Špehar, Olga

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orcid::0000-0003-0654-524X
  • Špehar, Olga (7)
  • Шпехар, Олга З. (2)
  • Шпехар, Олга (1)
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Author's Bibliography

Идентитет и бесмртност душе: касноантичка фунерарна уметност централног Балкана

Шпехар, Олга З.

(Универзитет у Београду – Филозофски факултет Институт за историју уметности, 2024)

TY  - BOOK
AU  - Шпехар, Олга З.
PY  - 2024
UR  - http://reff.f.bg.ac.rs/handle/123456789/6451
AB  - Књига је посвећена истраживању касноантичке фунерарне/сепулкралне уметности централног Балкана кроз примере археолошки истражених и документованих примера познатих научној и стручној јавности. Применом рецентне методологије различитих дисциплина, у књизи се примарно изучава трансформација коју су нехришћански мотиви доживели током периода интензивне христијанизације, посебно у 4. веку, али и касније, све до краја изучаване епохе на нашим просторима. Репрезентативна дела фунерарне кансоантичке уметности речито показују на које се све начине та трансформацја дешава и манифестује.
PB  - Универзитет у Београду – Филозофски факултет Институт за историју уметности
T1  - Идентитет и бесмртност душе: касноантичка фунерарна уметност централног Балкана
UR  - https://hdl.handle.net/21.15107/rcub_reff_6451
ER  - 
@book{
author = "Шпехар, Олга З.",
year = "2024",
abstract = "Књига је посвећена истраживању касноантичке фунерарне/сепулкралне уметности централног Балкана кроз примере археолошки истражених и документованих примера познатих научној и стручној јавности. Применом рецентне методологије различитих дисциплина, у књизи се примарно изучава трансформација коју су нехришћански мотиви доживели током периода интензивне христијанизације, посебно у 4. веку, али и касније, све до краја изучаване епохе на нашим просторима. Репрезентативна дела фунерарне кансоантичке уметности речито показују на које се све начине та трансформацја дешава и манифестује.",
publisher = "Универзитет у Београду – Филозофски факултет Институт за историју уметности",
title = "Идентитет и бесмртност душе: касноантичка фунерарна уметност централног Балкана",
url = "https://hdl.handle.net/21.15107/rcub_reff_6451"
}
Шпехар, О. З.. (2024). Идентитет и бесмртност душе: касноантичка фунерарна уметност централног Балкана. 
Универзитет у Београду – Филозофски факултет Институт за историју уметности..
https://hdl.handle.net/21.15107/rcub_reff_6451
Шпехар ОЗ. Идентитет и бесмртност душе: касноантичка фунерарна уметност централног Балкана. 2024;.
https://hdl.handle.net/21.15107/rcub_reff_6451 .
Шпехар, Олга З., "Идентитет и бесмртност душе: касноантичка фунерарна уметност централног Балкана" (2024),
https://hdl.handle.net/21.15107/rcub_reff_6451 .

Евергетизам у касноантичком сакралном градитељству централног Балкана

Шпехар, Олга З.

(Матица српска, 2023)

TY  - JOUR
AU  - Шпехар, Олга З.
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/5842
AB  - У раду се пажња посвећује материјалним потврдама ктиторске или приложничке делатности у касноантичком градитељству централног Балкана. Иако невелики по броју, њихова анализа омогућава да се приближимо разумевању друштвеног статуса и улоге појединаца у изградњи или украшавању касноантичких сакралних грађевина на нашим просторима. Осим тога, расположиви подаци омогућавају нам да сагледамо и циљеве које су својом ктиторском или приложничком делатношћу појединци желели да постигну, као и свеукупну духовну атмосферу, базирану на континуитету старије прехришћанске праксе, у којој су евергетизам, филантропија, али и промоција и презентација сопствених постигнућа, имале важну улогу у одржавању тог континуитета.
PB  - Матица српска
T2  - Зборник Матице српске за ликовне уметности
T1  - Евергетизам у касноантичком сакралном градитељству централног Балкана
EP  - 43
SP  - 27
VL  - 51
UR  - https://hdl.handle.net/21.15107/rcub_reff_5842
ER  - 
@article{
author = "Шпехар, Олга З.",
year = "2023",
abstract = "У раду се пажња посвећује материјалним потврдама ктиторске или приложничке делатности у касноантичком градитељству централног Балкана. Иако невелики по броју, њихова анализа омогућава да се приближимо разумевању друштвеног статуса и улоге појединаца у изградњи или украшавању касноантичких сакралних грађевина на нашим просторима. Осим тога, расположиви подаци омогућавају нам да сагледамо и циљеве које су својом ктиторском или приложничком делатношћу појединци желели да постигну, као и свеукупну духовну атмосферу, базирану на континуитету старије прехришћанске праксе, у којој су евергетизам, филантропија, али и промоција и презентација сопствених постигнућа, имале важну улогу у одржавању тог континуитета.",
publisher = "Матица српска",
journal = "Зборник Матице српске за ликовне уметности",
title = "Евергетизам у касноантичком сакралном градитељству централног Балкана",
pages = "43-27",
volume = "51",
url = "https://hdl.handle.net/21.15107/rcub_reff_5842"
}
Шпехар, О. З.. (2023). Евергетизам у касноантичком сакралном градитељству централног Балкана. in Зборник Матице српске за ликовне уметности
Матица српска., 51, 27-43.
https://hdl.handle.net/21.15107/rcub_reff_5842
Шпехар ОЗ. Евергетизам у касноантичком сакралном градитељству централног Балкана. in Зборник Матице српске за ликовне уметности. 2023;51:27-43.
https://hdl.handle.net/21.15107/rcub_reff_5842 .
Шпехар, Олга З., "Евергетизам у касноантичком сакралном градитељству централног Балкана" in Зборник Матице српске за ликовне уметности, 51 (2023):27-43,
https://hdl.handle.net/21.15107/rcub_reff_5842 .

