Era Milivojević (1944–2021): O nekim paradoksima
Era Milivojević (1944–2021): On some paradoxes
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
U ovom članku će se raspravljati o lokaciji umetničkog u radu koji je
istovremeno performativan i materijalan, koji nastaje u procesu uspostavljanja
situacije iz preseka događaja zabeleženog u nekom mediju ili medijima, a na primeru
zidne foto-instalacije Ere Milivojevića Crno i belo oko iz 1995. godine. Namera je da
se u svetlu nedoumica izazvanih radnim materijalom u zaostavštini ovog umetnika,
kao i u svetlu izvedene/zatečene postavke navedenog rada na izložbi „Refleksije
našeg vremena: Akvizicije Muzeja savremene umetnosti 1993–2019”, u istoimenom
muzeju u Beogradu u vreme njegove smrti, mapiraju i analiziraju aspekti slučaja,
promene, performativnosti i vizuelnosti te ukaže na njihovu međuzavisnost i njihov
udeo u realizaciji umetničkog dela kao celine (ili u postajanju umetničkog dela) u
sklopu umetničke prakse Ere Milivojevića.
The paper will discuss the location of the artiness of an artwork that is
both performative and material, and which develops in the process of establishing
the situation from the cross-section of events recorded in a medium or media
as it is in the case of wall photo-installation Black and White Eye (1995) by Era
Milivojević. In the light of doubts caused by the material founded in the legacy of
this artist, as well as in light of the performed / found setting of the work at the
exhibition “Reflections of our time: Acquisitions of the Museum of Contemporary
Art 1993–2019” in the museum of the same name in Belgrade the intention is to
analyze aspects of chance, change, performativity and visuality and point out their
interdependence and their contribution in the realization of an artwork as a whole
(or in becoming an artwork) within the artistic practice of Era Milivojević.
Кључне речи:
Era Milivojević / događaj / situacija / art session / performativnost / umetnički čin / umetničko delo / event / situation / art session / performativity / artistic act / artworkИзвор:
Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade, 2022, 18, 135-142Издавач:
- Beograd : Filozofski fakultet
Институција/група
Istorija umetnosti / History of ArtTY - JOUR AU - Čubrilo, Jasmina PY - 2022 UR - http://reff.f.bg.ac.rs/handle/123456789/6336 AB - U ovom članku će se raspravljati o lokaciji umetničkog u radu koji je istovremeno performativan i materijalan, koji nastaje u procesu uspostavljanja situacije iz preseka događaja zabeleženog u nekom mediju ili medijima, a na primeru zidne foto-instalacije Ere Milivojevića Crno i belo oko iz 1995. godine. Namera je da se u svetlu nedoumica izazvanih radnim materijalom u zaostavštini ovog umetnika, kao i u svetlu izvedene/zatečene postavke navedenog rada na izložbi „Refleksije našeg vremena: Akvizicije Muzeja savremene umetnosti 1993–2019”, u istoimenom muzeju u Beogradu u vreme njegove smrti, mapiraju i analiziraju aspekti slučaja, promene, performativnosti i vizuelnosti te ukaže na njihovu međuzavisnost i njihov udeo u realizaciji umetničkog dela kao celine (ili u postajanju umetničkog dela) u sklopu umetničke prakse Ere Milivojevića. AB - The paper will discuss the location of the artiness of an artwork that is both performative and material, and which develops in the process of establishing the situation from the cross-section of events recorded in a medium or media as it is in the case of wall photo-installation Black and White Eye (1995) by Era Milivojević. In the light of doubts caused by the material founded in the legacy of this artist, as well as in light of the performed / found setting of the work at the exhibition “Reflections of our time: Acquisitions of the Museum of Contemporary Art 1993–2019” in the museum of the same name in Belgrade the intention is to analyze aspects of chance, change, performativity and visuality and point out their interdependence and their contribution in the realization of an artwork as a whole (or in becoming an artwork) within the artistic practice of Era Milivojević. PB - Beograd : Filozofski fakultet T2 - Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade T1 - Era Milivojević (1944–2021): O nekim paradoksima T1 - Era Milivojević (1944–2021): On some paradoxes EP - 142 IS - 18 SP - 135 UR - https://hdl.handle.net/21.15107/rcub_reff_6336 ER -
@article{ author = "Čubrilo, Jasmina", year = "2022", abstract = "U ovom članku će se raspravljati o lokaciji umetničkog u radu koji je istovremeno performativan i materijalan, koji nastaje u procesu uspostavljanja situacije iz preseka događaja zabeleženog u nekom mediju ili medijima, a na primeru zidne foto-instalacije Ere Milivojevića Crno i belo oko iz 1995. godine. Namera je da se u svetlu nedoumica izazvanih radnim materijalom u zaostavštini ovog umetnika, kao i u svetlu izvedene/zatečene postavke navedenog rada na izložbi „Refleksije našeg vremena: Akvizicije Muzeja savremene umetnosti 1993–2019”, u istoimenom muzeju u Beogradu u vreme njegove smrti, mapiraju i analiziraju aspekti slučaja, promene, performativnosti i vizuelnosti te ukaže na njihovu međuzavisnost i njihov udeo u realizaciji umetničkog dela kao celine (ili u postajanju umetničkog dela) u sklopu umetničke prakse Ere Milivojevića., The paper will discuss the location of the artiness of an artwork that is both performative and material, and which develops in the process of establishing the situation from the cross-section of events recorded in a medium or media as it is in the case of wall photo-installation Black and White Eye (1995) by Era Milivojević. In the light of doubts caused by the material founded in the legacy of this artist, as well as in light of the performed / found setting of the work at the exhibition “Reflections of our time: Acquisitions of the Museum of Contemporary Art 1993–2019” in the museum of the same name in Belgrade the intention is to analyze aspects of chance, change, performativity and visuality and point out their interdependence and their contribution in the realization of an artwork as a whole (or in becoming an artwork) within the artistic practice of Era Milivojević.", publisher = "Beograd : Filozofski fakultet", journal = "Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade", title = "Era Milivojević (1944–2021): O nekim paradoksima, Era Milivojević (1944–2021): On some paradoxes", pages = "142-135", number = "18", url = "https://hdl.handle.net/21.15107/rcub_reff_6336" }
Čubrilo, J.. (2022). Era Milivojević (1944–2021): O nekim paradoksima. in Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade Beograd : Filozofski fakultet.(18), 135-142. https://hdl.handle.net/21.15107/rcub_reff_6336
Čubrilo J. Era Milivojević (1944–2021): O nekim paradoksima. in Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade. 2022;(18):135-142. https://hdl.handle.net/21.15107/rcub_reff_6336 .
Čubrilo, Jasmina, "Era Milivojević (1944–2021): O nekim paradoksima" in Zbornik Seminara za studije moderne umetnosti Filozofskog fakulteta Univerziteta u Beogradu/The Journal of Modern Art History Department Faculty of Philosophy University of Belgrade, no. 18 (2022):135-142, https://hdl.handle.net/21.15107/rcub_reff_6336 .