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Приказ резултата 56-75 од 147

      Наслови
      Returing to the past: housing issue and the crisis of housing culture in the newer serbian architecture [1]
      Romanians and Serbs. Reception of the image of Russian rulers in the art of the XVIII century [1]
      Sanctuary screen in the church of Saint Nicholas in Sremska Kamenica [1]
      Savremeni umetnik: baštinik ili kritičcar savremenih sistema vrednosti? [1]
      Serbian Symbolist Sculpture [1]
      Simbolistička vizija Miloša Golubovića [1]
      Space Crisis: Encounter in the Museum Building or Online? [1]
      Specific authorial features and history of art: The frescoes of the upper bays of the narthex and porch of St. Sophia in Ohrid and the wall paintings of Ohrid and the neighbouring regions [1]
      Spiritual and Material Meaning and the Analysis of the Motif of Three Fish with One Head from a Fragment of the Late Antique Floor Mosaic in Petrovac at Sea [1]
      Superhistorical Motifs in Miloš Golubović's War Paintings and Images of the Soul in the Times of Crisis [1]
      Sur les spécificités iconographiques de la mosaïque avec la représentation d’Аrion dans la Villa du Casale romaine (Piazza Armerina). Contribution à l’étude des représentations d’Аrion dans l’art antique [1]
      Symbolistic vision of Miloš Golubović [1]
      The Belgrade opus of architect Leonid Maksheev (1925−1941) [1]
      The Cathedral of the Roman catholic Archdiocese of Belgrade: from initiative to unrealized project [1]
      The Church of Assumption of Blessed Virgin Mary in Belgrade: A Memorial to the Fallen French Soldiers on the Thessaloniki Front [1]
      The Church of the Mother of God Hodegetria in the Patriarchate of Peć [1]
      The city, the novel and the museum as spaces of memory “The museum of innocence” by Orhan Pamuk [1]
      The Lion Mask Motif on the Pillar of St. Simeon the Wonder-worker in Lesnovo (1349). Its Origin and Meaning [1]
      The mention of China in the life of Despot Stefan Lazarević autohored by Konstantin Filozof [1]
      The programmatic context of the scene of the presentation of Christ in temple in the church of the Holy Trinity in Sopoćani (around 1265) [1]