Entangling text and image in sacred space: votive mosaic inscriptions from Gradište near Stojnik (Kosmaj, Serbia)

Špehar, Olga

(Филозофски факултет у Приштини са привременим седиштем у Косовској Митровици, 2023)

TY  - JOUR
AU  - Špehar, Olga
PY  - 2023
UR  - http://reff.f.bg.ac.rs/handle/123456789/6417
AB  - On the site Gradište, near Stojnik on the mountain
Kosmaj, the remains of a large complex were discovered. It
consists of a longitudinal space divided into several units by
transversal walls and a rotunda with an apse built into its eastern
part. The architectural characteristics of the complex, as
well as its overall appearance and dating to the middle of the 4th
century, suggest that it was most probably used as a Christian
sacred building. Floors covered in mosaics, although very fragmentarily
preserved, also testify to this hypothesis. The largest
preserved section of the mosaic consists of votive inscriptions
intertwined with various geometrical and figural motifs. This
paper is primarily dedicated to the research of those votive
mosaic inscriptions, although the attention will also be paid to
other represented motifs, in order to understand the iconography
of the preserved part of the mosaic floor. The position
of the mosaics, their votive character, and overall appearance
suggest that they were intentionally placed in what was considered
to be a liminal space between two parts of the complex,
namely in the place that symbolically divided two spaces of
various levels of sacrality. Therefore, this paper also examines
other important questions in order to properly understand the
meaning and importance of vota in the sacral space: who could
see and read those inscriptions, how the inscriptions communicated
to their ‘readers’, what kind of information they convey
about the donors, etc.
AB  - На локалитету Градиште код села Стојник на Космају откривен је пространи
комплекс који се састоји од лонгитудиналног простора издељеног на мање просторне јединице попречним зидовима, и велике ротонде на његовом источном
крају, у коју је на истоку уписана полукружна апсида. Имајући на уму изглед овог
комплекса, његов просторни распоред, али и датовање у средину IV века, с правом
се помишља да је у питању хришћанска сакрална грађевина. То додатно потврђују
подни мозаици, који су фрагментарно сачувани у готово свим деловима комплекса,
при чему су најбоље очувани вотивни подни мозаици са натписима пронађени
на самом улазу у ротонду. У питању су мозаички натписи који су укомпоновани
са различитим геометријским и фигуралним мотивима у већи мозаички тепих.
Реч је о мотивима који, премда немају потпуно јасну хришћанску симболику,
представљају најчешћи репертоар у раној хришћанској уметности, чији је циљ да
са што мање нарације заправо искажу многа значења у хришћанском контексту.
Тако се јављају представе птице, рибе, мотив Соломоновог чвора, розете и други
геометријски мотиви итд. Сами натписи садрже имена дедиканата и број стопа
мозаика који је финансирао свако од њих. Међу њима се посебно истиче име
принципала Мајорина, припадника царске администрације, као и хришћанско име
лентијарија Теодула, што је посебно важно у контексту разумевања хришћанског
карактера не само мозаика већ и читаве грађевине. Положај мозаика унутар зоне
која се сматра лиминалном, односно која је на самом улазу у ротонду, такође има
велики значај, јер су у питању натписи који је требало да буду добро видљиви
како би испунили своју најважнију функцију – да комуницирају са онима који
их читају, али и да комуницирају са Господом посредством (вероватно) локалних
светитеља, како би имена приложника остала запамћена у вечности.
PB  - Филозофски факултет у Приштини са привременим седиштем у Косовској Митровици
T2  - Зборник радова Филозофског факултета у Приштини
T1  - Entangling text and image in sacred space:  votive mosaic inscriptions from Gradište near Stojnik (Kosmaj, Serbia)
T1  - Преплитање текста и слике у сакралном простору: вотивни подни мозаици из Градишта код Стојника (Космај, Србија)
EP  - 188
IS  - 2
SP  - 171
VL  - 53
DO  - 10.5937/zrffp53-45391
ER  - 
@article{
author = "Špehar, Olga",
year = "2023",
abstract = "On the site Gradište, near Stojnik on the mountain
Kosmaj, the remains of a large complex were discovered. It
consists of a longitudinal space divided into several units by
transversal walls and a rotunda with an apse built into its eastern
part. The architectural characteristics of the complex, as
well as its overall appearance and dating to the middle of the 4th
century, suggest that it was most probably used as a Christian
sacred building. Floors covered in mosaics, although very fragmentarily
preserved, also testify to this hypothesis. The largest
preserved section of the mosaic consists of votive inscriptions
intertwined with various geometrical and figural motifs. This
paper is primarily dedicated to the research of those votive
mosaic inscriptions, although the attention will also be paid to
other represented motifs, in order to understand the iconography
of the preserved part of the mosaic floor. The position
of the mosaics, their votive character, and overall appearance
suggest that they were intentionally placed in what was considered
to be a liminal space between two parts of the complex,
namely in the place that symbolically divided two spaces of
various levels of sacrality. Therefore, this paper also examines
other important questions in order to properly understand the
meaning and importance of vota in the sacral space: who could
see and read those inscriptions, how the inscriptions communicated
to their ‘readers’, what kind of information they convey
about the donors, etc., На локалитету Градиште код села Стојник на Космају откривен је пространи
комплекс који се састоји од лонгитудиналног простора издељеног на мање просторне јединице попречним зидовима, и велике ротонде на његовом источном
крају, у коју је на истоку уписана полукружна апсида. Имајући на уму изглед овог
комплекса, његов просторни распоред, али и датовање у средину IV века, с правом
се помишља да је у питању хришћанска сакрална грађевина. То додатно потврђују
подни мозаици, који су фрагментарно сачувани у готово свим деловима комплекса,
при чему су најбоље очувани вотивни подни мозаици са натписима пронађени
на самом улазу у ротонду. У питању су мозаички натписи који су укомпоновани
са различитим геометријским и фигуралним мотивима у већи мозаички тепих.
Реч је о мотивима који, премда немају потпуно јасну хришћанску симболику,
представљају најчешћи репертоар у раној хришћанској уметности, чији је циљ да
са што мање нарације заправо искажу многа значења у хришћанском контексту.
Тако се јављају представе птице, рибе, мотив Соломоновог чвора, розете и други
геометријски мотиви итд. Сами натписи садрже имена дедиканата и број стопа
мозаика који је финансирао свако од њих. Међу њима се посебно истиче име
принципала Мајорина, припадника царске администрације, као и хришћанско име
лентијарија Теодула, што је посебно важно у контексту разумевања хришћанског
карактера не само мозаика већ и читаве грађевине. Положај мозаика унутар зоне
која се сматра лиминалном, односно која је на самом улазу у ротонду, такође има
велики значај, јер су у питању натписи који је требало да буду добро видљиви
како би испунили своју најважнију функцију – да комуницирају са онима који
их читају, али и да комуницирају са Господом посредством (вероватно) локалних
светитеља, како би имена приложника остала запамћена у вечности.",
publisher = "Филозофски факултет у Приштини са привременим седиштем у Косовској Митровици",
journal = "Зборник радова Филозофског факултета у Приштини",
title = "Entangling text and image in sacred space:  votive mosaic inscriptions from Gradište near Stojnik (Kosmaj, Serbia), Преплитање текста и слике у сакралном простору: вотивни подни мозаици из Градишта код Стојника (Космај, Србија)",
pages = "188-171",
number = "2",
volume = "53",
doi = "10.5937/zrffp53-45391"
}
Špehar, O.. (2023). Entangling text and image in sacred space:  votive mosaic inscriptions from Gradište near Stojnik (Kosmaj, Serbia). in Зборник радова Филозофског факултета у Приштини
Филозофски факултет у Приштини са привременим седиштем у Косовској Митровици., 53(2), 171-188.
https://doi.org/10.5937/zrffp53-45391
Špehar O. Entangling text and image in sacred space:  votive mosaic inscriptions from Gradište near Stojnik (Kosmaj, Serbia). in Зборник радова Филозофског факултета у Приштини. 2023;53(2):171-188.
doi:10.5937/zrffp53-45391 .
Špehar, Olga, "Entangling text and image in sacred space:  votive mosaic inscriptions from Gradište near Stojnik (Kosmaj, Serbia)" in Зборник радова Филозофског факултета у Приштини, 53, no. 2 (2023):171-188,
https://doi.org/10.5937/zrffp53-45391 . .

