Era Milivojević (1944–2021): O nekim paradoksima

Abstract

U ovom članku će se raspravljati o lokaciji umetničkog u radu koji je istovremeno performativan i materijalan, koji nastaje u procesu uspostavljanja situacije iz preseka događaja zabeleženog u nekom mediju ili medijima, a na primeru zidne foto-instalacije Ere Milivojevića Crno i belo oko iz 1995. godine. Namera je da se u svetlu nedoumica izazvanih radnim materijalom u zaostavštini ovog umetnika, kao i u svetlu izvedene/zatečene postavke navedenog rada na izložbi „Refleksije našeg vremena: Akvizicije Muzeja savremene umetnosti 1993–2019”, u istoimenom muzeju u Beogradu u vreme njegove smrti, mapiraju i analiziraju aspekti slučaja, promene, performativnosti i vizuelnosti te ukaže na njihovu međuzavisnost i njihov udeo u realizaciji umetničkog dela kao celine (ili u postajanju umetničkog dela) u sklopu umetničke prakse Ere Milivojevića.

The paper will discuss the location of the artiness of an artwork that is both performative and material, and which develops in the process of establishing the situation from the cross-section of events recorded in a medium or media as it is in the case of wall photo-installation Black and White Eye (1995) by Era Milivojević. In the light of doubts caused by the material founded in the legacy of this artist, as well as in light of the performed / found setting of the work at the exhibition “Reflections of our time: Acquisitions of the Museum of Contemporary Art 1993–2019” in the museum of the same name in Belgrade the intention is to analyze aspects of chance, change, performativity and visuality and point out their interdependence and their contribution in the realization of an artwork as a whole (or in becoming an artwork) within the artistic practice of Era Milivojević.