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The Royal Tomb as a Place of Memory: Fabrication and Transformation of the Grave of the Supreme Leader Karadorde in the 19th and the First Half of the 20th Centuries / Владарски гроб као место сећања: уобличавање и трансформације гроба Вожда Карађорђе током XIX и у првој половини XX века
(Matica srpska, Novi Sad, 2020)
Since ancient times the tombs of rulers were shaped as key ideological topoi to be later turned into the places of pilgrimage depending on the historical circumstances. They could have also been the instruments of oblivion ...
Romanians and Serbs. Reception of the image of Russian rulers in the art of the XVIII century
(Matica srpska, Novi Sad, 2020)
Otto Wagner and Croatian architecture
(Matica srpska, Novi Sad, 2020)
The Image and the Cult: The Icon of Joyful Lady of Bac
(Univerzitet u Beogradu - Filozofski fakultet - Odeljenje za etnologiju i antropologiju, Beograd, 2020)
This paper focuses on the development of the cult of the late 17th century icon of the Virgin with the Child, known as Joyful Lady of Bat. from its origins to the present day. Painted in the manner of late Byzantine art, ...
Architectural organization of space - housing, thematic units
(Matica srpska, Novi Sad, 2020)
Politička ekonomija smrti i koncept kraljeva dva tela - sahrana kralja Aleksandra Karađorđevića I 1934. godine / Political economy of death and the concept of the king's two bodies: The funeral of King Aleksandar Karađorđević I in 1934
(Istorijski institut, Beograd, 2020)
Ubistvo kralja Aleksandra uzdrmalo je evropsku javnost pred početak Drugog svetskog rata. Imalo je još veći odjek u kompleksnoj južnoslovenskoj državi. U takvom napetom trenutku, bilo je važno očuvati državno jedinstvo i ...
Prikaz izložbe Nemačka/1920/Nova objektivnost/August Zander
(Filozofski fakultet, Univerzitet u Beogradu, 2023)
Popular Piety and the Paper Icons of Zaharija Orfelin
(Srpska akademija nauka i umetnosti SANU - Balkanološki institut, Beograd, 2020)
The paper deals with the phenomenon of popular piety in the eighteenth century and its reflections in art media through several prints made by the Serbian engraver Zaharija Orfelin. Paper icons, the cheapest means of meeting ...