Устоличење невидљивог. Ка разумевању порекла и развоја иконографије празних престола и хетимасије у периоду касне антике

Вранешевић, Бранка; Шпехар, Олга

(Институт за историју уметности, Филозофски факултет у Београду, 2021)

TY  - JOUR
AU  - Вранешевић, Бранка
AU  - Шпехар, Олга
PY  - 2021
UR  - http://reff.f.bg.ac.rs/handle/123456789/6418
AB  - Мотив хетимасије један је од распрострањенијих и сло-
женијих у средњовековној иконографији и он своје корене
има у грчко-римским и јудејским празним престолима
невидљивог или одсутног божанства. Он се постепено
развија у касноантичком периоду, а свој пун процват
доживљава у средњем веку. Од XI века се појављује у сце-
нама Страшног суда где носи есхатолошку конотацију
(Пс 9, 7–8). Уз преглед досадашњих начина сагледавања
овог проблема, овај рад нуди другачије могућности ту-
мачења порекла и развоја мотива празног престола и
хетимасије у касној антици.
AB  - The motif of hetoimasia is one of the most widespread and
most complex in medieval iconography, and it has its roots in
the Graeco-Roman and Jewish empty thrones of an invisible
or absent deity. It gradually developed during the Late Antique period, and experienced its full flourishing in the Middle
Ages. It has been appearing in the scenes of the Last Judgment
since the eleventh century and, as such, inherits an eschatological connotation (Ps. 9: 7–8). Besides a survey of the earlier
ways of percieving this problem, this paper offers alternative
possibilities for interpreting the origin and development of the
motifs of empty thrones and hetoimasia in Late Antiquity
PB  - Институт за историју уметности, Филозофски факултет у Београду
T2  - Зограф
T1  - Устоличење невидљивог. Ка разумевању порекла и развоја иконографије празних престола и хетимасије у периоду касне антике
T1  - Enthronement of the invisible. Understanding the origin and evolution of the iconography of empty thrones and hetoimasia in the Late Antique period
EP  - 14
SP  - 1
VL  - 45
DO  - 10.2298/ZOG2145001V
ER  - 
@article{
author = "Вранешевић, Бранка and Шпехар, Олга",
year = "2021",
abstract = "Мотив хетимасије један је од распрострањенијих и сло-
женијих у средњовековној иконографији и он своје корене
има у грчко-римским и јудејским празним престолима
невидљивог или одсутног божанства. Он се постепено
развија у касноантичком периоду, а свој пун процват
доживљава у средњем веку. Од XI века се појављује у сце-
нама Страшног суда где носи есхатолошку конотацију
(Пс 9, 7–8). Уз преглед досадашњих начина сагледавања
овог проблема, овај рад нуди другачије могућности ту-
мачења порекла и развоја мотива празног престола и
хетимасије у касној антици., The motif of hetoimasia is one of the most widespread and
most complex in medieval iconography, and it has its roots in
the Graeco-Roman and Jewish empty thrones of an invisible
or absent deity. It gradually developed during the Late Antique period, and experienced its full flourishing in the Middle
Ages. It has been appearing in the scenes of the Last Judgment
since the eleventh century and, as such, inherits an eschatological connotation (Ps. 9: 7–8). Besides a survey of the earlier
ways of percieving this problem, this paper offers alternative
possibilities for interpreting the origin and development of the
motifs of empty thrones and hetoimasia in Late Antiquity",
publisher = "Институт за историју уметности, Филозофски факултет у Београду",
journal = "Зограф",
title = "Устоличење невидљивог. Ка разумевању порекла и развоја иконографије празних престола и хетимасије у периоду касне антике, Enthronement of the invisible. Understanding the origin and evolution of the iconography of empty thrones and hetoimasia in the Late Antique period",
pages = "14-1",
volume = "45",
doi = "10.2298/ZOG2145001V"
}
Вранешевић, Б.,& Шпехар, О.. (2021). Устоличење невидљивог. Ка разумевању порекла и развоја иконографије празних престола и хетимасије у периоду касне антике. in Зограф
Институт за историју уметности, Филозофски факултет у Београду., 45, 1-14.
https://doi.org/10.2298/ZOG2145001V
Вранешевић Б, Шпехар О. Устоличење невидљивог. Ка разумевању порекла и развоја иконографије празних престола и хетимасије у периоду касне антике. in Зограф. 2021;45:1-14.
doi:10.2298/ZOG2145001V .
Вранешевић, Бранка, Шпехар, Олга, "Устоличење невидљивог. Ка разумевању порекла и развоја иконографије празних престола и хетимасије у периоду касне антике" in Зограф, 45 (2021):1-14,
https://doi.org/10.2298/ZOG2145001V . .
3

Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska

Špehar, Olga

(Matica srpska, Novi Sad, 2017)

TY  - JOUR
AU  - Špehar, Olga
PY  - 2017
UR  - http://reff.f.bg.ac.rs/handle/123456789/2360
AB  - Roman art changed through centuries because of many different cultural and historical circumstances. However, sepulchral art, alongside with the funerary customs, changed very slowly. In the time when Christianity begun to take over the leading role among the religions of the Empire, in Pannonia Secunda a tomb was painted on the necropolis in modern Beska, that shows the endurance of Roman tradition when the understanding of afterlife is in question. Its wall paintings were published more than thirty years ago, because their repertoire is very interesting, but the explanation of its program as a whole is still missing. This work is an attempt to fill the gap by offering one possible interpretation of those paintings.
PB  - Matica srpska, Novi Sad
T2  - Zbornik Matice srpske za likovne umetnosti
T1  - Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska
EP  - 24
IS  - 45
SP  - 13
UR  - https://hdl.handle.net/21.15107/rcub_reff_2360
ER  - 
@article{
author = "Špehar, Olga",
year = "2017",
abstract = "Roman art changed through centuries because of many different cultural and historical circumstances. However, sepulchral art, alongside with the funerary customs, changed very slowly. In the time when Christianity begun to take over the leading role among the religions of the Empire, in Pannonia Secunda a tomb was painted on the necropolis in modern Beska, that shows the endurance of Roman tradition when the understanding of afterlife is in question. Its wall paintings were published more than thirty years ago, because their repertoire is very interesting, but the explanation of its program as a whole is still missing. This work is an attempt to fill the gap by offering one possible interpretation of those paintings.",
publisher = "Matica srpska, Novi Sad",
journal = "Zbornik Matice srpske za likovne umetnosti",
title = "Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska",
pages = "24-13",
number = "45",
url = "https://hdl.handle.net/21.15107/rcub_reff_2360"
}
Špehar, O.. (2017). Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska. in Zbornik Matice srpske za likovne umetnosti
Matica srpska, Novi Sad.(45), 13-24.
https://hdl.handle.net/21.15107/rcub_reff_2360
Špehar O. Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska. in Zbornik Matice srpske za likovne umetnosti. 2017;(45):13-24.
https://hdl.handle.net/21.15107/rcub_reff_2360 .
Špehar, Olga, "Home for Eternity. A possible Interpretation of the Late Roman Tomb Paintings from Beska" in Zbornik Matice srpske za likovne umetnosti, no. 45 (2017):13-24,
https://hdl.handle.net/21.15107/rcub_reff_2360 .

The imperial city of justiniana prima as a paradigm of constantinopolitan influence in the central balkans

Špehar, Olga

(Archaeopress, 2015)

TY  - CHAP
AU  - Špehar, Olga
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/2037
AB  - Since the founding of Constantinople in AD 330, the Central Balkans were permanently under immediate or indirect influence of this, the capital of the Byzantine and later of the Ottoman empire. The spread of Christianity, newly legalised by the Edict of Milan, had a direct impact on the growing importance of the Constantine’s eastern imperial capital. The purchase of some of the most valuable relics from the Holy Land made it a Christian capital too.1 Christianity brought a completely different perspective to the almost spiritual importance that Constantinople would have within the whole of Europe for centuries to come.
PB  - Archaeopress
T2  - The Danubian Lands between the Black, Aegean and Adriatic Seas: (7th Century BC-10th Century AD)
T1  - The imperial city of justiniana prima as a paradigm of constantinopolitan influence in the central balkans
EP  - 233
SP  - 229
UR  - https://hdl.handle.net/21.15107/rcub_reff_2037
ER  - 
@inbook{
author = "Špehar, Olga",
year = "2015",
abstract = "Since the founding of Constantinople in AD 330, the Central Balkans were permanently under immediate or indirect influence of this, the capital of the Byzantine and later of the Ottoman empire. The spread of Christianity, newly legalised by the Edict of Milan, had a direct impact on the growing importance of the Constantine’s eastern imperial capital. The purchase of some of the most valuable relics from the Holy Land made it a Christian capital too.1 Christianity brought a completely different perspective to the almost spiritual importance that Constantinople would have within the whole of Europe for centuries to come.",
publisher = "Archaeopress",
journal = "The Danubian Lands between the Black, Aegean and Adriatic Seas: (7th Century BC-10th Century AD)",
booktitle = "The imperial city of justiniana prima as a paradigm of constantinopolitan influence in the central balkans",
pages = "233-229",
url = "https://hdl.handle.net/21.15107/rcub_reff_2037"
}
Špehar, O.. (2015). The imperial city of justiniana prima as a paradigm of constantinopolitan influence in the central balkans. in The Danubian Lands between the Black, Aegean and Adriatic Seas: (7th Century BC-10th Century AD)
Archaeopress., 229-233.
https://hdl.handle.net/21.15107/rcub_reff_2037
Špehar O. The imperial city of justiniana prima as a paradigm of constantinopolitan influence in the central balkans. in The Danubian Lands between the Black, Aegean and Adriatic Seas: (7th Century BC-10th Century AD). 2015;:229-233.
https://hdl.handle.net/21.15107/rcub_reff_2037 .
Špehar, Olga, "The imperial city of justiniana prima as a paradigm of constantinopolitan influence in the central balkans" in The Danubian Lands between the Black, Aegean and Adriatic Seas: (7th Century BC-10th Century AD) (2015):229-233,
https://hdl.handle.net/21.15107/rcub_reff_2037 .
1

Private piety or collective worship in early Christian martyria. Late antique Naissus case study

Špehar, Olga

(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2015)

