An Insight into the Reception of American Art in Yugoslavia 1965-1991
Само за регистроване кориснике
2021
Поглавље у монографији (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
This essay examines the reception of American art in the Socialist Federal Republic of Yugo-slavia (SFRY) from 1965, when a reformation of the Yugoslav political and economic systems began, until 1991, when Slovenia and Croatia declared their independence, thus setting in motion the break-up of the SFRY. In 1964 at its Eighth Congress, the League of Communists of Yugoslavia announced two fundamental reforms: one concerned with a greater liberalization of the economy and its reorientation toward a market economy, while the other rejected the use of Socialist Yugoslavism in the service of a stronger federalization of party and state. These reforms opened a path towards political and cultural liberalization, which led to the establish-ment of Socialist Modernism as the dominant artistic paradigm. The year 1991 was also the year in which the Soviet Union ceased to exist, marking the end of the series of revolutions in Eastern European countries that had begun in 1989, of the Warsaw Pact, a...nd finally of the Cold War itself. Furthermore, 1965 was the year in which the Museum of Contemporary Art (MoCAB) opened in Belgrade, the first museum of its kind in a socialist country, while 1991 is the year in which the museum’s director at the time, Zoran Gavrić, responding to a series of cancellations of exhibitions from abroad (including plans to exhibit Andy Warhol’s lithographs from the collection of the Museum of Modern Art in New York) due to the unstable political situation (protests in Belgrade starting in March of 1991), temporarily halted all further activity at the institution
Кључне речи:
Modernism / Yugoslavia / Cold War / American art / exhibitionsИзвор:
Hot Art, Cold War : Southern and Eastern European Writing on American Art 1945-1990, 2021, 233-246Издавач:
- New York ; London : Routledge, Taylor & Francis Group
Напомена:
- "Hot art, Cold War - Southern and Eastern European writing on American art 1945-1990 is one of two text anthologies that trace the reception of American art in Europe during the Cold War era through primary sources. Translated into English for the first time from sixteen languages and introduced by scholarly essays, the texts in this volume offer a representative selection of the diverse responses to American art in Portugal, Italy, Spain, Greece, Yugoslavia, Romania, Bulgaria, Soviet Union (including the Baltic States), Czechoslovakia, Poland, Hungary, and East Germany (GDR). There was no single European discourse, as attitudes to American art were determined by a wide range of ideological, political, social, cultural and artistic positions that varied considerably across the European nations. This volume and its companion, Hot Art, Cold War - Northern and Western European Writing on American Art 1945-1990, offer the reader a unique opportunity to compare how European art writers introduced and explained contemporary American art to their many and varied audiences. Whilst many are fluent in one or two foreign languages, few are able to read all twenty-five languages represented in the two volumes. These ground-breaking publications significantly enrich the fields of American art studies and European art criticism"-
Институција/група
Istorija umetnosti / History of ArtTY - CHAP AU - Čubrilo, Jasmina PY - 2021 UR - http://reff.f.bg.ac.rs/handle/123456789/6342 AB - This essay examines the reception of American art in the Socialist Federal Republic of Yugo-slavia (SFRY) from 1965, when a reformation of the Yugoslav political and economic systems began, until 1991, when Slovenia and Croatia declared their independence, thus setting in motion the break-up of the SFRY. In 1964 at its Eighth Congress, the League of Communists of Yugoslavia announced two fundamental reforms: one concerned with a greater liberalization of the economy and its reorientation toward a market economy, while the other rejected the use of Socialist Yugoslavism in the service of a stronger federalization of party and state. These reforms opened a path towards political and cultural liberalization, which led to the establish-ment of Socialist Modernism as the dominant artistic paradigm. The year 1991 was also the year in which the Soviet Union ceased to exist, marking the end of the series of revolutions in Eastern European countries that had begun in 1989, of the Warsaw Pact, and finally of the Cold War itself. Furthermore, 1965 was the year in which the Museum of Contemporary Art (MoCAB) opened in Belgrade, the first museum of its kind in a socialist country, while 1991 is the year in which the museum’s director at the time, Zoran Gavrić, responding to a series of cancellations of exhibitions from abroad (including plans to exhibit Andy Warhol’s lithographs from the collection of the Museum of Modern Art in New York) due to the unstable political situation (protests in Belgrade starting in March of 1991), temporarily halted all further activity at the institution PB - New York ; London : Routledge, Taylor & Francis Group T2 - Hot Art, Cold War : Southern and Eastern European Writing on American Art 1945-1990 T1 - An Insight into the Reception of American Art in Yugoslavia 1965-1991 EP - 246 SP - 233 UR - https://hdl.handle.net/21.15107/rcub_reff_6342 ER -
@inbook{ author = "Čubrilo, Jasmina", year = "2021", abstract = "This essay examines the reception of American art in the Socialist Federal Republic of Yugo-slavia (SFRY) from 1965, when a reformation of the Yugoslav political and economic systems began, until 1991, when Slovenia and Croatia declared their independence, thus setting in motion the break-up of the SFRY. In 1964 at its Eighth Congress, the League of Communists of Yugoslavia announced two fundamental reforms: one concerned with a greater liberalization of the economy and its reorientation toward a market economy, while the other rejected the use of Socialist Yugoslavism in the service of a stronger federalization of party and state. These reforms opened a path towards political and cultural liberalization, which led to the establish-ment of Socialist Modernism as the dominant artistic paradigm. The year 1991 was also the year in which the Soviet Union ceased to exist, marking the end of the series of revolutions in Eastern European countries that had begun in 1989, of the Warsaw Pact, and finally of the Cold War itself. Furthermore, 1965 was the year in which the Museum of Contemporary Art (MoCAB) opened in Belgrade, the first museum of its kind in a socialist country, while 1991 is the year in which the museum’s director at the time, Zoran Gavrić, responding to a series of cancellations of exhibitions from abroad (including plans to exhibit Andy Warhol’s lithographs from the collection of the Museum of Modern Art in New York) due to the unstable political situation (protests in Belgrade starting in March of 1991), temporarily halted all further activity at the institution", publisher = "New York ; London : Routledge, Taylor & Francis Group", journal = "Hot Art, Cold War : Southern and Eastern European Writing on American Art 1945-1990", booktitle = "An Insight into the Reception of American Art in Yugoslavia 1965-1991", pages = "246-233", url = "https://hdl.handle.net/21.15107/rcub_reff_6342" }
Čubrilo, J.. (2021). An Insight into the Reception of American Art in Yugoslavia 1965-1991. in Hot Art, Cold War : Southern and Eastern European Writing on American Art 1945-1990 New York ; London : Routledge, Taylor & Francis Group., 233-246. https://hdl.handle.net/21.15107/rcub_reff_6342
Čubrilo J. An Insight into the Reception of American Art in Yugoslavia 1965-1991. in Hot Art, Cold War : Southern and Eastern European Writing on American Art 1945-1990. 2021;:233-246. https://hdl.handle.net/21.15107/rcub_reff_6342 .
Čubrilo, Jasmina, "An Insight into the Reception of American Art in Yugoslavia 1965-1991" in Hot Art, Cold War : Southern and Eastern European Writing on American Art 1945-1990 (2021):233-246, https://hdl.handle.net/21.15107/rcub_reff_6342 .