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Observations on the oldest known icons of the Monastery of King Marko (I): The issue of the patronage of Helena Dragas and the inscription on the shield of St Demetrios
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2013)
The paper refutes the assumption of Peter Miljkovie-Pepek that the oldest icons in the treasury of Monastery of King Marko were painted between 1395 and 1405, as a gift the Byzantine empress Helena Dragas made to the ...
The iconostasis in Decani - the original painted programme and subsequent changes
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted ...
Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early ...
Stratigraphy of the wall paintings in the main church of the Praskvica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In the katholikon of the monastery of Praskvica there are remains of two
layers of post-Byzantine wall-painting: the earlier, from the third quarter
of the sixteenth century, and later, from the first half of the ...
The iconography of light. A possible interpretation of the decoration of a three nozzle lamp from Viminacium
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
This paper focuses on offering a possible iconographic interpretation of the decoration of a rare three nozzle lamp discovered in the ancient city of Viminacium, on the locality of a necropolis called Pecine, dated to the ...
Hidden and forgotten frescoes in Danilo's narthex at the Patriarchate of Pec
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
The paper discusses unknown frescoes in the narthex of the Patriarchate of Pec Monastery dating from c. 1332 and found during the conservation-restoration works undertaken in 1931. They were discovered above the younger ...
The painted program in the dome of the Church of St. George in Dobrilovina
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2018)
The fairly well-preserved fresco paintings in the dome of the Church of St. George at the Dobrilovina Monastery feature some rather unusual programmatic and iconographical solutions. The depiction of the Presanctified ...
A hypothesis about the earliest phase of Žiča katholikon
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
Based on the results of the archaeological research of the oldest horizon of
the katholikon of Žiča Monastery, this paper brings the hypothesis that the
initial model for its spatial arrangement was the main church of ...
Michael Glabas Tarchaneiotes - the ktetor of the Treskavac Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In this paper, the monastery of Prisklabetza (Πρισκλάβητζα) in Prilep,
mentioned as the endowment of Michael Glabas Tarchaneiotes in the shortened
version of the History by George Pachymeres, is identified with the ...