TY  - JOUR
AU  - Špehar, Olga
PY  - 2015
UR  - http://reff.f.bg.ac.rs/handle/123456789/1964
AB  - Explanation of the purpose of early Christian martyria as places of collective memory is a complex of many different circumstances and meanings and must be observed in accordance. First of all, martyria are architectural monuments dedicated to the martyrs, historical evidences of the martyrial death of those who suffered for Christ - this is a simple explanation of their real meaning. Yet, their social role is even more important than their historical role - martyria continuously transferred an idea of Salvation among the people, becoming thus the places of collective memory. But what happen when the martyr's relics are "usurped" by one wealthy family? This paper aim to shed some light on what could have been the real purpose of one such example, the martyrium attached to the basilica on the necropolis in Jagodin Mala in Naissus (modern Nis).
PB  - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
T2  - Zograf
T1  - Private piety or collective worship in early Christian martyria. Late antique Naissus case study
EP  - 10
SP  - 1
VL  - 39
DO  - 10.2298/ZOG1539001S
ER  - 
@article{
author = "Špehar, Olga",
year = "2015",
abstract = "Explanation of the purpose of early Christian martyria as places of collective memory is a complex of many different circumstances and meanings and must be observed in accordance. First of all, martyria are architectural monuments dedicated to the martyrs, historical evidences of the martyrial death of those who suffered for Christ - this is a simple explanation of their real meaning. Yet, their social role is even more important than their historical role - martyria continuously transferred an idea of Salvation among the people, becoming thus the places of collective memory. But what happen when the martyr's relics are "usurped" by one wealthy family? This paper aim to shed some light on what could have been the real purpose of one such example, the martyrium attached to the basilica on the necropolis in Jagodin Mala in Naissus (modern Nis).",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd",
journal = "Zograf",
title = "Private piety or collective worship in early Christian martyria. Late antique Naissus case study",
pages = "10-1",
volume = "39",
doi = "10.2298/ZOG1539001S"
}
Špehar, O.. (2015). Private piety or collective worship in early Christian martyria. Late antique Naissus case study. in Zograf
Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 39, 1-10.
https://doi.org/10.2298/ZOG1539001S
Špehar O. Private piety or collective worship in early Christian martyria. Late antique Naissus case study. in Zograf. 2015;39:1-10.
doi:10.2298/ZOG1539001S .
Špehar, Olga, "Private piety or collective worship in early Christian martyria. Late antique Naissus case study" in Zograf, 39 (2015):1-10,
https://doi.org/10.2298/ZOG1539001S . .
2
1

Nastanak hrišćanske sakralne topografije urbanih prostora centralnog Balkana : od Milanskog edikta do početka 7. veka

Špehar, Olga

(Univerzitet u Beogradu, Filozofski fakultet, 2013)

