1968. u Muzeju savremene umetnosti u Beogradu
1968 in the Museum of Contemporary Art in Belgrade
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
U tekstu se mapiraju i analiziraju osnovni programski ciljevi i koncepcije
Muzeja savremene umetnosti u Beogradu (MSU) u svetlu njegovih ideoloških
pozicija i u kontekstu ideološko-političkih okvira socijalističke nesvrstane Jugoslavije,
a na primeru izložbenog programa Muzeja tokom 1968. godine. Objašnjavaju se
razlozi zbog kojih se Muzej savremene umetnosti može smatrati jednim od primera
intelektualne opozicije. Kao prvi, izdvaja se politička kompatibilnost njegovog
programa s idealnim verzijama unutrašnje (prosvećeni socijalizam, ravnopravnost
i jedinstvo jugoslovenskih naroda uz poštovanje kulturnih različitosti) i načelima
proklamovane spoljašnje politike socijalističke Jugoslavije (politike mira, popuštanja,
nesvrstanosti), ali i njegova nekompatibilnost s onim što je bila svakodnevna politička
praksa ili politička realnost, dok drugi leži u aktivnoj ulozi Muzeja u etabliranju
apstraktne umetnosti kao dominantne oblikovne paradigme u umetnosti šezdesetih,
ali i promo...ciji novih pojava koje je establišment označavao dekadentnim i stoga
nepodobnim i štetnim za jednu socijalističku zajednicu i državu.
Following the example of the exhibition program for 1968, the article maps
and analyzes the basic program objectives and conceptions of the Museum of
Contemporary Art (MCA) in Belgrade in the context of its ideological positions and
in the ideological-political framework of the socialist and non-aligned Yugoslavia. It
explains the reasons for which it is possible to consider the MCA as an example of
intellectual opposition. The first is its political compatibility of its program with the
ideal version of internal politics (enlightened socialism and the equality and unity
of Yugoslav people, with respect to cultural differences) and in its stances regarding
its foreign policies of the socialist Yugoslavia (the politics of peace, tolerance and
non– alignment), but also in its incompatibility with the usual political practise and
political reality of the time, while the other reason lies in the active role of the
Museum in the establishment of abstract art as the dominant parad...igm of shape in
the art of the 60s, as well as the promotion of new phenomena labelled as decadent
by the establishment and therefore unsuitable and harmful to a socialist community
and country such as Yugoslavia.
Кључне речи:
Muzej savremene umetnosti / Miodrag Protić / jugoslovenska moderna umetnost / izložbe Muzeja u 1968 / Museum of Contemporary Art / Yugoslav modern art / exhibition programme in 1968Извор:
Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade, 2018, 14, 55-68Издавач:
- Beograd : Filozofski fakultet
Финансирање / пројекти:
- Српска уметност 20. века: национално и Европа (RS-MESTD-Basic Research (BR or ON)-177013)
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Čubrilo, Jasmina PY - 2018 UR - http://reff.f.bg.ac.rs/handle/123456789/6332 AB - U tekstu se mapiraju i analiziraju osnovni programski ciljevi i koncepcije Muzeja savremene umetnosti u Beogradu (MSU) u svetlu njegovih ideoloških pozicija i u kontekstu ideološko-političkih okvira socijalističke nesvrstane Jugoslavije, a na primeru izložbenog programa Muzeja tokom 1968. godine. Objašnjavaju se razlozi zbog kojih se Muzej savremene umetnosti može smatrati jednim od primera intelektualne opozicije. Kao prvi, izdvaja se politička kompatibilnost njegovog programa s idealnim verzijama unutrašnje (prosvećeni socijalizam, ravnopravnost i jedinstvo jugoslovenskih naroda uz poštovanje kulturnih različitosti) i načelima proklamovane spoljašnje politike socijalističke Jugoslavije (politike mira, popuštanja, nesvrstanosti), ali i njegova nekompatibilnost s onim što je bila svakodnevna politička praksa ili politička realnost, dok drugi leži u aktivnoj ulozi Muzeja u etabliranju apstraktne umetnosti kao dominantne oblikovne paradigme u umetnosti šezdesetih, ali i promociji novih pojava koje je establišment označavao dekadentnim i stoga nepodobnim i štetnim za jednu socijalističku zajednicu i državu. AB - Following the example of the exhibition program for 1968, the article maps and analyzes the basic program objectives and conceptions of the Museum of Contemporary Art (MCA) in Belgrade in the context of its ideological positions and in the ideological-political framework of the socialist and non-aligned