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The synthronon and locus inferior of the metropolitan of Pozega. Liturgical furniture and wall paintings of the Orahovica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2017)
The paper discusses the appearance of the synthronon, the position of the
locus inferior (αρχιερατικός, or δεσποτικός θρόνος, the episcopal throne in
the nave, donje mesto) of the Metropolitan of Požega at the Orahovica
...
A note on two unpublised Coptic extiles from Belgrade
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2017)
This text presents to the academic public two so-far unpublished pieces from the collection of Coptic textiles housed at the Museum of Applied Art in Belgrade. The aim of this text is to identify the motifs represented on ...
The eighteenth century wall paintings in the Chilandar monastery – iconographic and stylistic characteristics / Зидно сликарство XVIII века у манастиру Хиландару – иконографске и стилске карактеристике
(Београд : Српска академија наука и уметности, 2017)
У историји Хиландара XVIII век представља раздобље током којег је манастир, након неколико пожара, доживео једну од својих највећих обнова. Током тог периода осликани су параклиси Светих арханђела (1718), Покрова Богородице ...
Emperor in the Altar: An Iconoclastic Era Ciborium from Ulcinj (Montenegro)
(Inst Art Studies, Sofia, 2017)
Taking into account the complex link between the text and image, this article examines the iconography and the meaning of the representation over the early medieval ciborium from Ulcinj preserved in two different states - ...
About typology and meaning of the Serbian public architectural monuments (19-20th centuries)
(Matica srpska, Novi Sad, 2017)
During the last two centuries in the wider Balkan region a wide variety of Serbian public monuments and memorials were raised. Different by their form and function, they show the status of culture of memory that induced ...
Mythological themes in painting of Gustave Moreau
(Matica srpska, Novi Sad, 2017)
Mythological representations of Gustave Moreau were based on a wide knowledge and a great respect of ancient times, identified by the artist as the starting point of the European culture and art, and from which he drew the ...
Maska kao slika sveta - anticipacija sajber kulture u istoriji umetnosti Ota Bihalji Merina (1904-1993) / Mask as an image of the world: Anticipation of cyber culture in art history by Oto Bihalji Merin (1904-1993)
(Zavod za proučavanje kulturnog razvitka, Beograd, 2017)
U radu se analiziraju osnove opšteg pregleda istorije umetnosti Ota Bihalji Merina (1904-1993) i u njegovim tekstovima se prepoznaje koncept maske kao ključni. Razmatra se kako koncept maske utiče na njegovu definiciju ...
City. Forms and processes
(Matica srpska, Novi Sad, 2017)
Kotor in the early middle ages: authority of tradition or mists of history?
(Matica srpska, Novi Sad, 2017)
The medieval dossier of Kotor (Montenegro) comprises of two written documents, from a considerably later period, on the grounds of which both the historical and the traditional perception of the early medieval town is ...
Baltička moderna u Beogradu - projekat Uprave monopola i Ministarstva finansija (1908) Kričinskog i Vasiljeva / Baltic modernism in Belgrade: Design of the building of the Monopoly Administration and the Ministry of Finance in Belgrade (1908) by Krichinsky and Vasilyev
(Zavod za zaštitu spomenika kulture grada Beograda, Beograd, 2017)
Sintagmom baltička moderna u savremenoj arhitektonskoj istoriografiji se označava specifični regionalni ogranak međunarodnog ar nuvo pokreta s centrima u Sankt Peterburgu i Helsinkiju, koji se od 1900. do 1914. godine ...