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On the possible sources and creators of woodcut illustrations in the Octoechos (Tone 5-8) (1494)
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2016)
Woodcut illustrations published in the Octoechos (Tone 5-8) in Cetinje in 1494 have long been the focus of researchers because of their exquisite workmanship. However, due to the lack of historical data, the questions ...
Na tragu izgubljenih fresaka Žiče (I) / On the trail of the lost frescoes of Žiča
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2010)
Prvi u nizu radova s istim nazivom, ovaj tekst predstavlja pokušaj da se na osnovu stare naučne dokumentacije, pre svega crteža i fotografija, prouče uništeni delovi zidnog slikarstva Žiče, odnosno da se provere opisi i ...
Observations on the oldest known icons of the Monastery of King Marko (I): The issue of the patronage of Helena Dragas and the inscription on the shield of St Demetrios
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2013)
The paper refutes the assumption of Peter Miljkovie-Pepek that the oldest icons in the treasury of Monastery of King Marko were painted between 1395 and 1405, as a gift the Byzantine empress Helena Dragas made to the ...
Traces of the throne of grand zupan Stefan Nemanjic and the fresco decoration of the main church of the monastery of Studenica
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper deals with the bearings of the structure preserved in the floor beside the southwestern support of the dome in the Studenica katholikon, and on the dado rail of that pilaster From the appearance of the bearings, ...
Early church of the middle Byzantine period and the relics of St. Tryphon in Kotor
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2017)
Based on data contained in Constantine Porphyrogenitus's De Administrando Imperio, local written sources, and fragments with inscriptions, the article offers new insight about the original position of the relics of St. ...
The founder of the Church of Saint George at Polosko
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2015)
The paper seeks to establish who was the founder of the church of Saint George at Polosko and revise the conclusions of previous researchers regarding this issue. According to the opinion commonly adopted in the scholarly ...
Stratigraphy of the wall paintings in the main church of the Praskvica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In the katholikon of the monastery of Praskvica there are remains of two
layers of post-Byzantine wall-painting: the earlier, from the third quarter
of the sixteenth century, and later, from the first half of the ...
The architecture of the church of Saint George at Rečani: The original design and subsequent alterations
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2015)
The church of Saint George at Rečani, destroyed in the summer of 1999,
belonged to the group of small-sized churches in the form of a compact
cross-in-square, with three bays and a dome. In terms of architectural
features, ...
Michael Glabas Tarchaneiotes - the ktetor of the Treskavac Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In this paper, the monastery of Prisklabetza (Πρισκλάβητζα) in Prilep,
mentioned as the endowment of Michael Glabas Tarchaneiotes in the shortened
version of the History by George Pachymeres, is identified with the ...
The painted program in the dome of the Church of St. George in Dobrilovina
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2018)
The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified ...