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Приказ резултата 447-466 од 904

      Наслови
      Representations of Noblewomen In Serbian Wall Painting of the Nemanjić Period [1]
      Representations of St. Alexios the Man of God, St. John Kalyvitis and St. Euphrosynos the Cook in Byzantine and Post-Byzantine Wall Painting [1]
      Resolving the Housing Crisis in the Work of Architect Branislav Marinković after the Second World War [1]
      Rešavanje stambene krize u opusu arhitekte Branislava Marinkovića nakon Drugog svetskog rata [1]
      Rethinking Decoration: Ornaments on Early Christian Floor Mosaics [1]
      Revisiting the Veljusa Frescoes: Notes on the Iconographic Program of the South Parekklesion [1]
      Revival of classical antiquity and archaic modernism: Simeon Roksandić's Fisherman (Struggle) fountain [1]
      Royal Bodies of Serbian Medieval Kings. Entwined in the Vine of Salvation [1]
      Russian emigrant architects and 20th-century Croatian architecture [1]
      Russian style room: Influence of the Russian immigrant culture on the formation of the Sekulić Collection of Icons [1]
      Sacral architecture and church builders in the Principality of Serbia during the first rule of prince Miloš Obrenović (1815–1839) [2]
      Safeguarding of Dissonant Heritage – the Case of the Brčko District of Bosnia and Herzegovina [1]
      Saint Eustratios – Skriniarios and Soldier. A Contribution to the Study of the Iconography of Warrior Saints in Eastern Christian Art [1]
      Saint John the Forerunner [1]
      Saint Sava, First Serbian Archbishop. Fresco from the katholikon of Gračanica monastery [1]
      Saints and Crises: The Cult of St Stephen the First-Crowned in Kočina Krajina (1788-1791) and the Wartime of Serbian Revolution (1804-1815) [1]
      Sam ili usamljen? Posetilac u (virtuelnom) muzeju [1]
      Saša Brajović, Tatjana Bošnjak: Imaginarni vrtovi Ibera Robera, Narodni muzej u Beogradu, Beograd, 2012 [1]
      Sava Šumanović and the New Constructive Method in the Painting of the early 1920s [1]
      Sava Šumanović et la nouvelle méthode constructive dans la peinture au début des années 1920 [1]