Yugoslavia. It explains the reasons for which it is possible to consider the MCA as an example of intellectual opposition. The first is its political compatibility of its program with the ideal version of internal politics (enlightened socialism and the equality and unity of Yugoslav people, with respect to cultural differences) and in its stances regarding its foreign policies of the socialist Yugoslavia (the politics of peace, tolerance and non– alignment), but also in its incompatibility with the usual political practise and political reality of the time, while the other reason lies in the active role of the Museum in the establishment of abstract art as the dominant paradigm of shape in the art of the 60s, as well as the promotion of new phenomena labelled as decadent by the establishment and therefore unsuitable and harmful to a socialist community and country such as Yugoslavia. PB - Beograd : Filozofski fakultet T2 - Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade T1 - 1968. u Muzeju savremene umetnosti u Beogradu T1 - 1968 in the Museum of Contemporary Art in Belgrade EP - 68 IS - 14 SP - 55 UR - https://hdl.handle.net/21.15107/rcub_reff_6332 ER -
@article{ author = "Čubrilo, Jasmina", year = "2018", abstract = "U tekstu se mapiraju i analiziraju osnovni programski ciljevi i koncepcije Muzeja savremene umetnosti u Beogradu (MSU) u svetlu njegovih ideoloških pozicija i u kontekstu ideološko-političkih okvira socijalističke nesvrstane Jugoslavije, a na primeru izložbenog programa Muzeja tokom 1968. godine. Objašnjavaju se razlozi zbog kojih se Muzej savremene umetnosti može smatrati jednim od primera intelektualne opozicije. Kao prvi, izdvaja se politička kompatibilnost njegovog programa s idealnim verzijama unutrašnje (prosvećeni socijalizam, ravnopravnost i jedinstvo jugoslovenskih naroda uz poštovanje kulturnih različitosti) i načelima proklamovane spoljašnje politike socijalističke Jugoslavije (politike mira, popuštanja, nesvrstanosti), ali i njegova nekompatibilnost s onim što je bila svakodnevna politička praksa ili politička realnost, dok drugi leži u aktivnoj ulozi Muzeja u etabliranju apstraktne umetnosti kao dominantne oblikovne paradigme u umetnosti šezdesetih, ali i promociji novih pojava koje je establišment označavao dekadentnim i stoga nepodobnim i štetnim za jednu socijalističku zajednicu i državu., Following the example of the exhibition program for 1968, the article maps and analyzes the basic program objectives and conceptions of the Museum of Contemporary Art (MCA) in Belgrade in the context of its ideological positions and in the ideological-political framework of the socialist and non-aligned Yugoslavia. It explains the reasons for which it is possible to consider the MCA as an example of intellectual opposition. The first is its political compatibility of its program with the ideal version of internal politics (enlightened socialism and the equality and unity of Yugoslav people, with respect to cultural differences) and in its stances regarding its foreign policies of the socialist Yugoslavia (the politics of peace, tolerance and non– alignment), but also in its incompatibility with the usual political practise and political reality of the time, while the other reason lies in the active role of the Museum in the establishment of abstract art as the dominant paradigm of shape in the art of the 60s, as well as the promotion of new phenomena labelled as decadent by the establishment and therefore unsuitable and harmful to a socialist community and country such as Yugoslavia.", publisher = "Beograd : Filozofski fakultet", journal = "Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade", title = "1968. u Muzeju savremene umetnosti u Beogradu, 1968 in the Museum of Contemporary Art in Belgrade", pages = "68-55", number = "14", url = "https://hdl.handle.net/21.15107/rcub_reff_6332" }
Čubrilo, J.. (2018). 1968. u Muzeju savremene umetnosti u Beogradu. in Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade Beograd : Filozofski fakultet.(14), 55-68. https://hdl.handle.net/21.15107/rcub_reff_6332
Čubrilo J. 1968. u Muzeju savremene umetnosti u Beogradu. in Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade. 2018;(14):55-68. https://hdl.handle.net/21.15107/rcub_reff_6332 .
Čubrilo, Jasmina, "1968. u Muzeju savremene umetnosti u Beogradu" in Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade, no. 14 (2018):55-68, https://hdl.handle.net/21.15107/rcub_reff_6332 .