TY  - THES
AU  - Špehar, Olga
PY  - 2013
UR  - http://eteze.bg.ac.rs/application/showtheses?thesesId=439
UR  - http://nardus.mpn.gov.rs/handle/123456789/3243
UR  - http://vbs.rs/scripts/cobiss?command=DISPLAY&base=70036&RID=43956751
UR  - http://reff.f.bg.ac.rs/handle/123456789/14
AB  - Hrišćanstvo je na teritoriju centralnog Balkana dospelo verovatno posredstvom vojnika, bilo da je reč o aktivnim pripadnicima legija ili o veteranima, koji su se nakon odsluženog vojnog roka naseljavali u nekom od mnogih gradova Carsta, pa i u većim gradovima na centralnom Balkanu. Premda je poznato da hrišćanska zajednica i organizovana Crkva postoje svakako pre početka 4. veka, hrišćanska sakralna topografija na pomenutoj teritoriji može da se prati tek nakon što je proglašenjem Milanskog edikta 313. godine pripadnicima ove religije, nekada smatrane opasnom po Carstvo, omogućeno da grade hramove u kojima bi se vršila bogosluženja ili kojima bi obeležavali mesto na kome su pohranjene mošti stradalnika za veru. Proces nastanka hrišćanske sakralne topografije u gradovima centralnog Balkana bio je dugotrajan, budući da su brojni sukobi, koje su Rimljani vodili sa nerimskim narodima i plemenima tokom 4. i 5. veka, neretko za sobom ostavljali pustoš. Stoga o potpuno formiranom hrišćanskom gradu na pomenutoj teritoriji možemo govoriti tek nakon Justinijanove obnove u 6. veku. Radom su obuhvaćeni poznati urbani centri u kojima se na osnovu sačuvanih ostataka arhitekture može pratiti proces njihove transformacije, poput Sirmijuma, Viminacijuma, Naisusa, Remesijane i Ulpijane. Takođe, biće reči i o Romulijani i Medijani koje, uprkos tome što nisu imale zvaničan status grada, pružaju značajne informacije o hristijanizaciji urbanih prostora. Veliki rani hrišćanski centri negovali su kultove mučenika, a njihovi su episkopi grad okružili martirijumima i memorijama, stvarajući neku vrstu simboličnog prstena koji je u ime Hristovo štitio grad. Vremenom su se ustalile gradska crkva i grobljanske crkve, a ovakva topografska slika postala je uočljiva još pre 6. veka. Vrhunac razvijene rane hrišćanske sakralne topografije predstavljaju šestovekovni lokaliteti Gradina na Jelici i Caričin grad, kojima je u radu posvećena i posebna pažnja. U svakom od pomenutih gradova može se uočiti postojanje više gradskih crkava intra muros i najmanje jedan hram extra muros (in cimiterio). Naglašena je i verovatna ubikacija arhiepiskopskog sedišta Iustiniana Prima na lokalitetu Caričin grad, a time i značajno mesto ovog nekada uticajnog grada i njegove topografije u čitavom Carstvu.
AB  - Christianity on the territory of the central Balkans was most probably brought by soldiers, whether active members of legions, or the veterans who, after leaving the army, settled in one of the many large urban centers of Empire, as well as on the central Balkans. Although it is known that Christian community and organized Church already existed before the beginning of the 4th century, the Christian sacred topography can be observed only after the Peace of the Church declared in Milan in 313, when to the followers of this religion, once held dangerous for the Empire, was given the possibility to build temples for celebrating Mass or for commemorating the burial places of their martyrs. The process of creating the Christian sacred topography in towns and cities on the central Balkans lasted long, because of numerous wars that roman army led with non-roman nations and tribes during the 4th and 5th centuries, which often left settlements desolated. That is why the completely formed Christian city on the mentioned territory can be observed only after the rebuilding carried out by the emperor Justinian I in the 6th century. This study deals with known urban centers, in which the transformation can be observed, based on the remains of architecture, such as Sirmium, Viminacium, Naissus, Remesiana and Ulpiana. Despite the fact that they never had an official status of roman city, the settlements of Romuliana and Mediana are also included, because they offer important data about the Christianization of urban spaces. Large early Christian centres cherished the cults of local martyrs, and their bishops surrounded cities with martyriums and memories, thus creating simbolical „ring“ which protects the city in the name of Christ. Town and cemetery churches were established during time, and this topographical picture became visible before the 6th century. Special attention is dedicated to the sites of Gradina on mountain Jelica and Caričin grad, as the highlights of completely developed early Christian sacred topography in the 6th century. In each of above mentioned cities the existence of more than one intramural churches, and at least one extramural Christian temple (in cimiterio), can be detected. The probable identification of site Caričin grad as archbishopric seat Iustiniana Prima is also emphasized, as well as the important place of once influential city and its topography in the whole Empire.
PB  - Univerzitet u Beogradu, Filozofski fakultet
T1  - Nastanak hrišćanske sakralne topografije urbanih prostora centralnog Balkana : od Milanskog edikta do početka 7. veka
T1  - The making of christian sacred topography of the urban spaces on Central Balkans: from the Edict of Milan to the beginning of the 7th century
UR  - https://hdl.handle.net/21.15107/rcub_nardus_3243
ER  - 
@phdthesis{
author = "Špehar, Olga",
year = "2013",
abstract = "Hrišćanstvo je na teritoriju centralnog Balkana dospelo verovatno posredstvom vojnika, bilo da je reč o aktivnim pripadnicima legija ili o veteranima, koji su se nakon odsluženog vojnog roka naseljavali u nekom od mnogih gradova Carsta, pa i u većim gradovima na centralnom Balkanu. Premda je poznato da hrišćanska zajednica i organizovana Crkva postoje svakako pre početka 4. veka, hrišćanska sakralna topografija na pomenutoj teritoriji može da se prati tek nakon što je proglašenjem Milanskog edikta 313. godine pripadnicima ove religije, nekada smatrane opasnom po Carstvo, omogućeno da grade hramove u kojima bi se vršila bogosluženja ili kojima bi obeležavali mesto na kome su pohranjene mošti stradalnika za veru. Proces nastanka hrišćanske sakralne topografije u gradovima centralnog Balkana bio je dugotrajan, budući da su brojni sukobi, koje su Rimljani vodili sa nerimskim narodima i plemenima tokom 4. i 5. veka, neretko za sobom ostavljali pustoš. Stoga o potpuno formiranom hrišćanskom gradu na pomenutoj teritoriji možemo govoriti tek nakon Justinijanove obnove u 6. veku. Radom su obuhvaćeni poznati urbani centri u kojima se na osnovu sačuvanih ostataka arhitekture može pratiti proces njihove transformacije, poput Sirmijuma, Viminacijuma, Naisusa, Remesijane i Ulpijane. Takođe, biće reči i o Romulijani i Medijani koje, uprkos tome što nisu imale zvaničan status grada, pružaju značajne informacije o hristijanizaciji urbanih prostora. Veliki rani hrišćanski centri negovali su kultove mučenika, a njihovi su episkopi grad okružili martirijumima i memorijama, stvarajući neku vrstu simboličnog prstena koji je u ime Hristovo štitio grad. Vremenom su se ustalile gradska crkva i grobljanske crkve, a ovakva topografska slika postala je uočljiva još pre 6. veka. Vrhunac razvijene rane hrišćanske sakralne topografije predstavljaju šestovekovni lokaliteti Gradina na Jelici i Caričin grad, kojima je u radu posvećena i posebna pažnja. U svakom od pomenutih gradova može se uočiti postojanje više gradskih crkava intra muros i najmanje jedan hram extra muros (in cimiterio). Naglašena je i verovatna ubikacija arhiepiskopskog sedišta Iustiniana Prima na lokalitetu Caričin grad, a time i značajno mesto ovog nekada uticajnog grada i njegove topografije u čitavom Carstvu., Christianity on the territory of the central Balkans was most probably brought by soldiers, whether active members of legions, or the veterans who, after leaving the army, settled in one of the many large urban centers of Empire, as well as on the central Balkans. Although it is known that Christian community and organized Church already existed before the beginning of the 4th century, the Christian sacred topography can be observed only after the Peace of the Church declared in Milan in 313, when to the followers of this religion, once held dangerous for the Empire, was given the possibility to build temples for celebrating Mass or for commemorating the burial places of their martyrs. The process of creating the Christian sacred topography in towns and cities on the central Balkans lasted long, because of numerous wars that roman army led with non-roman nations and tribes during the 4th and 5th centuries, which often left settlements desolated. That is why the completely formed Christian city on the mentioned territory can be observed only after the rebuilding carried out by the emperor Justinian I in the 6th century. This study deals with known urban centers, in which the transformation can be observed, based on the remains of architecture, such as Sirmium, Viminacium, Naissus, Remesiana and Ulpiana. Despite the fact that they never had an official status of roman city, the settlements of Romuliana and Mediana are also included, because they offer important data about the Christianization of urban spaces. Large early Christian centres cherished the cults of local martyrs, and their bishops surrounded cities with martyriums and memories, thus creating simbolical „ring“ which protects the city in the name of Christ. Town and cemetery churches were established during time, and this topographical picture became visible before the 6th century. Special attention is dedicated to the sites of Gradina on mountain Jelica and Caričin grad, as the highlights of completely developed early Christian sacred topography in the 6th century. In each of above mentioned cities the existence of more than one intramural churches, and at least one extramural Christian temple (in cimiterio), can be detected. The probable identification of site Caričin grad as archbishopric seat Iustiniana Prima is also emphasized, as well as the important place of once influential city and its topography in the whole Empire.",
publisher = "Univerzitet u Beogradu, Filozofski fakultet",
title = "Nastanak hrišćanske sakralne topografije urbanih prostora centralnog Balkana : od Milanskog edikta do početka 7. veka, The making of christian sacred topography of the urban spaces on Central Balkans: from the Edict of Milan to the beginning of the 7th century",
url = "https://hdl.handle.net/21.15107/rcub_nardus_3243"
}
Špehar, O.. (2013). Nastanak hrišćanske sakralne topografije urbanih prostora centralnog Balkana : od Milanskog edikta do početka 7. veka. 
Univerzitet u Beogradu, Filozofski fakultet..
https://hdl.handle.net/21.15107/rcub_nardus_3243
Špehar O. Nastanak hrišćanske sakralne topografije urbanih prostora centralnog Balkana : od Milanskog edikta do početka 7. veka. 2013;.
https://hdl.handle.net/21.15107/rcub_nardus_3243 .
Špehar, Olga, "Nastanak hrišćanske sakralne topografije urbanih prostora centralnog Balkana : od Milanskog edikta do početka 7. veka" (2013),
https://hdl.handle.net/21.15107/rcub_nardus_3243 .

