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Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
Stratigraphy of the wall paintings in the main church of the Praskvica Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In the katholikon of the monastery of Praskvica there are remains of two
layers of post-Byzantine wall-painting: the earlier, from the third quarter
of the sixteenth century, and later, from the first half of the ...
Michael Glabas Tarchaneiotes - the ktetor of the Treskavac Monastery
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2014)
In this paper, the monastery of Prisklabetza (Πρισκλάβητζα) in Prilep,
mentioned as the endowment of Michael Glabas Tarchaneiotes in the shortened
version of the History by George Pachymeres, is identified with the ...
Hidden and forgotten frescoes in Danilo's narthex at the Patriarchate of Pec
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
The paper discusses unknown frescoes in the narthex of the Patriarchate of Pec Monastery dating from c. 1332 and found during the conservation-restoration works undertaken in 1931. They were discovered above the younger ...
Praying with the senses. Examples of icon devotion and the sensory experience in medieval and early modern Balkans
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2015)
This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon ...
The icon of the Theotokos from the Church of St. Nicholas (Rajko's Church) and the question of painting workshops in medieval Prizren
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2016)
Based on stylistic and paleographical analysis, it can be safely concluded that the icon of the Theotokos from the Church of St. Nicholas (Rajko's Church) in Prizren was not created in the 14th century as previously believed. ...
Slikarstvo priprate Zrza i bogosluženje Strasne sedmice / The fresco painting of the narthex of Zrze and the liturgy of Holy Week
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)
Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije ...
Studenica. An identity in marble
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)
This paper discusses the nature and inherent symbolics of the material of choice of which the body of the chuch of the Virgin Euergetis at Studenica was fashioned. In view of Byzantine theological concepts deeply ingrained ...
The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early ...
On the donor's inscription of Prince Miroslav in the Church of St. Peter on the Lim
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
The Old Slavonic Cyrillic letters "o" and "x" written at the end of Prince Miroslav's inscription in the church of St. Peter in Belo Polje are not, as was earlier thought, an abridged invocation or an acronym. One should ...