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Приказ резултата 44-63 од 147

      Наслови
      On the Reasons of Depicting of the Six-Winged on the Epigonation of St. Sava on the Fresco Next to the lconostasis in the Parecclesion of the Nativity of the Mother of God in Chilandar [1]
      On the sacral meaning of the musical instrument and the role of prophet David in the scene of the Death of the Rigtheous man. A contribution to the study of the visual representations of musical instruments in the east-Christian sacral art [1]
      On the Specificities of the Arion Mosaic in the Villa del Casale (Piazza Armerina). Contribution to the Study of Arion Representations in Ancient Art [1]
      Participativno mapiranje nasledja i novi mediji [1]
      Persistence of pictural memory: photo archives of artists in the digital age [1]
      Politics of the Museum of Yugoslav History [1]
      Poreklo sveta Gistava Kurbea [1]
      Prikaz izložbe: „Reflect #2 – fragmenti, fragilnosti, sećanja” u Muzeju afričke umetnosti u Beogradu [1]
      Razvoj stambene arhitekture u Beogradu 1926. godine [1]
      Redon’s Dream: ‘Gnome’s Head’ from the Collection of the National Museum in Belgrade [1]
      Representations of heavenly luminaries Sun and Moon – their context in the programme of the wall painting of the Krupa monastery (1617–1618) [1]
      Representations of paralysis and cyphosis on Serbian frescopaintings at the time of tzar Stefan Dusan (1331-1355) - the relatioship between earthly and celestial reality [1]
      Returing to the past: housing issue and the crisis of housing culture in the newer serbian architecture [1]
      Romanians and Serbs. Reception of the image of Russian rulers in the art of the XVIII century [1]
      Sanctuary screen in the church of Saint Nicholas in Sremska Kamenica [1]
      Savremeni umetnik: baštinik ili kritičcar savremenih sistema vrednosti? [1]
      Serbian Symbolist Sculpture [1]
      Simbolistička vizija Miloša Golubovića [1]
      Space Crisis: Encounter in the Museum Building or Online? [1]
      Specific authorial features and history of art: The frescoes of the upper bays of the narthex and porch of St. Sophia in Ohrid and the wall paintings of Ohrid and the neighbouring regions [1]