Čitajući nanovo tuđa pisma - mitski svet Ovidijevih Heroida
Rereading others' people letters: The mythical world of Ovid's Heroides
Abstract
U ovom radu nastojimo da prikažemo svu specifičnost epistolarnog stvaralaštva Publija Ovidija Nazona koje je nastalo pod uticajem mitova, ali i dela iz grčke i rimske književnosti. Naša pažnja će biti usmerena na uticaje Homera, Sofokla, Euripida i Vergilija, na ton i karakter pisama u Heroidama (Legendarnim ljubavnicama). Videćemo kako je Ovidije osećanja svojstvena elegiji preneo u svoja fiktivna pisma.
Ovid was writing his masterpiece as a complex work. Almost every verse in the Heroides is allusive, and how these allusions will be understood is left to the readers. Ovid's innovation certainly can't be disputed but we must remember that in ancient times the original did not mean leaving the tradition behind but rather recreating something new within its context. Ovid wrote Heroides within the framework of elegy and its verses, epistolography, ancient drama, and rhetoric. Heroides are one of the rare works of Roman literature where the main role is entrusted to women, not men. For their long life, they can thank their author who at the same time made them complex enough that we can read them in countless ways, and unattainable enough for critics who want to reduce them to one reading. The author owes them his literary self-portrait of an elegiac poet of love and a proud innovator convinced of his literary immortality. Ovid's immortality in Heroides rests mostly on the skillful use of ...myth in the process of depicting the inner emotional state of his heroines and the agony they endured, no less than was the case with the most acclaimed Greek tragedians like Sophocles. Just as the Athenian women spoke through Sophocles's works, so the voice of real Roman women comes to us through Ovid's Heroides, their love suffering, sorrow, and hopes. Despite their exposed vulnerability, these women are not helpless but have an active creative power, unlike traditional female characters of Greek and Roman mythology, and by giving them the main role Ovid enabled them to become symbols of strong and emotional female nature of all historical periods.
Keywords:
retorika / Publije Ovidije Nazon / mitske heroine / Heroide / epistolarna tradicija / elegija / dramaSource:
Lucida intervalla - prilozi odeljenja za klasične nauke, 2020, 49, 53-72Publisher:
- Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd
Institution/Community
Klasične nauke / Classical StudiesTY - JOUR AU - Maričić, Gordan AU - Šajin, Željka AU - Todorović, Mirjana PY - 2020 UR - http://reff.f.bg.ac.rs/handle/123456789/3071 AB - U ovom radu nastojimo da prikažemo svu specifičnost epistolarnog stvaralaštva Publija Ovidija Nazona koje je nastalo pod uticajem mitova, ali i dela iz grčke i rimske književnosti. Naša pažnja će biti usmerena na uticaje Homera, Sofokla, Euripida i Vergilija, na ton i karakter pisama u Heroidama (Legendarnim ljubavnicama). Videćemo kako je Ovidije osećanja svojstvena elegiji preneo u svoja fiktivna pisma. AB - Ovid was writing his masterpiece as a complex work. Almost every verse in the Heroides is allusive, and how these allusions will be understood is left to the readers. Ovid's innovation certainly can't be disputed but we must remember that in ancient times the original did not mean leaving the tradition behind but rather recreating something new within its context. Ovid wrote Heroides within the framework of elegy and its verses, epistolography, ancient drama, and rhetoric. Heroides are one of the rare works of Roman literature where the main role is entrusted to women, not men. For their long life, they can thank their author who at the same time made them complex enough that we can read them in countless ways, and unattainable enough for critics who want to reduce them to one reading. The author owes them his literary self-portrait of an elegiac poet of love and a proud innovator convinced of his literary immortality. Ovid's immortality in Heroides rests mostly on the skillful use of myth in the process of depicting the inner emotional state of his heroines and the agony they endured, no less than was