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Observations on the oldest known icons of the Monastery of King Marko (I): The issue of the patronage of Helena Dragas and the inscription on the shield of St Demetrios
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2013)
The paper refutes the assumption of Peter Miljkovie-Pepek that the oldest icons in the treasury of Monastery of King Marko were painted between 1395 and 1405, as a gift the Byzantine empress Helena Dragas made to the ...
On the possible sources and creators of woodcut illustrations in the Octoechos (Tone 5-8) (1494)
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2016)
Woodcut illustrations published in the Octoechos (Tone 5-8) in Cetinje in 1494 have long been the focus of researchers because of their exquisite workmanship. However, due to the lack of historical data, the questions ...
Early cyrillic printed books and the migration of decorative forms between the Adriatic and the Danube around 1500
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2020)
The article focuses on the artistic transfer of the early printed books from the Cetinje printing shop, between the Mediterranean and the Danube region in the late medieval and early modern period. The master-printer ...
Iconographic program of the oldest wall paintings in the church of the Virgin Peribleptos at Ohrid. A list of frescoes and notes on certain program particularities
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)
The thematic repertoire of frescoes in the Church of the Virgin Peribleptos in Ohrid is presented systematically and in detail. The list of representations includes a number of scenes and individual figures of saints who ...
Vrednovanje stare srpske umetnosti tokom formiranja srpske istorije umetnosti / The evaluation of old Serbian art during the formation of Serbian art history
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2010)
U radu se sagledava razvoj teorijskog i metodološkog sloja u srpskim tekstovima o umetnosti nastalim tokom XIX veka i prepoznaje postepena promena sistema vrednosti, koja je bila preduslov za tumačenje srednjovekovne umetnosti.
The iconostasis in Decani - the original painted programme and subsequent changes
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
The history of the iconostasis in the central nave of the church in Decani can be divided into two periods. The icons of Christ, the Mother of God, John the Baptist and St. Nicholas on the original altar screen, painted ...
Mural painting of littoral catholicon. List of fresco and observations about the different program of characteristics
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2012)
This paper presents the iconographic program offrescoes in the Church of the Annunciation in the monastery of Gradac, in which there were a number of hitherto unrecognised sections that have now been identified It publishes ...
Slikarstvo priprate Zrza i bogosluženje Strasne sedmice / The fresco painting of the narthex of Zrze and the liturgy of Holy Week
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)
Freske u priprati crkve Preobraženja manastira Zrza kod Prilepa (1368/1369) imaju nekoliko tema neuobičajenih za taj prostor i veoma retku ikonografiju. Sveti monasi u prizemnom pojasu objašnjavaju se kao tri kategorije ...
Studenica. An identity in marble
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2011)
This paper discusses the nature and inherent symbolics of the material of choice of which the body of the chuch of the Virgin Euergetis at Studenica was fashioned. In view of Byzantine theological concepts deeply ingrained ...
The Church of Hagia Sophia in Constantinople as a model for Serbian architects in recent times
(Univerzitet u Beogradu - Filozofski fakultet - Institut za istoriju umetnosti, Beograd, 2019)
Under the influence of Russian and Austrian neo-Byzantinism, as well as increasingly extensive historiographic research, evocations of Byzantine architectural achievements appeared in Serbian architecture in the early ...