Christian sacred architecture of Late Antique Romuliana (IV-VII c.) Desacralization of an imperial memorial palace

Špehar, Olga

(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)

TY  - JOUR
AU  - Špehar, Olga
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1231
AB  - This paper deals primarily with Christian sacred buildings which played a key role in the process of desacralization of the palace of Romuliana as the focus of Roman imperial cult. The old aula palatina was transformed into a three-aisled basilica already by the end of fourth or the beginning of fifth century, together with some other representative rooms of emperor 's residence which shared a similar fate. The settlement formed inside the fortress existed from the end of fourth to the end of sixth or; more likely, to the beginning of the seventh century, when the Byzantine Empire finally lost the central Balkans.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
T2  - Zograf
T1  - Christian sacred architecture of Late Antique Romuliana (IV-VII c.) Desacralization of an imperial memorial palace
EP  - 38
SP  - 27
VL  - 35
DO  - 10.2298/ZOG1135027S
ER  - 
@article{
author = "Špehar, Olga",
year = "2011",
abstract = "This paper deals primarily with Christian sacred buildings which played a key role in the process of desacralization of the palace of Romuliana as the focus of Roman imperial cult. The old aula palatina was transformed into a three-aisled basilica already by the end of fourth or the beginning of fifth century, together with some other representative rooms of emperor 's residence which shared a similar fate. The settlement formed inside the fortress existed from the end of fourth to the end of sixth or; more likely, to the beginning of the seventh century, when the Byzantine Empire finally lost the central Balkans.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd",
journal = "Zograf",
title = "Christian sacred architecture of Late Antique Romuliana (IV-VII c.) Desacralization of an imperial memorial palace",
pages = "38-27",
volume = "35",
doi = "10.2298/ZOG1135027S"
}
Špehar, O.. (2011). Christian sacred architecture of Late Antique Romuliana (IV-VII c.) Desacralization of an imperial memorial palace. in Zograf
Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd., 35, 27-38.
https://doi.org/10.2298/ZOG1135027S
Špehar O. Christian sacred architecture of Late Antique Romuliana (IV-VII c.) Desacralization of an imperial memorial palace. in Zograf. 2011;35:27-38.
doi:10.2298/ZOG1135027S .
Špehar, Olga, "Christian sacred architecture of Late Antique Romuliana (IV-VII c.) Desacralization of an imperial memorial palace" in Zograf, 35 (2011):27-38,
https://doi.org/10.2298/ZOG1135027S . .
1

Hrišćanska sakralna arhitektura kasnoantičke Romulijane (IV-VII vek) - desakralizacija carske memorijalne palate

Špehar, Olga

(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)

