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Istorija umetnosti / History of Art
Radovi istraživača / Researcher's publications - Institut za istoriju umetnosti
Pregled naslova
REFF
Istorija umetnosti / History of Art
Radovi istraživača / Researcher's publications - Institut za istoriju umetnosti
Pregled naslova
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Sanctuary screen in the church of Saint Nicholas in Sremska Kamenica
[1]
Savremeni umetnik: baštinik ili kritičcar savremenih sistema vrednosti?
[1]
Serbian Symbolist Sculpture
[1]
Simbolistička vizija Miloša Golubovića
[1]
Space Crisis: Encounter in the Museum Building or Online?
[1]
Specific authorial features and history of art: The frescoes of the upper bays of the narthex and porch of St. Sophia in Ohrid and the wall paintings of Ohrid and the neighbouring regions
[1]
Spiritual and Material Meaning and the Analysis of the Motif of Three Fish with One Head from a Fragment of the Late Antique Floor Mosaic in Petrovac at Sea
[1]
Superhistorical Motifs in Miloš Golubović's War Paintings and Images of the Soul in the Times of Crisis
[1]
Sur les spécificités iconographiques de la mosaïque avec la représentation d’Аrion dans la Villa du Casale romaine (Piazza Armerina). Contribution à l’étude des représentations d’Аrion dans l’art antique
[1]
Symbolistic vision of Miloš Golubović
[1]
The Belgrade opus of architect Leonid Maksheev (1925−1941)
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The Cathedral of the Roman catholic Archdiocese of Belgrade: from initiative to unrealized project
[1]
The Church of Assumption of Blessed Virgin Mary in Belgrade: A Memorial to the Fallen French Soldiers on the Thessaloniki Front
[1]
The Church of the Mother of God Hodegetria in the Patriarchate of Peć
[1]
The city, the novel and the museum as spaces of memory “The museum of innocence” by Orhan Pamuk
[1]
The Lion Mask Motif on the Pillar of St. Simeon the Wonder-worker in Lesnovo (1349). Its Origin and Meaning
[1]
The mention of China in the life of Despot Stefan Lazarević autohored by Konstantin Filozof
[1]
The programmatic context of the scene of the presentation of Christ in temple in the church of the Holy Trinity in Sopoćani (around 1265)
[1]
The Representations of Sun and Moon in the Monastery of Zavala and the reasons of their depiction
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The Role of Architecture in Shaping Sokol Visual Identity in the Kingdom of Yugoslavia
[1]
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