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Između samoinscenacije i prezentacije - portret kraljice Natalije Obrenović / Between self-staging and presentation: Portrait of queen Natalija Obrenović
(Matica srpska, Novi Sad, 2011)
U tekstu se analizira portret kraljice Natalije. Portret je nastao 1890. i delo je slikara Uroša Predića. Slikana predstava se proučava sa više aspekata, što za posledicu ima definisanje portreta kao simbola koji prevashodno ...
Aesthetical Spatialization of the State and Creation of New Place of Memory: King Peter's Square in Negotin
(Matica srpska, Novi Sad, 2015)
The King Peter's Square and the Monument to the Fallen for Liberation and Unification 1912-1918 in Negotin represents one of the most monumental spatial entities on the territory of the former Kingdom of Yugoslavia. Social, ...
Constructing the image of paradise on floor mosaics of the triconchal church in Caricin Grad
(Matica srpska, Novi Sad, 2016)
This paper focuses on the analysis and possible interpretation of the images on floor mosaics excavated in the Triconchal Church in Caricin Grad, a city believed to be built by emperor Justinian I. Representations of ...
Rethinking Decoration: Ornaments on Early Christian Floor Mosaics
(Matica srpska, Novi Sad, 2017)
One of the issues confronting the theory, art history and architecture is the question of ornament. Ornament criticism began with Vitruvius's treatise in the 1st century AD and culminated with Adolf Loos's article in the ...
Graditeljska delatnost Petra J. Popovića u jugoistočnoj Srbiji - 1908-1930 / The construction activities of Petar J. Popović in Southeast Serbia: 1908-1930
(Matica srpska, Novi Sad, 2012)
Državni arhitekta Kraljevine Srbije i Kraljevine SHS/Jugoslavije Petar J. Popović (1873-1945) se tokom pet decenija plodnog rada afirmisao prepoznatljivim autorskim rešenjima, zasluživši najviše stručne položaje i društvena ...
Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska
(Matica srpska, Novi Sad, 2017)
Roman art changed through centuries because of many different cultural and historical circumstances. However, sepulchral art, alongside with the funerary customs, changed very slowly. In the time when Christianity begun ...
Miodrag b. Protic (1922-2014) - shutting down the last light of the Yugoslav modern
(Matica srpska, Novi Sad, 2015)
Miodrag B. Protic is remembered as the leading figure of several major activity in the Yugoslav and Serbian culture from the late 1950s and the 1960s. As a member of the generation who had the opportunity to contribute to ...
A map of graphics for freedom by Dorde Andrejevic Kun
(Matica srpska, Novi Sad, 2015)
Half a century after the death of Dorde Andrejevic Kun (1904-1964) was the occasion to once again examine his life and work, this time in a map of graphics For Freedom (1939), which was created after the artist's return ...
Jasna Jovanov: Stevan Aleksić 1876-1923, Matica srpska, Novi Sad, 2008
(Matica srpska, Novi Sad, 2011)
Slikar Evtihije - otac Mihaila Astrape i protomajstor fresaka u crkvi bogorodice Perivlepte u Ohridu / The painter Eutychios: father of Michael Astrapas and protomaster of the frescoes in the church of the virgin Peribleptos in Ohrid
(Matica srpska, Novi Sad, 2010)
Obično se smatra da je u živopisanju Bogorodice Perivlepte u Ohridu zograf Mihailo Astrapa imao važniju ulogu od zografa Evtihija. Takvo mišljenje argumentuje se brojnošću Mihailovih izdvojenih signatura (sedam) u ohridskoj ...