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dc.contributorHorvatinčić, Sanja
dc.contributorKarge, Hajke
dc.contributorKolešnik, Ljiljana
dc.contributorPejić, Bojana
dc.contributorKulić, Vladimir
dc.contributorTanović, Sabina
dc.contributorŽerovc, Beti
dc.creatorMarija, Đorđević
dc.date.accessioned2023-11-16T13:12:19Z
dc.date.available2023-11-16T13:12:19Z
dc.date.issued2023
dc.identifier.isbn978-3-948212-60-5
dc.identifier.isbn978-961-94691-3-2
dc.identifier.urihttp://reff.f.bg.ac.rs/handle/123456789/5339
dc.description.abstractChapter discusses the performative aspects of commemorative performances dedicated to WWII events in Yugoslavia. A distinction is made between events commemorated, and sites used for the performances (them being of public or private nature). Several examples are being discussed including commemorating the mass shooting of civilians in Kraljevo (Serbia) and the shot members of communist youth at Lazine (Montenegro). Author discussed the decisive role of organized public performances for building and keeping the historical memory and identity of a community.sr
dc.language.isoensr
dc.publisherIgor Zabel Association for Culture and Theory (Ljubljana)sr
dc.publisherArchive Books (Berlin)sr
dc.rightsclosedAccesssr
dc.sourceShaping Revolutionary Memory, The Production of Monuments in Socialist Yugoslavia, (eds.) Sanja Horvatinčić and Beti Žerovcsr
dc.subjectcommemorationsr
dc.subjectperformancesr
dc.subjectWWIIsr
dc.subjectmonumentssr
dc.subjectpublicsr
dc.subjectprivatesr
dc.titleHow to Remember? Commemorations at Memorial Sites Associated with the People's Liberation Strugglesr
dc.typebookPartsr
dc.rights.licenseARRsr
dc.rights.holderIgor Zabel Association for Culture and Theory, Archive Bookssr
dc.citation.epage355
dc.citation.spage336
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_reff_5339
dc.type.versionpublishedVersionsr
dc.identifier.cobiss135756035


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Приказ основних података о документу