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Приказ резултата 1-10 од 18
American gangster: "Black Godfather" as a socio-cultural contradiction
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The paper analyzes the film American Gangster (2007), directed by Ridley Scott. The film tells the story of the life of the black gangster Frank Lucas, an extraordinary, intelligent and capable man. At the beginning of the ...
Black and white magic as cultural heritage: ideas about Vlach magic among young people in Bor
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
Serbian ethnology and anthropology is missing papers on folk belief and magic practices on black and white magic. This paper problematizes research on Vlach magic as an authentic and archaic culture of the ethnic Vlachs ...
“Veliki brat vas gleda”/“Vi gledate Velikog brata”. Fenomen (nad)gledanja i imperativ gledanosti u rijaliti programu / “Big Brother is watching you”/”You are watching Big Brother”. The phenomenon of (over)watching and the imperative of ratings on a reality show
(Odeljenje za etnologiju i antropologiju, Filozofski fakultet, Beograd, 2017)
Rijaliti šou „Veliki brat“ predstavlja metaforu transformacije savremenih medija u pravcu njihove komercijalizacije i primata koji se daje zabavi u odnosu na klasične informativne i obrazovne sadržaje, što se u Srbiji ...
Kratak uvod u istoriju antropologije fotografije
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The paper represents a short historical overview of key anthropological figures in Anglo-American and French anthropology of photography such are Boas, Malinowski, Evans-Pritchard, Mead and Bateson, Levi-Strauss and (John) ...
"Montevideo, Taste of a Dream" - an ideological buffet as the basis of a blockbuster
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The analysis of the film Montevideo, Taste of a Dream starts off from the fact that over half a million people saw the film in theatres, and the sequel did almost as good. The causes for this kind of popularity, which have ...
An Essay on the film "Enclave" by Goran Radovanovic: what we experience and what we remember thinking about the watching of a contemporary historical cinematographic work
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The essay uses elements of anthropological (Steven Caton and Marc Auge), cinematographic (David Bordwell), philosophical (Stanley Cavell and William Rothman) and historiographical approaches to studying film (Robert ...
Mihailo Lalic and Serbian Ethnology: Ethnography and Mimesis of Patriarchal Society in Montenegrin Highlands
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
My starting point is the yet unexplored supposition that Lalic's realistic writing about the reality contains also a real ethnological and anthropological reference, first of all comments on the Serbian ethnology of the ...
"Having it all" and "not having yourself" An analysis of the representations of happiness and despair in the movie Happiness
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The paper uses the example of the movie Happiness (1998) to analyze cultural ideas on which the (de) construction of a happy American family and happy individuals who "have everything" is based. The paper also analyzes the ...
Is there a gene for the human spirit? An analysis of the basic motifs and symbolism in the movie Gattaca
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
Gattaca (1997) represents an artistic view of a dystopian future in which the genetic engineering of humans is commonplace. Through the analysis of the ways in which motifs of discrimination and disability are used in this ...
Dead end: an anthropological analysis of the film "Stairless"
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2017)
The anthropological analysis of the film Stairless (2014) will encompass: shedding light on the most important data on the production of the film, a description of the diegesis with an analysis and fragmental reception of ...