović, Ljubomir
Milenković, Mirjana
Mišić, Ana
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
Katholikon of Ajdanovac monastery, dedicated to St. George, is a modest church, without a dome, which was painted near the end of 15th century. Due to the lack of historiography
works that have dealt with interesting frescoes program of the church in an adequate way, the
existence of the scene The assembly of the Archangels, which was painted in the highest zone
of narthex, was left unknown. Despite the very poor condition of preserved frescoes, many
conclusions can be made about original appearance of this composition (to a large extent
based on saved portions of painting in the highest zone on the eastern and the western wall of
narthex, as well as the fragments on the northern and the southern part of the vault of the same
zone). Painted as a single composition occupying the whole zone, with approximately twenty
archangel’s busts painted in the irst place, representation of The assembly of the Archangels
in Ajdanovac’s church makes a unique representation of the theme, whos...e iconographic parallels are not know yet (within the frames of byzantine art and art of the countries under its
cultural inluence, the largest number of examples of The assembly compositions were painted
within the cycle of archangels). Four archangel’s busts on the eastern and on the western wall,
represented in imperial suit, are painted in pairs which alternate between the ones partially
turn to one another (wearing capes over their clothes, tied to the knot on the chest) and the
ones frontally presented. Each of archangels is holding a sphere in one hand and spear, staff
or most often labarum in the other. On the eastern wall, above busts of the archangels, there
is well preserved inscription that makes the content of the considered scene unambiguously
recognizable. For better understanding of the painting in the highest zone of narthex church
of St. George in Ajdanovac, it would be of great importance knowing what was represented
on the ceiling, below which are busts of archangels. Through preserved fragments of painted
medallion, it can only be assumed that the igure of Christ Emmanuel occupied that place,
making a unity with busts of archangels who are glorifying the One from whom every authority emanates. Such a iconographic solution would not be unusual if taken into account that
representation of Christ Emmanuel was often the part of ceiling decoration in small temples
without domes and, far more important, the integral part of The assembly scene as well.
Кључне речи:
Sabor arhanđela / AjdanovacИзвор:
Međunarodni naučni skup "Niš i Vizantija" (16 ; 2017 ; Niš); Dani Sv. cara Konstantina i carice Jelene (2017 ; Niš), 2018, 16, 357-366Издавач:
- Ниш : Град Ниш
- Универзитет у Нишу
- Православна епархија нишка
- Нишки културни центар
Финансирање / пројекти:
- Српска средњовековна уметност и њен европски контекст (RS-MESTD-Basic Research (BR or ON)-177036)
Напомена:
- Одлуком Матичног одбора за историју, археологију и етнологију, од 28. јануара 2013. године зборник "Ниш и Византија" категорише се као рад у тематском зборнику међународног значаја, М14, с тим што му се додељују 3 бода.
Институција/група
Istorija umetnosti / History of ArtTY - CHAP AU - Marković, Marijana Lj. PY - 2018 UR - http://reff.f.bg.ac.rs/handle/123456789/6131 AB - Katholikon of Ajdanovac monastery, dedicated to St. George, is a modest church, without a dome, which was painted near the end of 15th century. Due to the lack of historiography works that have dealt with interesting frescoes program of the church in an adequate way, the existence of the scene The assembly of the Archangels, which was painted in the highest zone of narthex, was left unknown. Despite the very poor condition of preserved frescoes, many conclusions can be made about original appearance of this composition (to a large extent based on saved portions of painting in the highest zone on the eastern and the western wall of narthex, as well as the fragments on the northern and the southern part of the vault of the same zone). Painted as a single composition occupying the whole zone, with approximately twenty archangel’s busts painted in the irst place, representation of The assembly of the Archangels in Ajdanovac’s church makes a unique representation of the theme, whose iconographic parallels are not know yet (within the frames of byzantine art and art of the countries under its cultural inluence, the largest number of examples of The assembly compositions were painted within the cycle of archangels). Four archangel’s busts on the eastern and on the western wall, represented in imperial suit, are painted in pairs which alternate between the ones partially turn to one another (wearing capes over their clothes, tied to the knot on the chest) and the ones frontally presented. Each of archangels is holding a sphere in one hand and spear, staff or most often labarum in the other. On the eastern wall, above busts of the archangels, there is well preserved inscription that makes the content of the considered scene unambiguously recognizable. For better understanding of the painting in the highest zone of narthex church of St. George in Ajdanovac, it would be of great importance knowing what was represented on the ceiling, below which are busts of archangels. Through preserved fragments of painted medallion, it can only be assumed that the igure of Christ Emmanuel occupied that place, making a unity with busts of archangels who are glorifying the One from whom every authority emanates. Such a iconographic solution would not be unusual if taken into account that representation of Christ Emmanuel was often the part of ceiling decoration in small temples without domes and, far more important, the integral part of The assembly scene as well. PB - Ниш : Град Ниш PB - Универзитет у Нишу PB - Православна епархија нишка PB - Нишки културни центар T2 - Međunarodni naučni skup "Niš i Vizantija" (16 ; 2017 ; Niš); Dani Sv. cara Konstantina i carice Jelene (2017 ; Niš) T1 - Представа Сабор арханђела у цркви Светог Ђорђа у Ајдановцу T1 - Representation of The assembly of the Archangels in the church of St. George in Ajdanovac EP - 366 SP - 357 VL - 16 UR - https://hdl.handle.net/21.15107/rcub_reff_6131 ER -
@inbook{ author = "Marković, Marijana Lj.", year = "2018", abstract = "Katholikon of Ajdanovac monastery, dedicated to St. George, is a modest church, without a dome, which was painted near the end of 15th century. Due to the lack of historiography works that have dealt with interesting frescoes program of the church in an adequate way, the existence of the scene The assembly of the Archangels, which was painted in the highest zone of narthex, was left unknown. Despite the very poor condition of preserved frescoes, many conclusions can be made about original appearance of this composition (to a large extent based on saved portions of painting in the highest zone on the eastern and the western wall of narthex, as well as the fragments on the northern and the southern part of the vault of the same zone). Painted as a single composition occupying the whole zone, with approximately twenty archangel’s busts painted in the irst place, representation of The assembly of the Archangels in Ajdanovac’s church makes a unique representation of the theme, whose iconographic parallels are not know yet (within the frames of byzantine art and art of the countries under its cultural inluence, the largest number of examples of The assembly compositions were painted within the cycle of archangels). Four archangel’s busts on the eastern and on the western wall, represented in imperial suit, are painted in pairs which alternate between the ones partially turn to one another (wearing capes over their clothes, tied to the knot on the chest) and the ones frontally presented. Each of archangels is holding a sphere in one hand and spear, staff or most often labarum in the other. On the eastern wall, above busts of the archangels, there is well preserved inscription that makes the content of the considered scene unambiguously recognizable. For better understanding of the painting in the highest zone of narthex church of St. George in Ajdanovac, it would be of great importance knowing what was represented on the ceiling, below which are busts of archangels. Through preserved fragments of painted medallion, it can only be assumed that the igure of Christ Emmanuel occupied that place, making a unity with busts of archangels who are glorifying the One from whom every authority emanates. Such a iconographic solution would not be unusual if taken into account that representation of Christ Emmanuel was often the part of ceiling decoration in small temples without domes and, far more important, the integral part of The assembly scene as well.", publisher = "Ниш : Град Ниш, Универзитет у Нишу, Православна епархија нишка, Нишки културни центар", journal = "Međunarodni naučni skup "Niš i Vizantija" (16 ; 2017 ; Niš); Dani Sv. cara Konstantina i carice Jelene (2017 ; Niš)", booktitle = "Представа Сабор арханђела у цркви Светог Ђорђа у Ајдановцу, Representation of The assembly of the Archangels in the church of St. George in Ajdanovac", pages = "366-357", volume = "16", url = "https://hdl.handle.net/21.15107/rcub_reff_6131" }
Marković, M. Lj.. (2018). Представа Сабор арханђела у цркви Светог Ђорђа у Ајдановцу. in Međunarodni naučni skup "Niš i Vizantija" (16 ; 2017 ; Niš); Dani Sv. cara Konstantina i carice Jelene (2017 ; Niš) Ниш : Град Ниш., 16, 357-366. https://hdl.handle.net/21.15107/rcub_reff_6131
Marković ML. Представа Сабор арханђела у цркви Светог Ђорђа у Ајдановцу. in Međunarodni naučni skup "Niš i Vizantija" (16 ; 2017 ; Niš); Dani Sv. cara Konstantina i carice Jelene (2017 ; Niš). 2018;16:357-366. https://hdl.handle.net/21.15107/rcub_reff_6131 .
Marković, Marijana Lj., "Представа Сабор арханђела у цркви Светог Ђорђа у Ајдановцу" in Međunarodni naučni skup "Niš i Vizantija" (16 ; 2017 ; Niš); Dani Sv. cara Konstantina i carice Jelene (2017 ; Niš), 16 (2018):357-366, https://hdl.handle.net/21.15107/rcub_reff_6131 .