TY  - JOUR
AU  - Špehar, Olga
PY  - 2011
UR  - http://reff.f.bg.ac.rs/handle/123456789/1180
AB  - Rad je posvećen prvenstveno onim hrišćanskim sakralnim građevinama koje su imale presudnu ulogu u desakralizaciji carske palate u Romulijani kao fokusa kulta rimskog vladara. Nekadašnja aula palatina preobražena je u trobrodnu baziliku već krajem IV ili početkom V veka, a sličnu sudbinu imale su i druge reprezentativne odaje carske rezidencije. Naselje unutar utvrđenja živelo je od kraja IV do kraja VI veka ili, verovatnije, do početka VII stoleća, kada je Vizantijsko carstvo konačno izgubilo središnje balkanske oblasti.
AB  - At the very end of the third century AD, the emperor Galerius (293-311) built a memorial complex Felix Romuliana in order to commemorate the place of his birth and he dedicated it to his mother Romula. Shortly after his death in Serdica in 311, he was buried in the mausoleum built on the hill Magura, at about 1 km distance from his memorial palace. It was also the place of his consecration and apotheosis. Considering the fact that the imperial cult was the most prominent and the most widespread cult in the Roman Empire, the imperial palace was treated as the focus of the cultic activities. By the end of the fourth century Romuliana lost its strictly memorial character and became, most probably, a refugee for the local inhabitants trying to find a place safe from the attacks of the tribes living north of the limes. At the same time the first church was built. According to the up to date information from the archeological investigations that are still carried on the site, eight churches were discovered in or near the fortress of Romuliana, five of which inside the fortified walls. Unfortunately, four of them were only partially discovered and are still waiting to be fully published. The remaining four were created by the transformation of the original rooms of the imperial residence, so called Palace I. The oldest church, dated to the end of fourth or the very beginning of the fifth century, is the three-aisled Basilica I embedded into the room D, the old aula palatina of the original Palace I. Although the original room had an apse on its eastern end, the builders of the basilica built new apse on the distance of 13.10 m west of the original apse, maybe deliberately neglecting the old one as the focus of the cult of the Roman emperor. The transformation of the aula palatina into the Christian church marked the beginning of the process of desacralization of the tetrarchic imperial palace. Basilica I was probably used until the sixth century, when the new church was raised on the same spot. In the second half of the fifth century, room R of the Palace I was transformed into the small single-nave church by building the new apse on its eastern end. It was connected with the small room M, which was transformed into the baptistery by building the small cross-shaped piscina. By the beginning of the sixth century the small room M was added an apse in the east, so it was also transformed into the church. Basilica I was destroyed and the new church was built in the same place most probably by the middle of the sixth century, presumably at the time of the restoration of the fortresses along the limes and in the hinterland during the reign of Justinian I (527-565). Procopius informs us that Romuliana was among the renovated fortresses and that it fell under the jurisdiction of the Episcopal see in Aquis. The newly built three-aisled Basilica II was wider than the older one and had a quatrefoil baptistery at its south-western side. Geographically and chronologically, closest parallels for this architectural type of baptistery would be the quatrefoils baptisteries in Stobi and Caričin grad (Iustiniana Prima). The existence of the baptistery, made some researchers connect Romuliana with the episcopate of Meridio or define settlement as an Episcopal see of the sixth century, but the available archeological data do not permit any precise hypothesis referring its place in church organization. Despite the lack of the information in the written sources, the number of Christian sacred temples on the site of Late Antique Romuliana testify of the size of its Christian community in the first three centuries of the official Christianity.
PB  - Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd
T2  - Zograf
T1  - Hrišćanska sakralna arhitektura kasnoantičke Romulijane (IV-VII vek) - desakralizacija carske memorijalne palate
T1  - Christian sacred architecture of late antique Romuliana (IV-VII c.): Desacralization of an imperial memorial palace
EP  - 38
IS  - 35
SP  - 27
UR  - https://hdl.handle.net/21.15107/rcub_reff_1180
ER  - 
@article{
author = "Špehar, Olga",
year = "2011",
abstract = "Rad je posvećen prvenstveno onim hrišćanskim sakralnim građevinama koje su imale presudnu ulogu u desakralizaciji carske palate u Romulijani kao fokusa kulta rimskog vladara. Nekadašnja aula palatina preobražena je u trobrodnu baziliku već krajem IV ili početkom V veka, a sličnu sudbinu imale su i druge reprezentativne odaje carske rezidencije. Naselje unutar utvrđenja živelo je od kraja IV do kraja VI veka ili, verovatnije, do početka VII stoleća, kada je Vizantijsko carstvo konačno izgubilo središnje balkanske oblasti., At the very end of the third century AD, the emperor Galerius (293-311) built a memorial complex Felix Romuliana in order to commemorate the place of his birth and he dedicated it to his mother Romula. Shortly after his death in Serdica in 311, he was buried in the mausoleum built on the hill Magura, at about 1 km distance from his memorial palace. It was also the place of his consecration and apotheosis. Considering the fact that the imperial cult was the most prominent and the most widespread cult in the Roman Empire, the imperial palace was treated as the focus of the cultic activities. By the end of the fourth century Romuliana lost its strictly memorial character and became, most probably, a refugee for the local inhabitants trying to find a place safe from the attacks of the tribes living north of the limes. At the same time the first church was built. According to the up to date information from the archeological investigations that are still carried on the site, eight churches were discovered in or near the fortress of Romuliana, five of which inside the fortified walls. Unfortunately, four of them were only partially discovered and are still waiting to be fully published. The remaining four were created by the transformation of the original rooms of the imperial residence, so called Palace I. The oldest church, dated to the end of fourth or the very beginning of the fifth century, is the three-aisled Basilica I embedded into the room D, the old aula palatina of the original Palace I. Although the original room had an apse on its eastern end, the builders of the basilica built new apse on the distance of 13.10 m west of the original apse, maybe deliberately neglecting the old one as the focus of the cult of the Roman emperor. The transformation of the aula palatina into the Christian church marked the beginning of the process of desacralization of the tetrarchic imperial palace. Basilica I was probably used until the sixth century, when the new church was raised on the same spot. In the second half of the fifth century, room R of the Palace I was transformed into the small single-nave church by building the new apse on its eastern end. It was connected with the small room M, which was transformed into the baptistery by building the small cross-shaped piscina. By the beginning of the sixth century the small room M was added an apse in the east, so it was also transformed into the church. Basilica I was destroyed and the new church was built in the same place most probably by the middle of the sixth century, presumably at the time of the restoration of the fortresses along the limes and in the hinterland during the reign of Justinian I (527-565). Procopius informs us that Romuliana was among the renovated fortresses and that it fell under the jurisdiction of the Episcopal see in Aquis. The newly built three-aisled Basilica II was wider than the older one and had a quatrefoil baptistery at its south-western side. Geographically and chronologically, closest parallels for this architectural type of baptistery would be the quatrefoils baptisteries in Stobi and Caričin grad (Iustiniana Prima). The existence of the baptistery, made some researchers connect Romuliana with the episcopate of Meridio or define settlement as an Episcopal see of the sixth century, but the available archeological data do not permit any precise hypothesis referring its place in church organization. Despite the lack of the information in the written sources, the number of Christian sacred temples on the site of Late Antique Romuliana testify of the size of its Christian community in the first three centuries of the official Christianity.",
publisher = "Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd",
journal = "Zograf",
title = "Hrišćanska sakralna arhitektura kasnoantičke Romulijane (IV-VII vek) - desakralizacija carske memorijalne palate, Christian sacred architecture of late antique Romuliana (IV-VII c.): Desacralization of an imperial memorial palace",
pages = "38-27",
number = "35",
url = "https://hdl.handle.net/21.15107/rcub_reff_1180"
}
Špehar, O.. (2011). Hrišćanska sakralna arhitektura kasnoantičke Romulijane (IV-VII vek) - desakralizacija carske memorijalne palate. in Zograf
Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd.(35), 27-38.
https://hdl.handle.net/21.15107/rcub_reff_1180
Špehar O. Hrišćanska sakralna arhitektura kasnoantičke Romulijane (IV-VII vek) - desakralizacija carske memorijalne palate. in Zograf. 2011;(35):27-38.
https://hdl.handle.net/21.15107/rcub_reff_1180 .
Špehar, Olga, "Hrišćanska sakralna arhitektura kasnoantičke Romulijane (IV-VII vek) - desakralizacija carske memorijalne palate" in Zograf, no. 35 (2011):27-38,
https://hdl.handle.net/21.15107/rcub_reff_1180 .