Klasni i rodni obrasci u jugoslovenskim ratnim spektaklima

Abstract

Rad se bavi analizom načina na koje su klasni i rodni obrasci konstruisani u ratnim spektaklima socijalističke Jugoslavije. Izabrani su pre svega oni filmovi koji su ekranizovali neprijateljske ofanzive (tzv. 'filmovane ofanzive'), jer su istorijski posmatrano, ove ofanzive u realnom, a možda još više u simboličkom smislu zauzimale značajno mesto u okviru zvaničnog ideološkog diskursa jugoslovenskih komunista. Sa druge strane, sami ratni spektakli i ofanzive koje su inscenirali bili su veoma važan, mada često potcenjen segment jugoslovenske kinematografije. U radu će se posebno ukazati na doslednost filmske konstrukcije ovih obrazaca kako spram zvanične ideologije tako i spram tadašnje realnosti u kojoj su filmovi nastali, ali i one istorijske ka kojoj su referirali.

The paper work is dealing with the ways of film's construction class and gender patterns in war epics of socialistic Yugoslavia. The exact subjects of ana­lysis are only those films which were showing 'the enemy offensives' (the seven military operations of German army (Wehrmacht) and its allies against Yugoslav partisans during the World War Two). Those offensives were very significant (in real and symbolic sense) for ideological discourse of Yugoslav communists. On the other hand, films which were depicting those offensives were important (but often underestimated) segment of ex-Yugoslav cinematography. At the end, the film construction of those patterns (class and gender) will be compared with the official ideology, as well as with the social context in that are analyzed films were made, and with historical facts to which were those films referring.