Претраживање
Приказ резултата 1-3 од 3
Space made, space (mis)used, space (mis)understood, Inheriting Yugoslavia's Monuments of Revolution in times of (post)transition,
(Univerzitet u Beogradu- Geografski faklultet, 2019)
The paper proposes a somewhat different perspective on space, action and body in
regards to the monuments dedicated to Peoples’ Liberation Struggle (NOB). Through
comparative analysis of the life of these sites since ...
What has digital art historz taught us about the (im)possible chronologies of art: the chronology of exhibiting sculpture in Serbia 1945 - 2000 aas a case study
(Institute of Art History, Zagreb, 2022)
In 2019, we launched the Chronology of Exhibiting Sculpture in Serbia 1945–2000 project (available online: https://skulptura-hronologijaizlaganja.rs) with the aim of drawing the attention of art history researchers and ...
The Problem of Official Representation of Art: Radoslav Putar and Yugoslav Exhibitions at the Venice Biennale
(Faculty of Humanities and Social Sciences, University of Zagreb, 2021)
From 1952 onward, Croatian art historian Radoslav Putar (1921–1994) continuously contributed to the complex relationship between the Yugoslav art world and great international exhibitions such as the Venice Biennale, at ...