the case with the most acclaimed Greek tragedians like Sophocles. Just as the Athenian women spoke through Sophocles's works, so the voice of real Roman women comes to us through Ovid's Heroides, their love suffering, sorrow, and hopes. Despite their exposed vulnerability, these women are not helpless but have an active creative power, unlike traditional female characters of Greek and Roman mythology, and by giving them the main role Ovid enabled them to become symbols of strong and emotional female nature of all historical periods. PB - Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd T2 - Lucida intervalla - prilozi odeljenja za klasične nauke T1 - Čitajući nanovo tuđa pisma - mitski svet Ovidijevih Heroida T1 - Rereading others' people letters: The mythical world of Ovid's Heroides EP - 72 IS - 49 SP - 53 UR - https://hdl.handle.net/21.15107/rcub_reff_3071 ER -
@article{ author = "Maričić, Gordan and Šajin, Željka and Todorović, Mirjana", year = "2020", abstract = "U ovom radu nastojimo da prikažemo svu specifičnost epistolarnog stvaralaštva Publija Ovidija Nazona koje je nastalo pod uticajem mitova, ali i dela iz grčke i rimske književnosti. Naša pažnja će biti usmerena na uticaje Homera, Sofokla, Euripida i Vergilija, na ton i karakter pisama u Heroidama (Legendarnim ljubavnicama). Videćemo kako je Ovidije osećanja svojstvena elegiji preneo u svoja fiktivna pisma., Ovid was writing his masterpiece as a complex work. Almost every verse in the Heroides is allusive, and how these allusions will be understood is left to the readers. Ovid's innovation certainly can't be disputed but we must remember that in ancient times the original did not mean leaving the tradition behind but rather recreating something new within its context. Ovid wrote Heroides within the framework of elegy and its verses, epistolography, ancient drama, and rhetoric. Heroides are one of the rare works of Roman literature where the main role is entrusted to women, not men. For their long life, they can thank their author who at the same time made them complex enough that we can read them in countless ways, and unattainable enough for critics who want to reduce them to one reading. The author owes them his literary self-portrait of an elegiac poet of love and a proud innovator convinced of his literary immortality. Ovid's immortality in Heroides rests mostly on the skillful use of myth in the process of depicting the inner emotional state of his heroines and the agony they endured, no less than was the case with the most acclaimed Greek tragedians like Sophocles. Just as the Athenian women spoke through Sophocles's works, so the voice of real Roman women comes to us through Ovid's Heroides, their love suffering, sorrow, and hopes. Despite their exposed vulnerability, these women are not helpless but have an active creative power, unlike traditional female characters of Greek and Roman mythology, and by giving them the main role Ovid enabled them to become symbols of strong and emotional female nature of all historical periods.", publisher = "Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd", journal = "Lucida intervalla - prilozi odeljenja za klasične nauke", title = "Čitajući nanovo tuđa pisma - mitski svet Ovidijevih Heroida, Rereading others' people letters: The mythical world of Ovid's Heroides", pages = "72-53", number = "49", url = "https://hdl.handle.net/21.15107/rcub_reff_3071" }
Maričić, G., Šajin, Ž.,& Todorović, M.. (2020). Čitajući nanovo tuđa pisma - mitski svet Ovidijevih Heroida. in Lucida intervalla - prilozi odeljenja za klasične nauke Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za klasične nauke, Beograd.(49), 53-72. https://hdl.handle.net/21.15107/rcub_reff_3071
Maričić G, Šajin Ž, Todorović M. Čitajući nanovo tuđa pisma - mitski svet Ovidijevih Heroida. in Lucida intervalla - prilozi odeljenja za klasične nauke. 2020;(49):53-72. https://hdl.handle.net/21.15107/rcub_reff_3071 .
Maričić, Gordan, Šajin, Željka, Todorović, Mirjana, "Čitajući nanovo tuđa pisma - mitski svet Ovidijevih Heroida" in Lucida intervalla - prilozi odeljenja za klasične nauke, no. 49 (2020):53-72, https://hdl.handle.net/21.15107/rcub_reff_3071 .